Michael Crouser Figurative Photography

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Policewoman Playing Tag, New York City, 1978 by Leonard Freed, is a 16” x 20” gelatin silver photograph from the photographer's Police Work series and book. The photograph from the estate is stamped verso (back of photo) and signed by Brigitte Freed (widow). This is a black and white modern photograph...

Handcuffed, New York City, 1978 is a 14" x 11" black and white lifetime print by Leonard Freed. Signed verso (back of photo) by Leonard Freed, with Freed's copyright stamp also verso, the image appears in Leonard Freed's seminal book "Police Work," published in 1980. For several years in the 1970s Leonard Freed worked alongside the New York police...

The photograph captures and translates the American South of the 1960s. Southern State, 1964 by Leonard Freed, is an 11” x 14” gelatin silver photograph from the photographer's Black...

City Prison, 1965 by American photographer Leonard Freed is a vintage gelatin silver, signed verso (back of photo) by the photographer. It is an iconic image from the photographer's ...

Guests relax by the swimming pool at Lilly Pulitzer's pool party, Palm Beach, Florida, April 1961. Lilly Pulitzer is seen at centre (wearing headscarf) on the lap of her husband, Pet...

A champion of a Korongo Nuba wrestling match sits atop the shoulders of another tribe member in Kordofan in 1949. Rodger received unprecedented access to the Nuba tribe in Southern S...

One of the famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

Rosalind Fox Solomon (1930-2025) Midnapur, West Bengal, 1982 Gelatin silver print Image: 15 1/4 x 15 1/4 in. Sheet: 19 7/8 x 16 in. Framed: 22 1/4 x 18 x 1 in. Signed, dated, titled...

One of the most famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 5. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

World Series Parade, New York City, 1954 by Leonard Freed, is an 11" x 14" gelatin silver later ("lifetime") print, signed on verso (back of print) by the photographer and stamped (magnum). The photograph was handprinted by Leonard Freed. Parade by Freed captures the joy of two majorettes en route in the streets of the city for the celebration of the New York Giants...