Skip to main content

Orovida Pissarro Prints and Multiples

1893-1968

Orovida Pissarro, the only child of Lucien and Esther Pissarro, was the first woman in the Pissarro family to become a professional artist and the first Pissarro of her generation to take up painting. Born in Epping, England, in 1893, she lived and worked predominantly in London, where she was a prominent member of several British arts clubs and societies.

Orovida first learned to paint in the Impressionist style from her father and, after a brief period of formal study with Walter Sickert in 1913, she renounced formal art schooling.

Throughout her career, Orovida always remained outside mainstream British art movements. Much to Lucien's disappointment, she soon turned away from naturalistic painting and developed an unusual style that combined elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which, for the Pissarro family, was a way of life, and her simultaneous decision to drop her famous last name and use simply Orovida as a nom de peintre, reflected a desire for independence and distance from the family legacy, of which she nevertheless remained proud.

Orovida's most distinctive works are her paintings from the 1920s and 1930s in gouache (she called her mixture body color) and tempera, applied in thin, delicate washes to silk, linen, paper or gold leaf and embellished with brocade borders. These elegant and richly decorative works generally depict non-Western subjects, for example: Mongolian horseback riders, African dancers and Persian princes, often engaged in activities such as dancing or hunting rituals.

The second half of Orovida's painting career is marked by a dramatic change in both style and subject matter. In the mid-1940s, she began to embrace contemporary subjects from everyday life and returned to a more naturalistic style. Her new style was more suited to oils, and thus, she returned to that medium.

Over the course of her life, Orovida was aware of the mixed blessing of having famous artists in the family; not only a grandfather and father but also four uncles, and towards the end of her life, she was instrumental in developing the Pissarro family archive that her mother had established at the Ashmolean Museum in Oxford.

(Biography provided by Stern Pissarro Gallery)

to
3
21
15
11
10
21
Overall Height
to
Overall Width
to
5
1
16
15
11
7
5
5
3
2
1
1
1
1
1
1
1
1
1
1
1
21
4
9
4
2
1
45
979
699
658
625
21
2
2
1
1
Artist: Orovida Pissarro
La Proie by Orovida Pissarro, 1917 - Etching Print
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE La Proie by Orovida Pissarro (1893 - 1968) Etching 12.5 x 17.5 cm (4 ⅞ x 6 ⅞ inches) Signed and dated 1917 Trial ...
Category

1910s Orovida Pissarro Prints and Multiples

Materials

Etching

Fear Ridden by Orovida Pissarro, 1926 - Etching Print
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Fear Ridden by Orovida Pissarro (1893 - 1968) Etching 12.8 x 17.5 cm (5 x 6 ⅞ inches) Signed and dated lower righ...
Category

1920s Orovida Pissarro Prints and Multiples

Materials

Etching

Cheetah by Orovida Pissarro, 1930 - Etching Print
By Orovida Pissarro
Located in London, GB
SOLD UNFRAMED Cheetah by Orovida Pissarro (1893 - 1968) Etching, 28/50 19.2 x 24.5 cm (7 ½ x 9 ⅝ inches) Signed and dated lower right Orovida 1930 Numbered lower left 28/50 and titled lower middle Artist's Biography: Orovida Camille Pissarro...
Category

1930s Orovida Pissarro Prints and Multiples

Materials

Etching

Mare and Foal by Orovida Pissarro - Etching Print
By Orovida Pissarro
Located in London, GB
SOLD UNFRAMED Mare and Foal by Orovida Pissarro (1893 - 1968) Etching 15.6 x 20.7 cm (6 ¹/₈ x 8 ¹/₈ inches) Artist's Biography Orovida Camille Pissarro, Lucien and Esther Pissarr...
Category

20th Century Orovida Pissarro Prints and Multiples

Materials

Etching

The Dancers by Orovida Pissarro, 1927 - Etching Print
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE SOLD UNFRAMED The Dancers by Orovida Pissarro (1893 - 1968) Etching 19 x 24 cm (7 ¹/₂ x 9 ¹/₂ inches) Signed an...
Category

1920s Orovida Pissarro Prints and Multiples

Materials

Etching

Curves by Orovida Pissarro, 1919 - Etching Print
By Orovida Pissarro
Located in London, GB
Curves by Orovida Pissarro (1893 - 1968) Etching, trial proof no. 54 20.2 x 15 cm (8 x 5 ⅞ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left Trial proof no. 54 ...
Category

1910s Post-Impressionist Orovida Pissarro Prints and Multiples

Materials

Paper, Etching

Pig Sticking by Orovida Pissarro, 1931 - Etching Print
By Orovida Pissarro
Located in London, GB
SOLD UNFRAMED Pig Sticking by Orovida Pissarro (1893 - 1968) Etching 17.3 x 27.4 cm (6 ¾ x 10 ¾ inches) Signed and dated lower right Orovida 1931 Numbered lower left 26/50 and titl...
Category

1930s Orovida Pissarro Prints and Multiples

Materials

Etching

Ceremonial Dance by Orovida Pissarro, 1927 - Etching Print
By Orovida Pissarro
Located in London, GB
Ceremonial Dance by Orovida Pissarro (1893 - 1968) Etching 19.2 x 24.8 cm (7 ½ x 9 ¾ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Final state no. 12/35 and ...
Category

1920s Orovida Pissarro Prints and Multiples

Materials

Etching

The Hunting Prince by Orovida Pissarro - Etching
By Orovida Pissarro
Located in London, GB
The Hunting Prince by Orovida Pissarro (1893 - 1968) Etching 15 x 20 cm (5 ⅞ x 7 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Trial proof no.14 and titled lower middle Provenance: Private collection, Europe Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects...
Category

1920s Orovida Pissarro Prints and Multiples

Materials

Etching

Man & Beast by Orovida Pissarro - Etching
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower right, orovida 1924 Inscribed lower left, Final state no 12/40 and titled lower centre Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category

1920s Post-Impressionist Orovida Pissarro Prints and Multiples

Materials

Etching

Chatter by Orovida Pissarro - Etching
By Orovida Pissarro
Located in London, GB
Chatter by Orovida Pissarro (1893-1968) Etching 26 x 19 cm (10 ¹/₄ x 7 ¹/₂ inches) Signed and dated lower right Orovida 1927 Inscribed lower left Trial proof no. 18/25 and titled lower middle Artist biography: Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category

1920s Post-Impressionist Orovida Pissarro Prints and Multiples

Materials

Etching

La Poursuite by Orovida Pissarro - Animal etching
By Orovida Pissarro
Located in London, GB
La Poursuite by Orovida Pissarro (1893-1968) Etching with aquatint 17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches) Signed and dated lower right Orovida 1917 Inscribed lower left Final State Trial proof no. 1 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category

1910s Orovida Pissarro Prints and Multiples

Materials

Aquatint, Etching

Siamese Cats by Orovida Pissarro - Animal etching
By Orovida Pissarro
Located in London, GB
SOLD UNFRAMED Siamese Cats by Orovida Pissarro (1893-1968) Etching 10 x 7.5 cm (4 x 3 inches) Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, wa...
Category

1940s Orovida Pissarro Prints and Multiples

Materials

Etching

Zebra and foal by Orovida Pissarro - Animal etching
By Orovida Pissarro
Located in London, GB
Zebra and foal by Orovida Pissarro (1893-1968) Etching 20 x 17.3 cm (7⁷/₈ x 6³/₄ inches) Signed and dated lower right Orovida 1938 Titled lower middle and numbered 4/50 lower right ...
Category

1930s Orovida Pissarro Prints and Multiples

Materials

Etching

The Nomads by Orovida Pissarro - Etching
By Orovida Pissarro
Located in London, GB
The Nomads by Orovida Pissarro (1893-1968) Etching and aquatint, final state 21/42 27 x 41 cm (10 ⁵/₈ x 16 ¹/₈ inches) Signed, Orovida, and dated 1925 Orovida was a gifted printmake...
Category

1920s Art Deco Orovida Pissarro Prints and Multiples

Materials

Etching

Peccarys and Tiger Pranks by Orovida Pissarro - Animal etching
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Peccarys and Tiger Pranks by Orovida Pissarro (1893-1968) Etching and aquatint 31.5 x 23 cm (12 ⅜ x 9 inches) Sig...
Category

1920s Orovida Pissarro Prints and Multiples

Materials

Aquatint, Etching

Man & Beast by Orovida Pissarro - Etching
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Man & Beast by Orovida Pissarro (1893-1968) Etching 27 x 22 cm (10 ⁵/₈ x 8 ⁵/₈ inches) Signed and dated lower rig...
Category

1920s Orovida Pissarro Prints and Multiples

Materials

Etching

Portrait by Orovida Pissarro - etching
By Orovida Pissarro
Located in London, GB
Portrait by Orovida Pissarro (1893-1968) Etching 25 x 16.5 cm (9 ⁷/₈ x 6 ¹/₂ inches) Signed and dated lower right, Orovida 1919 Inscribed lower left, Trial proof no. 20 and titled lo...
Category

1910s Orovida Pissarro Prints and Multiples

Materials

Etching, Paper

Rupert Rides by Orovida Pissarro - Animal etching
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Rupert Rides by Orovida Pissarro (1893-1968) Etching 31 x 23.5 cm (12 ¼ x 9 ¼ inches) Signed and dated lower righ...
Category

1950s Post-Impressionist Orovida Pissarro Prints and Multiples

Materials

Etching

Laying the Ghost by Orovida Pissarro - Animal etching
By Orovida Pissarro
Located in London, GB
Laying the Ghost by Orovida Pissarro (1893-1968) Etching 39 x 26.3 cm (15 ⅜ x 10 ⅜ inches) Signed and dated lower right Orovida 1932 Numbered lower left 1/9 and titled lower middle ...
Category

1930s Orovida Pissarro Prints and Multiples

Materials

Etching

The Calf by Orovida Pissarro - Watercolour and etching
By Orovida Pissarro
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE The Calf by Orovida Pissarro (1893-1968) Watercolour, hand-coloured over an etching 17.5 x 23.2 cm (6 ⅞ x 9 ⅛ inc...
Category

1940s Post-Impressionist Orovida Pissarro Prints and Multiples

Materials

Watercolor, Etching

Related Items
"Terre des nébuleuses" by Max Ernst, Blue, Fog, Surrealism
By Max Ernst
Located in Köln, DE
Etching and aquatint in colours (colour variation) by Max Ernst. "Terre des nébuleuses", 1965 38 x 27,5 cm Copy essai 1/1
Category

1960s Surrealist Orovida Pissarro Prints and Multiples

Materials

Etching, Aquatint

"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper
By Francisco Goya
Located in Soquel, CA
"Nohubo remedio" (There was no remedy) - Etching and Aquatint on Paper Bold 3rd or 4th edition, circa 1868-1878, with burnished aquatints, drypoints etching, and engravings by Franc...
Category

1790s Old Masters Orovida Pissarro Prints and Multiples

Materials

Engraving, Paper, Etching, Aquatint

Mes Chats
Located in Mount Vernon, NY
Hand-colored etching by Ch. Giroux after painting by Daniel Hernandez Morillo (1856-1932). Best known for his paintings of young women, charmingly pos...
Category

Early 20th Century Orovida Pissarro Prints and Multiples

Materials

Etching

Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird Audubon
By John James Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet Framed size: 26.25" x 31.75" Sheet size: 21.75" x 27.25" Platemark size: 15" x 20.63" Image size: 12" x 18" Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors Rare Notes: Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming. The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...
Category

1830s Victorian Orovida Pissarro Prints and Multiples

Materials

Watercolor, Engraving, Aquatint, Intaglio

Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
By Mark Catesby
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Islands *Monogram signed by Catesby in the plate (printed signature) lower right Year: 1771-1810 (third edition) Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper Limited edition: Unknown Printer: Unknown Publisher: Benjamin White, London, UK Framing: Not framed, but recently matted in 100% cotton linen fabric matting with acid-free foam board backing Matted size: 18.88" x 22.38" Sheet size: 13.75" x 21.13" Platemark size: 10.25" x 13.75" Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition Very rare Notes: Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent. Biography: Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...
Category

1770s Baroque Orovida Pissarro Prints and Multiples

Materials

Watercolor, Handmade Paper, Etching, Intaglio

Lithograph Lady Rider Woman on a Horse Marie Laurencin French Post Impressionist
By Marie Laurencin
Located in Surfside, FL
Marie Laurencin (French, 1883-1956) Lithograph of a colored pencil drawing depicting a woman wearing a hat and riding horseback side saddle, Edition "37/115" to lower left and hand signed "Laurencin" in pencil to lower right, with a cloth mat and housed in a silvered wood frame. Dimensions: Image, 12" H x 16" W; frame, 19.75" H x 23.5" W x 1.5" D. Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or. Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912), and Galeries Dalmau (1912) at the first Cubist exhibition in Spain. She became romantically involved with the poet Guillaume Apollinaire, and has often been identified as his muse. In addition, Laurencin had important connections to the salon of the American expatriate and lesbian writer Natalie Clifford Barney. She had relationships with men and women, and her art reflected her life, her "balletic wraiths" and "sidesaddle Amazons" providing the art world with her brand of "queer femme with a Gallic twist." Laurencin's oeuvre include painting, watercolor paintings, drawing, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...
Category

Mid-20th Century Post-Impressionist Orovida Pissarro Prints and Multiples

Materials

Lithograph

Finger Parrot, monochromatic print bold graphic, surreal bird, hands
By Jenny Toth
Located in Brooklyn, NY
This is an artist proof (one of a kind) aquatint of a parrot made up of fingers, and beautiful insects cascading to her right. She has a human ear on one side. The images is 6 x 6 ...
Category

2010s Contemporary Orovida Pissarro Prints and Multiples

Materials

Paper, Ink, Archival Ink, Aquatint

La Douleur d'Orphée (The Pain of Orpheus) /// French Landscape Deer Woman Lady
By Cornelius Ary Renan
Located in Saint Augustine, FL
Artist: Cornelius Ary Renan (French, 1857-1900) Title: "La Douleur d'Orphée (The Pain of Orpheus)" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1903 Medium: Original Etc...
Category

19th Century Impressionist Orovida Pissarro Prints and Multiples

Materials

Intaglio, Laid Paper, Etching

Art Deco Etching and Aquatint "Jeunesse" Original Signed by Louis Icart
By Louis Icart
Located in Soquel, CA
Art Deco Etching and Aquatint "Jeunesse" (Youth) Signed by Louis Icart Iconic figurative of woman and horse titled "Jeunesse" (Youth) by famous Art Deco artist Louis Icart (French, ...
Category

1930s Art Deco Orovida Pissarro Prints and Multiples

Materials

Paper, Pencil, Aquatint

Monkey (Edition 33/100 Dated 1959)
Located in Sydney, NSW
Artist: Thomas Cornell (American 1937-2012) Title: Monkey (Edition 33/100 Dated 1959) Medium: Etching on paper Condition: This work is in good condition, in its original frame. Provenance: Private Collection New York About: Cornell was known for empirical drawings and paintings. His work involved moral content concerning global, social, and environmental justice. He was the Richard E. Steele Artist-in-Residence at Bowdoin College...
Category

Mid-20th Century American Modern Orovida Pissarro Prints and Multiples

Materials

Etching, Paper

Fish. XXX. 15/30., Paper, etching, 10x9 cm
Located in Riga, LV
Nele Zirnite (1959) 2003 Associate Professor, Art Department, the Latvian Christian Academy 2000 M.F.A., the Latvian Art Academy 1995 – 2003 Lecturer, Graphic Arts Department, the Latvian Art Academy 1988 – present Member, the Latvian Artists' Union 1984 B.F.A., the Latvian Art Academy 1959 Born in Lithuania Selected Awards 2005 – Grand Prix Biennial of small graphics, GRAFIX, Breclav, Czech Republic 2003 – Award and Prize - Professional performing in 6.th exhibition of Small forms of Art, Gallery Riga, Latvia 1998 – Prize, Riga in Contemporary Art, Bastejs Gallery, Riga, Latvia 1998 – Grand prix award, Miniature Art, R. Vitols, Valmiera, Latvia 1997 – Riga City Council Award, Riga in Contemporary Art, Riga, Latvia 1997 – Award of Distinction, the Best in Printmaking, Rockport Publishers, Gloucester, MA, USA 1992 – Prize and Diploma, 9th Graphic Triennial, Tallinn, Estonia 1987 – Second Prize, Roads and People, Smiltene, Latvia 1987 – Diploma, 13th Graphic Art Exhibition, Riga, Latvia 1987 – Special Prize, Miniature Graphic Triennial, Riga, Latvia 1984 – Award, Best Drawing Artist of the Year, Vilnius Art Institute, Lithuania Selected Solo Exhibitions 2015 – Army of Beauty, Conversations in Culture, European House, USA 2015 – ORIGIN, Daugavpils Mark Rothko Art Centre, Latvia 2014 – Behind Rain, Gallery "Art Bank", Riga, Latvia 2014 – BALZEKAS Museum, Chicago, USA 2014 – Latvian House, Washington, USA 2014 – Lithuanian Consulate in USA, New York, USA 2013 – Transfusion, Oslo 12, Raum D, Basel, Switzerland 2010 – Rezerved, Gallery Antonija, Riga, Latvia 2009 – Reservoir of Time, Solo Exhibition, National Museum of Art, Riga, Latvia 2008 – Nele Zirnite Solo Exhibition, Xativa, Spain 2008 – Meiles slenis, Galerija "Dalia", Vilnius, Lithuania 2007 – NEXUS, Riga’s Gallery, Riga, Latvia 2007 – Art Gallery of Mary Olla Miller, Panama City, FL, USA 2006 – NEXUS, Gallery ARTima, Vilnius, Lithuania 2005 – NEXUS, Ciurlionis Art Gallery, Chikago, ASV 2004 – Graphic, Gallery BAS, Naperville, ASV 2003 – Nele Zirnite: Gravure a l’eau forte, Paloma Gallery, Ann Arbor, MI, USA 2003 – Etchings by Nele Zirnite, Monroe County Community College Library, Monroe, MI, USA 2001 – Traces of the Wings, Ivonna Veiherte Gallery, Riga, Latvia 2000 – Art Gallery of Mary Olla Miller, Panama City, FL, USA 1999 – Flowers, Bastejs Gallery, Riga, Latvia 1999 – Carriers, Rigas Gallery, Riga Latvia 1999 – Dragons Gallery...
Category

1980s Symbolist Orovida Pissarro Prints and Multiples

Materials

Paper, Etching

Bird on a Branch - Original Etching by Leo Guida - 1970
By Leo Guida
Located in Roma, IT
Bird on a Branch is an original Contemporary artwork realized in 1970 by the italian artist Leo Guida. Original Etching on paper. Titled, hand-sig...
Category

1970s Contemporary Orovida Pissarro Prints and Multiples

Materials

Etching, Paper

Orovida Pissarro prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Orovida Pissarro prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Orovida Pissarro in etching, aquatint, paper and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the Post-Impressionist style. Not every interior allows for large Orovida Pissarro prints and multiples, so small editions measuring 3 inches across are available. Customers who are interested in this artist might also find the work of Ludovic-Rodo Pissarro, Maria Bertrán, and George Barbier. Orovida Pissarro prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $860 and tops out at $1,672, while the average work can sell for $1,370.

Recently Viewed

View All