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Pierre Carrier-Belleuse Portrait Paintings

French, 1851-1932
Pierre Carrier-Belleuse was one of four artists born to Albert-Ernest Carrier-Belleuse (1824-1887), a thriving sculptor. Pierre studied at the l’Ecole des Beaux-Arts, Paris, under Alexandre Cabanel (1824-1881) and Pierre Victor Galland (1822-1892). The influence of their soft palates and classical style can be seen in the present lot. He exhibited in the Salon de Paris from 1875, receiving an honorable mention in 1887 and a silver medal at the Universalle Exposition in 1889. He flourished in his depictions of Ballerinas, where his favored medium of pastel allowed him to capture the movement of their dance. Carrier-Belleuse enjoyed working on a large scale. Between 1914 and 1916, Carrier-Belleuse and Auguste François-Marie Gorguet proposed, planned and co-created what was considered world's largest painting: Panthéon de la Guerre (45 ft. high and 402 ft. in circumference) containing almost 6,000 portraits, painted mostly from life.
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Artist: Pierre Carrier-Belleuse
Danseuses a la barre - Impressionist Figurative Pastel - Pierre Carrier-Belleuse
By Pierre Carrier-Belleuse
Located in Marlow, Buckinghamshire
Signed figurative pastel on canvas circa 1910 by French genre painter Pierre Carrier-Belleuse. The work depicts three ballerinas wearing white tutus, warming up in a studio. Carrier-Belleuse was a contemporary of Edgar Degas and they exhibited simultaneously at the major Salons in Paris. This classic example evokes the Belle Epoque period in french history and is superbly executed. Signature: Signed lower right Dimensions: Framed: 29"x24" Unframed: 26"x21" Provenance: Private French collection Pierre Carrier-Belleuse studied at the École des Beaux-Arts in Paris under Alexandre Cabanel and the interior decorative artist Pierre Victor Galland. He started out as an oil painter and produced genre compositions, such as his Final Rendezvous. From 1885, however, he opted to work exclusively in pastel, producing a large number of sketches and portraits but always remaining faithful to his earlier genre compositions. Examples include Pierrot, Harlequin, Woman with Cat. The periodical Figaro Illustré published a large number of his sketches of dancers, a recurrent theme throughout his work. From 1875, Pierre Carrier-Belleuse exhibited frequently at the Paris Salon, receiving an honourable mention in 1887 and being awarded a silver medal at the Exposition Universelle of 1889. Museum and Gallery Holdings: Dunkirk: Dancer Adjusting her Shoe (pastel) Gray: On the Dunes; In the Sun La Rochelle: Dancer Le Puy-en-Velay: Fantasy Mulhouse: Mule's Bonnet Paris (Municipal Collection): Tender Vow (pastel) Versailles...
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1910s Impressionist Pierre Carrier-Belleuse Portrait Paintings

Materials

Canvas, Pastel

Ritratto di Attrice Parigi Belle Epoque Pastello Firmato Art Nouveau
By Pierre Carrier-Belleuse
Located in Pistoia, IT
Pierre Carrier-Belleuse (Parigi, 1851-1931). "Portrait of Actress in Belle Epoque Paris" pastel on canvas signed upper right and dated 1921 in its original gilt wood frame. Bellissim...
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1920s Art Nouveau Pierre Carrier-Belleuse Portrait Paintings

Materials

Crayon

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Pierre Carrier-belleuse portrait paintings for sale on 1stDibs.

Find a wide variety of authentic Pierre Carrier-Belleuse portrait paintings available for sale on 1stDibs. You can also browse by medium to find art by Pierre Carrier-Belleuse in canvas, crayon, fabric and more. Much of the original work by this artist or collective was created during the 1910s and is mostly associated with the Impressionist style. Not every interior allows for large Pierre Carrier-Belleuse portrait paintings, so small editions measuring 24 inches across are available. Customers who are interested in this artist might also find the work of Claude Benard, Leon Herbo, and Warren Keating. Pierre Carrier-Belleuse portrait paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $6,431 and tops out at $6,431, while the average work can sell for $6,431.

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