Robert Indiana Art

Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". "The American Dream" p...

Artist: Robert Indiana Medium: Original serigraph Title: Decade: Autoportrait 1969 Portfolio: The American Dream Year: 1997 Edition: 76/395 Image Size: 14 1/8 x 14 inches Sheet Size:...

Robert Indiana Anne inspired by Susan B. Anthony, 1977 Color Lithograph on Arches Paper Hand Signed, dated and numbered 93 from the limited edition of 150 (93/150) front in graphite pencil 17 4/5 × 14 inches Unframed Robert Indiana, celebrated for his iconic “LOVE” design, entered the realm of the theater in 1966 when he served as a set and costume designer for The Mother of Us All, an adaptation of Gertrude Stein and Virgil Thomson’s 1947 opera about activist Susan B. Anthony during the Women’s Suffrage Movement. Billed as “An American Pop Opera,” the play was first performed at the Guthrie Theatre...

Artist: Robert Indiana Title: The Calumet Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 22" x 17" Signature: Unsigned

Artist: Robert Indiana (American, born 1928) Title: "Indiana Eliott" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: "Jenny Reefer" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: "Jo the Loiterer" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: 18 x 14 inches paper size: 23.65 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Leon Amiel, New York Printer: Fernand Mourlot, Paris Condition: It is in excellent condition, has never been framed. Description: From the suite "The Mother of All Us" About the artist: Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956. A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society. The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve. Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's. Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...

Artist: Robert Indiana (American, born 1928) Title: "Lillian Russell" Year: 1977 Medium: Original color lithograph Edition: Numbered 32/150 in pencil Paper: Arches Image size: ...

Artist: Robert Indiana Title: The Beware-Danger American Dream #4 Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 9 7/8" x 9...

Artist: Robert Indiana Title: The New Glory Penny Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size: 14" x 9 3/4" Signature: Un...

Artist: Robert Indiana Title: Yield Brother #2 Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" Image Size:...

"Thirst (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200. The print...

"When the Word is LOVE (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200. The prints in the portf...

Screenprint in colours, 1996, on A.N.W. Crestwood Museum paper, signed in pencil and numbered from the edition of 200, published by American Image Editions, New York, 66 × 50.8 cm. (...

29.5" x 35" Unframed Screen Print on Paper of 125 Hand Signed by Robert Indiana

Indiana, Robert (American, 1928-2018). ANGEL MORE. Color screenprint, 1977. Edition of 150, signed, dated and numbered 93/100 in pencil. 18 x 14 inches (image), 23 1/2 x 19 1/4 inche...

Screenprint in colours, 1982, on Fabriano paper, signed, dated, titled, and inscribed ‘AP’ in pencil, one of 15 numbered artist's proofs, aside from the edition of 100, printed by Do...

Robert Indiana "The Book of Love Poem (To Draw A Straight Line)," 1996 Screenprint in color on A.N.W. Crestwood Museum Edition paper 24 x 20 inches Numbered from the edition of 200 ...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF III Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Sante Fe Opera Robert Indiana, American (1928–2018) Date: 1976 Screenprint, signed, dated and numbered in pencil Edition of 157/250 Size: 31 x 22 in. (78.74 x 55.88 cm) Frame Size: 4...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

Artist: Robert Indiana Medium: Original Lithograph, 1977 Dimensions: 24 x 20 in, 60.9 x 50.8 cm Arches Paper - Very Good Condition Starting in 1965, Indiana collaborated with c...

A very good impression of this color lithograph on Rives BFK. One of 2 numbered printer's proofs, aside from the edition of only 10 in this color combination (there is a total editio...

Robert Indiana "Decade Autoportrait '68", 2001 Silkscreen 35 1/2 x 35 1/2 inches Numbered from the edition of 50 in lower left Signed by the artist in lower right

"Pelvic and Bright (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200...

"Tiger Music (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200. The prints in the portfolio were ...

Robert Indiana "Amor" 1994 Color aquatint on Rives BFK 23 5/8 x 23 3/4 inches Edition of 7/50 There were also artist’s proofs, trial proofs and hors-commerce pieces printed. Unframed

Robert Indiana Tilt from the American Dream Portfolio, 1997, (254/395) Screenprint in color 22 x 17 in

Robert Indiana (1928-2018) was an essential figure of American Pop art, best known for his iconic masterpiece "LOVE", which remains one of the most famous and sought-after artworks o...

Original silkscreen poster by Robert Indiana for Kunstmarkt Köln 1967. Kunstmarkt Köln, established in 1967 in Cologne, Germany, was the first contemporary art fair, revolutionizin...

"Quiet, The Dove (Book of LOVE)" silkscreen print from a portfolio of 12 original poems and 12 original prints by artist Robert Indiana. Edition 58/200. The prints in the portfolio w...

Artist: Robert Indiana, American (1928 - ) Title: Wall: Two Stone Suite Year: 1990 Medium: Four Lithographs on BFK Rives, each signed and titled in p...

Artist: Robert Indiana, American (1928 - 2018) Title: Red Diamond from the American Dream Portfolio Year: 1962 (1997) Medium: Serigraph Edition: 395 Image Size: 14 x 14 inches Size: ...

Artist: Robert Indiana, American (1928 - 2018) Title: The American Gas Works from the American Dream Portfolio Year: 1961-62 (1997) Medium: Serigraph Edition Size: 395 Image Size: 17...

Artist: Robert Indiana, American (1928 - 2018) Title: Parrot from the American Dream Portfolio Year: 1967 (1997) Medium: Serigraph Edition Size: 395 Image Size: 16.5 x 14 inches Size...

Very rare original poster for Robert Indiana's 1971 exhibition "Indiana Graphics" at Galerie im Hause Behr (Stuttgart) in cooperation with Edition Domberger.

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series - KvF III Year: 1990 Medium: Serigraph on Saunders Watercolor paper, signed and numbered in pencil Edition:...

God is Love, 2014 # 22 From the Edition of 25 Screen Print in 18 colors Signed, dated and numbered Image size 64 x 64 inches Full sheet size 84 x 84 inches Measurements taken from...

Robert Indiana "New York City Center 25th Anniversary" New York City Center, 1968 Silkscreen Poster 35 x 25 inches Unsigned This poster is printed on...

Robert Indiana To The Bridge from The American Dream Portfolio, 1997, (48/395) Screenprint in color 22 x 17 in

Complete portfolio of 4 silkscreens on coventry archival rag paper. Each silkscreen is hand signed and numbered. Blue portfolio binder also included. From the edition of 125. Each ...

TECHNICAL INFORMATION Robert Indiana American Dream #5 1980 Screenprint on five separate sheets 26 3/4 x 26 3/4 in. each sheet (84 x 84 in. overall) Edition of 100 Pencil signe...

Artist: Robert Indiana Title: Red Diamond American Dream #3 Portfolio: The American Dream Medium: Serigraph Date: 1997 Edition: 395 Sheet Size: 22" x 17" I...

Robert Indiana Four Seasons of Hope (Complete set of 4) Screen print on paper Edition of 125 Hand signed and numbered in pencil Mint condition in the original blue silk portfolio case

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.

Complete portfolio of 4 silkscreens on coventry archival rag paper. Each silkscreen is hand signed and numbered. Red portfolio binder also included. From the edition of 82. Each si...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Marilyn (from The American Dream portfolio) Colour screenprint. 117/395. Signed in pencil at the right side margin: R Indiana. Image 35.5 × 35.5 cm on firm wove paper 40 × 40 cm.

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.

Robert Indiana Parrot from The American Dream Portfolio, 1997, (48/395) Screenprint in color 22 x 17 in

Robert Indiana Red Diamond from the American Dream Portfolio, 1997, (48/395) Screen print in colors 22 x 17 in

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Hand signed, dated and numbered by the artist. Screenprint on Saunders watercolor paper from the edition of 50. Artwork is in excellent condition. Certificate of authenticity inclu...

Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 150. All reasonable offers will be considered.