Roberto Suraci Art

This late 17th-century Italian still life painting depicts an urn with flowers, a dish of fruit, porcelain bottle and bird. It was previously in the co...

"Florence," a captivating Impressionistic masterpiece by the talented artist Irina Trushkova, beautifully captures the essence of one of the world's most enchanting cities. Rendered ...

By examining with interest this lively "Still life" (oil painting on oval canvas, 60 x 80 cm without frame and 78 x 88 cm with frame), set in the open air in a park with a small foun...

"The Feast" by Steen Rehfeld emerges as a triumphant celebration of form, color, and texture in contemporary abstract art. Spanning an impressive 78"x144", this mixed media masterpie...

William Mason Brown was born in Troy, New York, where he studied for several years with local artists, including the leading portraitist there, Abel Buel Moore. In 1850, he moved to ...

JUAN DE ARELLANO Spanish, 1614 - 1676 Cesta de Flores signed Juan de Arellano (lower lright) oil on canvas original period carved, gilt and polychrome...

Oil painting on canvas measuring 50 x 99 cm without frame and 62 x 111 cm with coeval frame, depicting a still life of fruit by the painter Giovanni Paolo Castelli known as Spadino ( Rome 1659 - 1730 ). This magnificent canvas, hitherto unpublished to my knowledge, depicts a display of fruit set out in the open at the edge of a wood (apples, peaches, black and white pizzutella grapes, two split watermelons and a plum), and at the edge of a stream, with a hilly landscape opening up to the left. The fruit is placed in the foreground, very close to the viewer's point of view, and occupies, with its bright and festive colors, most of the field of vision. The painter does not seek a particular spatial geometry or constructive scheme, but indulges in a skilful and brilliant chromatic weaving of the surfaces, by means of a pictorial material applied with exceptional fluidity and vibration, if you like, even sensual in its luminous and 'tactile' corpulence in the taste of the full Baroque. The quality is excellent and the style appears surprisingly free and evocative, although it retains traces of the old Flemish naturalism typical of Roman Baroque still life painting, strongly influenced by the work of Abraham Brueghel, as evidenced, for example, by the tiny drops of visible dew, or the luminous reflections on grapes or the flesh of watermelons. These are all elements that undoubtedly indicate as its author one of the most important specialists of this pictorial genre in late Baroque Rome: Giovanni Paolo Castelli known as Lo Spadino. The painting in fact appears to be entirely typical of the painter's mature work, i.e. towards the end of the 17th or beginning of the 18th century (the chronological collocation is suggested by the similarities with the work of another great contemporary still life specialist, Pietro Navarra...

Work on canvas Golden wooden frame 55 x 45.5 x 4 cm

Jan Weenix Canvas Size: 32 x 26" (82 x 66cm) Outside Frame Size: 40 x 34" (102 x 86cm) This beautiful painting is unsigned but this is not unusual with Jan ...

Signed (at lower right): John Ross Key 1882

Virgilio Ripari was best known for his seascapes and impressions of Venice. His romantic and peaceful paintings of life of Venice and Italy with placid waters or full sails on boats...

Work on wood Pink wooden frame 56 x 41 x 1 cm