Rodney Greenblat Art

Aaron Garber-Maikovska Untitled, 2016 UV print with ink and acrylic on archival Gator Board 96.06 x 47 in. 244 × 119 cm

De la serie Suite Ravensburg. Impresión en serigrafía sobre papel japonés Torinoko.

De la serie Suite Ravensburg. Impresión en serigrafía sobre papel japonés Torinoko.

"Moi je veux vivre monotone" is from the series "Some poems by Jules Laforgue". Patrick Caulfied was deeply inspired by these poems and found to his very own depiction of these poems...

Noland Anderson is a self taught portrait artist who strives to create works of art that are a celebration of people of color. He is known for his detailed compositions in oils applied with loose brush strokes. He often features images of Black women and men engaging in everyday life in urban settings. Born in Newport News, Virginia with roots in Sumpter, SC, Noland's passion for figure drawing was formed at an early age. Noland attended the Art Institute of Fort Lauderdale where he received an Associate Degree in Advertising. Upon graduating, he went on to work as a freelance illustrator, designing Judaic art throughout the mid 1990s through early 2000s. During this period, Noland's freelance work extended into television where he worked as one of three court artists for the ABC affiliate in South Florida and as an illustrator for Univision (an American media company serving the Latin Market worldwide). Noland is represented by Neema Fine Art Gallery. Neema Fine Art Gallery will donate 15% of the subtotal of each purchase of "Transcendent Achievement Through Transformational Leadership" to the Beta Nu Foundation in an effort to support the Beta Nu Chapter of Alpha Phi Alpha in their efforts to support the needs of the FAMU student body, the needs of the surrounding community, and promote scholarship among Alpha Phi Alpha members and beyond. All limited edition giclees (reproductions) are made to order so please anticipate your artwork to arrive within 14-21 days of your order. All open editions will be shipped within 7 business days.  Orders are shipped via UPS or Fedex; please check your email for all tracking information. Thank you for your support. Keywords: black art Black artist Black art gallery African american art African american artist African american painting African-american art African-american painting African-american artist Ethnic art Ethnic painting Ethnic artist Southern art Southern artist Southern painting African american art gallery African-american art gallery Charleston Charleston gallery Charleston art gallery Atlanta Atlanta gallery Atlanta art gallery Serenbe Serenbe art gallery Chattahoochee hills Georgia Georgia art Atlanta art Neema gallery Neema fine art gallery Giclee Giclee on canvas Harlem Renaissance Library 20's African American male Gentlemann HBCU FAMU Black History...

Lorna Simpson Recall, 1998 Silkscreen on felt 30 x 22 inches Edition of 50 Hand signed and numbered by the artist

This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition. Note: Framed image is for reference purposes only. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...

Medium: Digital print, hand-finished with spray paint Size: 72 x 55 cm (28.3 x 21.7 in) Edition of 40, each unique. Signed and numbered verso

This archival pigment print on Canson paper comes directly from the publisher, Lincoln Center Editions. It is signed and numbered en verso by the artist. It is in excellent condition and has never been framed. Carrie Mae Weems (b. 1953) is an American artist whose extensive body of work investigates cultural identity, sexism, class, political systems, and the consequences of power. Weems is widely recognized for her revolutionary approach to the expression of narratives about women, people of color and working-class communities, “conjuring lush art...

Old Master An Oil Print after a Painting by Jusepe de Ribera in the Museo del Prado, Spain. This is an early print after the original.

Richard Hamilton describes the genesis and printing of Kent State: “It had been on my mind that there might be a subject staring me in the face from the TV ...

Pop art scene of abstracted Greek pillars and green leaves. Drawings in black and white, pale blue, red and grey compose this colorful print. Layers of p...