Shepard Fairey More Prints

Hand-deckled edges. "Aims to promote peace, equality, and humanity. I’d like to see a fundamental assumption that ALL people deserve respect and human dignity. This applies to the u...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Signed to the lower right Edition 40/50 Published by Obey Giant, Los Angeles We must fight the greed of the powerful and restore the basic fairness of our society and our democracy....

"Fan the Flames is about the unfortunate truth that unchecked capitalism and a livable planet will soon be incompatible. Capitalism is predicated on exp...

OBEY PRINTING PRESS Title: Letterpress Dimensions: 10 x 13 inches Edition: 340/450 Release Date: January 23, 2018 Experience the timeless artistry of "Obey Printing Press", a lette...

"The two Tunnel Vision prints are based on a fine art piece I created for my show Damaged with Library Street Collective. As I was working on elements to include in my paintings, I d...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Manufacturer: Obey Giant Edition Details: Year: 2023 Class: Art Print Status: Official Run: 68/550 Technique: Screen Print Paper: Fine Art Thick Cream Speckletone Size: 36 X 24 Mark...

"Based on one of my art pieces focused on peace and harmony included in my exhibition at the Straat Museum in Amsterdam. I have replicated many of the textures of the original art pi...

Hand Signed & Numbered by the artist himself Shepard Fairey, in pencil dated 2016. Benefit Silkscreen Print from 2016. YEAR: 2016 CLASSIFICATION: Limited edition MEDIUM TYPE: Fine ...

IMAGE RIGHTS N/A PROVENANCE We are the original owners of these works and were acquired directly from the artitst. ADDITIONAL INFO "I’ve long believed that protests in the streets ar...

I’m honored to have created my third cover for Time magazine, especially since this issue focuses on the civic duty of voting. The art I created for the Time cover addresses the very...

4 color screen print. Signed by Shepard Fairey, Glen E. Friedman and Keith Morris. As a founding member of Black Flag and Circle Jerks, songwriter and vocalist Keith Morris was at t...

"Peace Guard 2 Stencil (Lisbon). 18 x 24 inches. Screen print on fine art cream speckletone paper. Signed by Shepard Fairey. Edition of 200/450." "For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John ...

Materials: Fine Art Cream Speckletone Paper with Gold Metallic Inks Size: 24 × 18 in 61 × 45.7 cm Medium: Fine Art Screenprint Signature: Hand-signed by artist, Hand signed and numb...

A portion of the proceeds from this print will go to a, yet to be determined, common sense gun law advocacy group. We need to put pressure on the politicians! -Shepard Fairey This GOD SAVES & SATAN INVESTS print was inspired by the multiple school and mass shootings that have occurred in recent months. As many of you know from my 2nd Amendment...

"I'm always creating new patterns to use in my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. I think these look nice a...

Manufacturer: Obey Giant Edition Details: Year: 2021 Run: 309/450 Technique: Screen Print Paper: Fine Art Cream Speckletone Paper Size: 18 X 24 Markings: Signed & Numbered by Both ar...

Signed by both Shepard Fairey and Arlene Mejorado. A portion of the proceeds benefited Black Lives Matter and the Immigrant Bail Fund. Photograph by Arlene Mejorado "I had a great experience collaborating with photographer Arlene Mejorado on the Defend Dignity...

Gears of Justice Screen print on thick cream Speckletone paper Released on February 1, 2024 Signed and dated to lower right Edition 152/550 Published by Obey Giant, Los Angeles 18 x ...

18 X 24 inch screen print on thick white cotton archival paper. Signed by Shepard Fairey and Jon Furlong. Manufacturer: Obey Giant Edition Details: Year: 2015 Class: Art Print Statu...

"The 'Endless Power Petrol Palace' poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited. Though oil may have seemed initially to be endless, we now know the world’s oil reserves will run out eventually but more importantly, we know from thorough scientific research that the planet does not have the endless power to maintain a stable climate if oil and gas...

Silkscreen Print with Gold Metallic Inks 24 × 18 in 61 × 45.7 cm Edition 207/350 Set of 3 Covert to Overt prints: Icon Water Tower, Peace Tree, Big Brother. 18 x 24 inch screen prints on thick white cotton archival paper. Signed by Shepard Fairey and Jon Furlong. Edition Details Year: 2015 Class...

Manufacturer Obey Giant Edition Details Year: 2020 Class: Art Print Status: Official Released: 09/22/20 Run: 124/500 Technique: Screen Print Paper: Fine Art Cream Specketone Size: 1...

DIMENSIONS 24 × 18 in 61 × 45.7 cm Edition 133 of 250 He gets to know the universe of graphic design very early, at age 14, when he draws images to be printed on t-shirts and skate...

Edition Details: Year: 2021 Class: Diptych Run: 171/450 Technique: Screen Print Paper: Speckletone Size: 24 X 33 Markings: Signed & Numbered in pencil by both Artists. Shepard Fair...

Interpol NYC Calling on True White Speckle Tone paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 62/550. - Shepard Fairey ...

Signed and dated to lower right Edition 303/450 Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Obey publishing...

Features renowned Sikh activist, filmmaker, and civil rights lawyer, Valarie Kaur of the Revolutionary Love Project. "Valarie's portrait is the first in our year long series of artw...

"I originally created this image in response to the terror attacks at the Bataclan and other parts of Paris in late 2015. At that terrible moment I wanted to create an image of suppo...

Sold exclusively at Beyond The Streets New York, in-Store only. "The Cut it Up - Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto k...

"I made this Prophets of Rage“ New Day Rising print to accompany the release of their self-titled album dropping TOMORROW, for which I created the cover. ...

Original photo by Jonathan Furlong. Proceeds went to Souls to the Polls. Manufacturer: Obey Giant Edition Details: Year: 2021 Class: Art Print Run: 322/550 Technique: Screen Print...

Cut It Up – Do It Yourself (Red, Black). 18 x 24 inches. Silkscreen on true white Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 324/500. Released exclusively at B...

Run: 168/375 Technique: Screen Print Paper: Thick Cream Speckletone Size: 18 X 24 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. "A symbolic urge for a concert...

Suburban Pressure, Shepard Fairey x Jamie Reid. 18 inches by 24 inches on white Speckle Tone paper. Numbered Edition of 375. Signed by Shepard Fairey. "The Sex Pistols changed my life. When I was a 14-year-old skateboarder...

Power and Glory Letterpress on 100% cotton archival paper with deckled edges. Signed and numbered edition of 78/450. 10 inches by 13 inches. OBEY publi...