Skip to main content

Toshi Yoshida Prints and Multiples

to
4
Overall Width
to
Overall Height
to
2
4
1,155
932
889
811
4
2
2
2
2
2
2
1
1
1
1
1
1
1
2
2
2
4
Artist: Toshi Yoshida
"Green Farming" Japanese Landscape Woodblock Print
By Toshi Yoshida 1
Located in Austin, TX
Japanese woodblock print (etching) of a landscape by Toshi Yoshida 11" x 15" - Page Size 17 x 21.25 - Frame Size
Category

20th Century Toshi Yoshida Prints and Multiples

Materials

Etching

Impression B
By Toshi Yoshida 1
Located in Fairlawn, OH
Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...
Category

1950s Abstract Toshi Yoshida Prints and Multiples

Materials

Woodcut

Impression B
By Toshi Yoshida 1
Located in Fairlawn, OH
Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...
Category

1950s Abstract Toshi Yoshida Prints and Multiples

Materials

Woodcut

Grey Village Scene
By Toshi Yoshida 1
Located in Austin, TX
Woodblock etching of a Japanese village by Toshi Yoshido 11" x 15"
Category

20th Century Toshi Yoshida Prints and Multiples

Materials

Etching

Related Items
John Taylor Arms, Study in Stone, Cathedral of Ourense
By John Taylor Arms
Located in New York, NY
John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks ...
Category

Mid-20th Century American Realist Toshi Yoshida Prints and Multiples

Materials

Etching

John Taylor Arms, Battle Wagon
By John Taylor Arms
Located in New York, NY
John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks for handles. Made during Worl...
Category

Mid-20th Century American Realist Toshi Yoshida Prints and Multiples

Materials

Etching

'New York, Central Park' — 1930s American Modernism
By William Meyerowitz
Located in Myrtle Beach, SC
'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14/40' on the bottom sheet edge, in pencil. Signed in the plate, lower left. A superb, ...
Category

1930s American Modern Toshi Yoshida Prints and Multiples

Materials

Etching

Vachère au Bord de l'Eau
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...
Category

1890s Impressionist Toshi Yoshida Prints and Multiples

Materials

Drypoint, Etching

Vachère au Bord de l'Eau
Vachère au Bord de l'Eau
$1,463 Sale Price
24% Off
H 7.75 in W 5.25 in
(HUNTERS WITH REFLECTIONS) - RICH IMPRESSION
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 - 1968) (Untitled) - HUNTERS with REFLECTIONS. ca 1925 Etching, signed and numbered 22, lower left. Plate, 13 1/2 x 10 1/2 inches. Sheet 15 3/4 x 11 3/4 inches. ...
Category

1920s American Impressionist Toshi Yoshida Prints and Multiples

Materials

Etching

Stanton Macdonald-Wright "Departing Spring" Woodblock Print c.1966
By Stanton MacDonald-Wright
Located in San Francisco, CA
Stanton Macdonald-Wright Woodblock on Laid Paper 1966-67 Departing Spring Hesitates Appears to be an artist proof. The pencil text and signature a...
Category

Mid-20th Century Abstract Toshi Yoshida Prints and Multiples

Materials

Woodcut

Metamorphosis of Zan Biell, Abstract Woodcut on Rice Paper by Keisuke Serizawa
By Keisuke Serizawa
Located in Long Island City, NY
Artist: Keisuke Serizawa, Japanese (1895-1984) Title: Metamorphosis of Zan Biell Year: circa 1970 Medium: Woodcut on Rice Paper, signed and numbered in pencil Edition: AP Size: 29 x...
Category

1970s Abstract Expressionist Toshi Yoshida Prints and Multiples

Materials

Rice Paper, Woodcut

NEW YORK CITYSCAPE
By Earl Horter
Located in Portland, ME
Horter, Earl. NEW YORK CITYSCAPE. Etching, not dated. Edition size not known. Printed on heavy laid paper, and signed in pencil. 6 1/2 x 6 1/8 inche...
Category

Mid-20th Century Toshi Yoshida Prints and Multiples

Materials

Etching

Manhattan Bridge — 1920s New York City
By George Stimmel
Located in Myrtle Beach, SC
'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...
Category

1920s American Realist Toshi Yoshida Prints and Multiples

Materials

Etching

Mid Century 1960's Original Colorful Abstract Woodblock Circles Geometric
By Toma Yovanovich
Located in Buffalo, NY
An original Mid Century woodblock print titled "Three Suns" by American artist Toma Yovanovich. Hand signed in pencil and numbered 9 out o...
Category

1960s Abstract Geometric Toshi Yoshida Prints and Multiples

Materials

Woodcut

TAOS INDIAN JESTERS
By Gene Kloss
Located in Santa Monica, CA
GENE KLOSS (1903 – 1996) TAOS INDIAN JESTERS, 1944 Etching and aquatint, Signed and titled in pencil. Edition 30. Image 11” x 13 7/8”, sheet 13 ¼ x 16 ½”. In very good condition sa...
Category

1940s American Realist Toshi Yoshida Prints and Multiples

Materials

Etching, Aquatint

TAOS INDIAN JESTERS
TAOS INDIAN JESTERS
$2,650
H 11 in W 13.875 in
Mid Century 1960's Original Geometric Abstract Neon Woodblock Toma Yovanovich
By Toma Yovanovich
Located in Buffalo, NY
An original Mid Century woodblock print titled "Reflections and Images" by American artist Toma Yovanovich. Hand signed in pencil...
Category

1960s Abstract Geometric Toshi Yoshida Prints and Multiples

Materials

Woodcut

Previously Available Items
PINE TREE OF THE FRIENDLY GARDEN
By Toshi Yoshida 1
Located in Portland, ME
Yoshida, Toshi. A PINE TREE OF THE FRIENDLY GARDEN. Color woodblock print, 1980. Signed in Pencil in Japanese. Commissioned by the Franklin Mint, and printed and published by the Yo...
Category

1980s Toshi Yoshida Prints and Multiples

Materials

Woodcut

"Purple Farming" Japanese Woodblock Landscape Print
By Toshi Yoshida 1
Located in Austin, TX
A woodblock print etching of a Japanese farm by Toshi Yoshida 11" x 15"
Category

20th Century Toshi Yoshida Prints and Multiples

Materials

Etching

Nonobjective “Sosaku Hanga” Woodblock Print by Toshi Yoshida
By Toshi Yoshida 1
Located in Pasadena, CA
Toshi Yoshida's Materia is a stunning mid-century color woodblock print. Hand-signed, dated, and numbered 8/30 by the artist in 1962. Thisimpressive pie...
Category

1960s Toshi Yoshida Prints and Multiples

Materials

Woodcut

'Transcendance' — 1960s Japanese Sôsaku-hanga Abstraction
By Toshi Yoshida 1
Located in Myrtle Beach, SC
Toshi Yoshida, 'Transcendance', color woodblock print, 1968, edition 120. Signed, dated, titled, and numbered '71/120' in pencil. A fine, richly-inked impression, with fresh colors, on cream-wove Japan paper; the full sheet with margins (9/16 to 1 inch); slight toning on the top and right sheet edges, well away from the image, otherwise in very good condition. Image size 19 5/8 x 14 1/2 inches; sheet size 21 1/4 x 16 1/16 inches (double Oban). Archivally sleeved, unmatted. Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Collection: Georgetown University Library. ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at the age of 14 under his father, Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...
Category

1960s Abstract Toshi Yoshida Prints and Multiples

Materials

Woodcut

'Transcendance' — Sôsaku-hanga abstraction
By Toshi Yoshida 1
Located in Myrtle Beach, SC
Toshi Yoshida, 'Transcendance', color woodblock print, 1968, edition 120. Signed, dated, titled, and numbered '117/120' in pencil. A fine, richly-inked impression, with fresh colors, on cream wove Japan paper; the full sheet with margins (9/16 to 1 inch); slight toning on the top and right sheet edges, well away from the image, otherwise in very good condition. Image size 19 5/8 x 14 1/2 inches; sheet size 21 3/8 x 16 1/16 inches (double Oban). Archivally sleeved, unmatted. Exhibited: 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Collection: Georgetown University Library. ABOUT THE ARTIST Yoshida Toshi (1911-1995) began training at age 14 under his father Yoshida Hiroshi, one of the most acclaimed artists of the Japanese 20th-century printmaking revival movement shin-hanga (’new prints’ created in the traditional collaborative system of Japanese printmaking). He studied from 1932 to 1935 at the Taiheiyo-Gakai (Pacific Painting Association), which was co-founded by his father. Before the Pacific War, Toshi traveled widely with his father in Asia, Europe, Egypt, and the United States. Later he continued his worldwide travels, especially in Mexico, the United States, Canada, and Africa. Following his father’s death in 1950, Toshi began his very personal exploration of abstraction, joining the sôsaku-hanga movement (’creative prints’ wherein the artist is creator, carver, and printer). During this richly creative period (1954 to 1973), Toshi created over three hundred nonobjective designs. In the early 1960s, Toshi returned to large-scale figurative work, concentrating on scenes of African wildlife in its natural habitat, and in 1984 he published the first of many illustrated children's books on African wildlife (Dobutsu Ehon Shirizu), which he continued to produce until the early 1990s. In 1966 he published a book with the artist Yuki Rei...
Category

1960s Showa Toshi Yoshida Prints and Multiples

Materials

Woodcut

Madurai
By Toshi Yoshida 1
Located in Fairlawn, OH
Signed in pencil Stamp title lower left of image Image: 6 15/16 x 4 3/4" Note: Madurai is an ancient city on the Vaigai River in the South Indian state of Tamil Nadu. Its skyline ...
Category

1980s Modern Toshi Yoshida Prints and Multiples

Materials

Woodcut

Toshi Yoshida prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Toshi Yoshida prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Toshi Yoshida in etching, woodcut print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Toshi Yoshida prints and multiples, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Katherine Chang Liu, Giovanni Guerrini, and José Ortega. Toshi Yoshida prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $400 and tops out at $1,200, while the average work can sell for $600.

Recently Viewed

View All