Dennis Gargiulo Gallery Planters, Cachepots and Jardinières

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

Antique "arts & crafts" pottery vase by Rookwood Pottery Co., circa early 1900s. Wonderful matte green colors and a great vintage patina make this hard to find vase a wonderful decor...

Jonathan Adler Hand-Thrown and painted 14" tall vase. Nice condition with one very small rim chip as seen in photo.

A gorgeous Arts & Crafts period large glazed art pottery vase with floral decoration By Rookwood Pottery USA, 1919 Glazed ceramic in a beautiful light blue color. Measures: 4.75"...

A gorgeous Arts & Crafts period large glazed art pottery vase with dogwood decoration By Rookwood Pottery USA, 1922 Glazed ceramic in a beautiful light tan color. Measures: 4.25"...

Antique Arts & Crafts art pottery vase by Weller Pottery features pink and white floral design on graduated sea foam green to blue ground, artist and maker signed as photographed, ci...

The Chinese clay jar is handcrafted and has two small handles. Shallow en relief bands encircle the upper part of the vessel. The organic rich dark clay is from a Chinese river basin.

Handcrafted antique jardinière. This early 20th century stand is a fine example of the craftsmanship and the wonderful designs of the Arts and Crafts movement. This rectangular desi...

Vintage Sand Jar - Dusky Pink Glaze. California School large floor / oil. One side shows a slip in the glaze, this is original to the piece , and not consider...

A fine French glazed ceramic jug or jar, featuring a rolled edge top with four handles over an ovoid body.

A beautiful Arts & Crafts period sterling silver on bronze large vase with floral design By Heintz Art Metal Shop USA, Early 20th Century Sterling silver inlay on patinated bronze...