H. Gallery

This charming set of stylish dining chairs was born from a desire to create an aesthetic that was organic and cosy in its simplicity while not compromising on comfort and functionali...

This beautiful Scandinavian two-seater sofa recalls the peak of Nordic Mid-Century Modern design. Thanks to its curved shape and slim, tapered legs, this two-seater is exceptionally ...

Finnish designer, Carin Lisa Johansson-Pape, was among the most significant Finnish lighting designers in the second half of the 1900s. She designed furniture for Stockmann from 1937...

Swedish designer, Arne Norell’s conceptual designs, gained recognition for their use of traditional materials and forms like fabrics and wood combined with simple and vanguard lines....

In the dimly lit room, the ethereal glow of this Art Nouveau brass table lamp with an iridescent glass dome is sure to captivate the beholder, transporting them to the bygone era of ...

This stylish wall scone was designed by Peter Celsing for Falkenberg in 1966 for the cultural center Kulturhuset in Stockholm. The modernistic look is achieved by simple, yet smart...

‎This impressive mid-century dining set of six is representative of the fundamental axioms of Scandinavian design that revolve around quality and functionality and pairs it with a di...

Gunnar Ander was an industrial designer and architect, and one of the brightest stars of 20th-century Swedish metal, wood, and glass design. His most well-known models are the inn...

In European, and thus in Dutch mid-century furniture design, there was an early emphasis on wood as it connected everyday objects, such as furniture to nature. This rustic, solid oak...

Strongly influenced by the functional forms of the Bauhaus school in Germany, Danish designers led the way in furniture design during the 1950s and 60s. They combined the inspiration...

In the European design landscape of the mid-20th century, Brutalism emerged as a distinct architectural and artistic movement, influencing not only buildings but also furniture desig...

The T766 pendant lamp is a stunning example of Swedish modern design. Hans-Agne Jakobsson was a prominent designer and lighting manufacturer who played a crucial role in shaping the ...

With a robust organic form and an earth-toned palette, this chair is the embodiment of Brutalism. In furniture and décor, the Brutalist movement was somber, giving importance to eeri...

This wall lamp of Fog & Mørup production was designed by architect and designer Professor Jørgen Bo. Like the architect/designer’s other creations, the wall sconce is brilliant in it...

While Hans-Agne Jakobsson designed and produced various types of furniture, his lighting received greater international attention, not without a good reason. As this “V-169/1” wall l...

The designs of most of Danish mid-century modern furniture designers and architects aimed at functionality, an equally minimalist and appealing appearance and easy accessibility. Thi...

This pair of lounge chair and ottoman is an elegant and comfortable evidence of the mastery and artistry of the European cabinetmakers who defined mid-20th century modern seating. Th...

Swedish designer, Arne Norell’s conceptual designs, gained recognition for their use of traditional materials and forms like fabrics and wood combined with simple and vanguard lines....

The designs of most of Danish mid-century modern furniture designers and architects aimed at functionality, an equally minimalist and appealing appearance and easy accessibility. Thi...

This beautiful curved sofa features the recognizable touch of European Modernism: exquisite materials, craftsmanship, and an elegantly curved shape, because of which this type of sof...

"There is no style like art deco that embraces both the figurative and the abstract, the feminine and the masculine, the monumenta, the stringent and the opulent, the functional and ...

In mid-century furniture design, the marriage of organic materials and the brutalist style found its apotheosis in pieces such as this set of six chairs. These chairs, each a testame...

This so-called “kurulstol” or kurul chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an ancient folding chair, originally a folding stool with strai...

This beautiful 'Worpsweder' armchair was designed in the 1920s by German artist, Willi Ohler and was manufactured by Erich Schultz in Germany. The so-called “Worpsweder” either deno...

In general, Brutalist furniture, such as this brilliant oak coffee table, stand as a testament to the visual benefits of the marriage of raw aesthetics and functional brilliance. Cra...

Adding a beautifully designed, styled, and stocked bar cart to a home—preferably next to a comfy lounge chair and accompanied by candles or mood lighting—is a lovely way to build a r...

‎In mid-century French design, timeless elegance and craftsmanship dominated the era and organic materials such as wood and papercord. Crafted from the warm, reddish-brown hues of ch...

These chairs have a soft design edge that is immediately recognizable. These chairs have unmistakeable shell bodies where the back cascades down to form the armrests. While the armre...

It is simply impossible to talk about 20th century lighting design without mentioning Finland and the Finnish “masters of light”. Brass bent into flowi...

This pair of Danish cabinetmaker chairs, is a great example of the Danish mid-century modern aesthetic. With their architectural, da...

In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. And not in a positive way, incidentally. Blaauw thought nothing of the latest developments ...

Henning Kjaernulf’s oak Razorblade chairs are the designer’s most distinctive designs. This set was manufactured by the Danish company...

Danish Modern is a recognized term around the world, and pieces from the mid-century era, like this daybed, are characterized by clarity in design and extremely high-quality craftsma...

In the bustling design landscape of 1960s Italy, this pair of elegant yet striking armchairs embody the aesthetic innovation that defined the era. Crafted in the 1960s, these chairs ...

The Italian furniture and interior designer, Federico Munari is known as a master of elegantly organic forms. His seating models - including these easy chairs - were created to highl...

From Charlotte Perriand to Axel Einar Hjorth, stools have been staples in European design history. Modernist stools, like this organic model, stem from one of the earliest forms of s...

Swedish mid-20th century lighting design is infinitely captivating, thanks to it featuring one-of-a-kind models crafted by renowned architects and craftsmen following in the footstep...

Italian Modern furniture is defined by unique design, perfect execution, and exclusivity. This pair of armchairs is attributed to Italian design icon, Paolo Buffa. Coinciding with contemporary debates about the role of design and its responsibility to the larger population, Buffa reworked the presiding neoclassical idiom. The architect incorporated simplified forms into his designs in order to streamline production techniques, whilst always retaining a high regard for materials and harmonious portions. This pair of armchairs is said to have been designed by Buffa during the 1950s and elegantly balances comfort and functionality with high-quality craftsmanship and materials: the refined, articulated lines of the armchairs’ frames counter the volume of its cushions and uniquely patterned upholstery. By the mid-1930s, Buffa had established his own studio, where the Milanese architect designed expertly crafted furniture featuring intricate details and combined luxurious materials for an elite clientele. Buffa developed close relationships with cabinetmaking workshops in Brianza, renowned for their traditional furniture manufacturing, and during the following decades collaborated with some of the period’s most skilled artisans. These relationships enabled Buffa to introduce a modern vocabulary into his work whilst adhering to Milan’s heritage of artisan furniture production, in order to realize inventive furniture designs that revealed a skilful union of design and execution. These chairs embody this patently, with their most intricate feature being the upholstery covering the elegant, stylish shape of the solid wood frames. The elaborate pattern invites the eyes to spend time observing and exploring it, therefore the overall impression is interesting and stylish, while it also makes these chairs a one-of-a-kind pair. The exposed architectural, tapered legs supporting the comfortable seats and curved backs complement the design of this model greatly. The slim look serves as a counterweight to the voluptuous bodies, and the colour of the wood complements the pattern as well. The overall design is focused on elegant and measured proportions, balanced compositions, and refined décor elements including the exclusive materials. Besides the upholstery, the versatile shapes, from the curving, rounded edges on the top to the characteristic armrests and tapered legs, make these chairs stand out. Buffa’s designs were featured in important publications, such as Roberto Aloi’s L’arredamento moderno series, through which a coherent evolution can be traced in Buffa’s work as he interpreted the formal elegance of Italian design with a subtle yet recognizably modern rigour evidenced by this pair. Paolo Buffa was especially passionate about furniture and product design, an area where he remained faithful to a figurative repertoire of substantial classicism, while not disdaining impulses of authentic modernity. He was extremely active in the Milanese design scene that was just as vibrant and unique as these armchairs. In an atmosphere committed to the reinterpretation of the Lombard classicism and Milanese architecture, exceptional pieces were created, as this pair shows. Condition: In good vintage condition. Wear consistent with age and use. Small scratches and marks on the wood. The chairs have been reupholstered recently in a premium patterned fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 29.52 in W x 34.44 in D x 37 in H; Seat height 15.15 in; Arm height 22.44 in 75 cm W x 87.5 cm D x 94 cm H; Seat height 38.5 cm; Arm height 57 cm Literature: 'Alcuni Mobili di Paolo Buffa', Domus, no. 178, October 1942, p. 431 for a similar example Roberto Aloi, L’Arredamento Moderno, quarta serie, Milan, 1949, fig. 366 for a similar example Roberto Rizzi, I mobile di Paolo Buffa, exh. cat., Mostra Internazionale dell'Arredamento, Cantù, 2002, pp. 30, 34-35 for a drawing and images of a similar example About the (attributed) designer: Paolo Buffa (born 1903, Milan – died 1970, Milan) was an Italian furniture designer who defined his own unique design aesthetic to become one of the most sought-after Italian designers of his day. Renowned for pairing elements from both the opulent Neoclassical and the streamlined Art Deco styles around a more modern sensitivity, Buffa excelled in creating high quality pieces that spoke to the well-to-do clientele of the time. Born in Milan in 1903, Buffa trained at the Politecnico di Milano. Following his graduation in 1927, he worked briefly for Gio Ponti, and in 1928, he partnered with architect Antonio Cassi to establish their own design studio in Milan. By 1936, Paolo Buffa opened his own independent studio where he became particularly successful, in part because he had already tapped into his unique combination of stylistic elements. His incorporation of more traditionally Neoclassical motifs or materials – for example, rich rosewoods or supple, velveteen fabrics – with the relatively avant-garde forms and themes of a lighter Art...

The iconic “Soriana” three-seater sofa was designed by the Italian designer duo, Afra and Tobia Scarpa in 1969. Besides its innovative manufacturing, visually, Soriana brings sophist...

The iconic “Soriana” three-seater sofa was designed by the Italian designer duo, Afra and Tobia Scarpa in 1969. Besides its innovative manufacturing, visually, Soriana brings sophist...

Scandinavian Modernism can be visually described by this beautiful armchair: sleek, organic and timeless. These attributes are met with high quality materials and the famous craftsma...

These Glashütte Limburg wall lamps are a playful example of the rebellion against the sleek minimalism of the mid-century modern style. Ear...

The post-war period in France saw a wide array of inventive and creative contributions to the history of design. What made this particular period so prolific and influential is that ...

This unique curved sofa is simple and striking. Despite the understated, elegant colours, this model is still an accent piece that stands out thanks to its materials and appearance. The structure relies on an interior frame covered by the upholstered fabric. In contrast to the constructivist models produced by the members of the Bauhaus, this aesthetic is more in favour of a relaxed and welcoming look. The design uses essentially geometric forms that exude warmth by the nature of the materials. The absence of arms and the ergonomic angle at which the seat and back meet creates an impression as if the sofa is opening up, enhancing both the visual and sitting comfort of the design. The crisp lines are ever so softly rounded on the edges adhering to the modernist design idioms, while the wooden lower structure and tapered legs showcase straighter lines. The black cow hide...

These marvellous, brass ceiling lamps were created in what we now call “the golden age of Scandinavian design”. Hans-Agne Jakobsson was the great Swedish master of lighting, designin...

The best thing about hanging ceiling lights - besides their stylish look - is that they are the best option to make interiors appear more spacious. They can be used them to concentrate light, or to just add an accent to the room. This lamp’s design revolves around the clear glass sphere. Glass is the perfect material for light shades as it allows light to pass through it. This means that glass light shades offer almost as much illumination as a bare light bulb. The result is bright and vibrant light, and this is exactly what this model offers. The design’s main point is its effective simpleness, free of any unnecessary detail. The uncluttered look leaves the attention on the materials and on functionality that the form is also in service of. As such, the canopy, the rod, and the shade holder are all quite understated, accentuating the glass shade instead. The pairing of glass and brass is perhaps the most iconic material duo in mid-century modern European lighting...

Tynell's lamps have developed in style over time; his early lamps had a chandelier inspired design, during the 1920s, the use of glass became an increasingly important part of his la...

One of a kind design is a daring expression to use, especially in connection with 20th century design. However, it is difficult not to conjure up the expression in the case of this s...

In much of Europe the desire for functionalism went hand in hand with understatement, refinement, and elegance for much of the mid-century era. Still, there was also room for playful...

This elegant armchair by Dutch designer, Bas Van Pelt is a classically luxe model with a level of craftsmanship that’s immediately visible to any eye. The construction of this rare 1940s design is simple at its core, but thanks to the details, it is a unique representation of early Dutch modernism. While Bas Van Pelt's creative work was primarily influenced by the 1920s straight lines dominated by The Hague School, this armchair is the result of his more mature design era, which was primarily dominated by natural materials and more curvature. While made of solid wood, this armchair has an open feel to it thanks to the airy arrangement of the arms and legs. The curved lines of the armrests are beautifully crafted and follow the raised seat’s angle. The curves nicely contrast with the straight lines of the frame, keeping it from appearing too strict. Apart from the expert woodwork, the upholstered seat and back stand out as well. The light bouclé fabric is tightly fitted around the frame, and the seat’s thick shape is an especially pleasing element that offers plenty of comfort both figuratively and literally. The overreaching backs further enhance the back’s widening shape and thus allow the individual loops of the yarn to stand out. The block legs blend seamlessly into the back and form a gentle angle. Thanks to the well-chosen proportions and the luxurious upholstery, this armchair provides great comfort. This model can be easily used as an accent chair thanks to its characteristic details, but can also complement a wide variety of interior styles with it refined and elegant style. Bas van Pelt’s progressive designs were, in many ways, ahead of his era. The Dordrecht-born designer’s furniture models are quite rare, a few are preserved in the Stedelijk Museum Amsterdam for modern art, contemporary art, and design. Condition: In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 24.6 in W x 24.4 in D x 37 in H; Seat height 15.35 in; Arm height 23.22 in 62.5 cm W x 62 cm D x 94 cm H; Seat height 39 cm; Arm height 59 cm About the Designer: Bas Van Pelt (1900 Dordrecht (NL) - 1945 Sandbostel (DE) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s and 1940s are regarded for their progressive design and quality. While he is most well-known for his chair designs, van Pelt was also active as an interior designer. He also designed fabrics for window coverings...

‎‎Ceiling lighting has been used as a decorative focal point for rooms since the early 20th century. In Scandinavian mid-century design, where interior lighting is of particular impo...

Over the 20th century, European designers fused traditional crafting techniques and styles with modern materials, design, and industry. The ladder-back chair was one of the most popu...

The postwar boom years of the 1950s through to the 1960s were one of the periods of greatest influence of Italian designers. Design in the 50s paved a way to a more aesthetical approach to products as opposed to its utilitarian predecessors, resulting in exceptional pieces like these lounge chairs. Giovanni “Nino” Zoncada was an Italian furniture designer who worked extensively designing furniture and interiors for luxury ships. In the late 1940s, Zoncada collaborated with Gio Ponti in the interior design of the cruise liners Conte Biancamano and Conte Grande. Among his most famous furniture designs are these iconic and richly upholstered lounge chairs with relatively high and curved armrests. This pair of lounge chairs combines a luxurious dark velvet fabric...

European Cabinetmaker seating pieces from the mid-century era were style-forming like none before, and raised the standard of the European home and to improve the taste for a better ...

This pair of club chairs from the 1970s stands as a captivating blend of timeless design influences. Fully upholstered in a luxurious white bouclé fabric, these chairs epitomize the ...

The Art Nouveau design ethos took its name from a Paris art gallery, House of the New Art (Maison de l’Art Nouveau) which was opened in 1895. It is a highly ornamental style of art t...

In the design-wise glamorous world of 1930s Europe, exceptional seating pieces emerged and still embody Art Deco elegance. These lounge chairs, with their distinctive features, exude the spirit of the era and remain stylish examples of this influential design movement. The most striking aspect of these chairs is their characteristic, scalloped backs, which add a touch of opulence and Art Deco flair. With their symmetrical, curved lines, these type of backs were hallmarks of Art Deco furniture design, epitomizing the aesthetic of the period. The large, enveloping backrests dictate the shape of these chairs, as they visually form most of the structure. Similarly to club chairs - that are favourites for Art Deco enthusiasts - these chairs’ arms constitute a single piece with the backs resulting in a wide design profile. The chairs feature fully upholstered bodies, embracing the era’s ruling principle of luxurious comfort without sacrificing style. The upholstery has a rich green texture with multicoloured, curly strands that add a tactile dimension to the design. This tactile quality was characteristic of Art Deco design, as designers of the time were keen on exploring different materials and textures to create visually stunning and sensorially pleasing pieces. The well-chosen material thus cleverly highlights the curves and creates extra depth. The chairs' solid wood legs provide gentle contrast to the textile, while also providing a sense of stability and durability, ensuring that this pair will keep standing the test of time. Art Deco design often incorporated geometric and angular elements, however, in these lounge chairs, there is a harmonious blend of curves and straight lines, resulting in a balanced and inviting aesthetic. With their scalloped backs, symmetrical curves, green upholstery, and rich texture, this pair represents some of the best qualities of Art Deco era furniture...

While Hans-Agne Jakobsson designed and produced various types of furniture, his lighting received greater international attention, not without a good reason. As these “V-169/1” wall ...

This rare set bears the unmistakeable oak structures created Danish designer and craftsman, Henning Kjaernulf with the distinctive “razorblade” backs. This set was manufactured by th...

This circular table embodies the essence of European mid-century design with its distinct features that harken back to a time when form and function were paramount. Crafted from soli...