H. Gallery Furniture

Materials were key elements of modern lighting design, and nothing speaks mid-century modern more than the combination of metals, such as brass and glass. At its most basic level, mi...

This eye-catching chair has a lot of personality, recalling different design styles and eras, including the Arts and Crafts movement, the minimalistic pine models of Axel Einar Hjort...

“Danish Modern” is a recognized term around the world, standing for the characteristic style of Danish design created during the 20th century. As these lounge chairs show, furniture ...

The best thing about hanging ceiling lights - besides their stylish look - is that they are a great option to make interiors appear more spacious. They can be used to concentrate lig...

Mid-century modern is to-the-point and no-nonsense, much like the straightforward interior style, which championed notions of functionality, ease and modern simplicity. This armchair...

The term “Swedish Modern” was quickly established as a reinterpretation of the Modern style during the 1940s, where functionalism was replaced by a freer and more artistic ideal. Swe...

Brutalism, originating in the mid-20th century, is an architectural and design movement that emerged in the post-war era, particularly in Europe and the United States. It is characte...

This armchair by Arno Lambrecht is characterized by clean lines, organic shapes, and a focus on simplicity and functionality. Its elegant yet sturdy frame is constructed from solid b...

As can be expected from Nordic pieces, functionality and comfort are kept at the core of the design. The construction of these stunning chairs revolves around the use of high-quality...

By the 1950s, Finland had firmly established itself as a force for innovation in design. The most distinctive qualities of Finnish light fixtures are their functionalist form that is...

At the Tenth Milan Triennial in 1954, Finland received the largest relative proportion of available prizes. The amount was even more than those eight prizes the country collected at ...

World renowned Swedish interior decorator and furniture designer, Hans-Agne Jakobsson achieved international recognition for his dazzling and innovative lighting fixtures inspired by...

This set of four of “Polar” lounge chairs was designed by the eminent Finnish designer, Esko Pajamies, and produced by Lahden Lepokalusto Oy Finland during the 1960s. These leather ...

Swedish Modern lighting was directly influenced by ASEA, the historic company that had a decisive influence on how the Swedish electrotechnical industry has developed. Based on the c...

In the realm of mid-20th century Dutch design, these model "C-1626" wall lamps remain fascinating designs defined by the contrast of the smooth-round satin-matt glass and the angular-straight grey metal. Produced by RAAK Amsterdam and envisioned during the 1960s, this pair stands as evidence to the era's minimalist aesthetic. Hailing from the 1960s, these wall lamps are not only embodiments of simplicity and elegance, showcasing a design ethos that continues to captivate admirers today, but also illustrate how minimalist design can be so ingenious and expressive at the same time. These so-called Counterpoint Wall Lamps, specifically, model "C-1626" lamps by Raak Amsterdam exemplify the sophisticated and minimalist design ethos that defined 1960s lighting in the Netherlands. Crafted during an era where form and function coalesced seamlessly, these lamps remain enduring testaments to the timeless appeal of mid-century modernism. The essence of the Counterpoint Wall Lamps lies in their deliberate counterplay between simplicity and efficacy. Raak's design philosophy, epitomized in these C-1626 models, embraces clean lines and uncluttered aesthetics. The lamps feature a geometrically refined structures that effortlessly integrate into contemporary interiors, making them a compelling choice for discerning collectors. Functionally, Counterpoint Wall Lamps are marvels of balance. The design encapsulates a harmonious interplay of light and shadow, casting a gentle glow that enhances the ambiance of any space. The adaptability of the lamps is underscored by their capacity to blend seamlessly with diverse decor styles, a testament to the enduring legacy of Raak's commitment to versatility. Raak Amsterdam, a true vanguard in Dutch lighting design, played a pivotal role in shaping the visual landscape of the 1960s. Their meticulous craftsmanship and dedication to minimalist elegance laid the foundation for a design language that continues to resonate today. RAAK Amsterdam was started in the year 1954 by Carel O. Lockhorn, who before was employed by Philips in the south of the Netherlands. RAAK had its main sales outlets in both Eindhoven and Amsterdam.The aim of the company was to advise for correct usage of lighting devices, in a way that these are adapted to the surrounding architecture. The name “RAAK” can be loosely translated as “bulls eye” in Dutch, i.e. the company hits the target with respect to its design and function. The designs produced by the company were aimed at being modest, elegant, and effective. These ideals are fully translated into the design of this pair;The design is clearly aimed at being modest, elegant, and effective.For collectors and connoisseurs alike, these Counterpoint Wall Lamps model "C-1626" stand as both a nod to history and a beacon of timeless style for contemporary interiors.Characterized by clean lines, geometric shapes, and a commitment to functionalism. Their minimalist form, where form follows function with remarkable precision is achieved by the use of glass and metal. With their unadorned bodies and a subtle play of light and shadow, the design fully utilizes the differently textured and coloured elements. The design is remarkable for its ability to seamlessly blend into diverse interior settings. The design has great proportions, to create an attention-grabbing look. When lit, these lamps create an exceptionally atmospheric light, giving the glass a warm, cosy colour as well. Raak Amsterdam, the illustrious producer of these lights was renowned for its commitment to craftsmanship and innovation. Established in 1954, Raak quickly gained recognition for collaborating with exceptional designers like Jan-Willem Bosman. Their partnership produced timeless lighting solutions that continue to inspire contemporary designers and enthusiasts alike. This pair is a modernist design to its core with a look that is ageless and can stand out but also complement any space. During its existence, RAAK collaborated with several famous designers such as Betrand Balas (Springfontein Lamp), Frank Ligtelijn (Globe Lamp) or Maija-Liisa Komulainen (Fuga lamp...

Swedish designer, Fredrik Schriever-Abeln’s designs have become quite sought after in the past years. This is in part due to the beloved “Condor” table be...

This pair of “Polar” lounge chairs was designed by the eminent Finnish designer, Esko Pajamies, and produced by Lahden Lepokalusto Oy Finland during the 1960s. These leather chairs ...

Carl Malmsten’s life's work spans nearly sixty intense years and his legacy is considered a national treasure in Sweden. He created a number of furniture classics including this rare...

This rare mid-century Brazilian armchair is attributed to the design collective Branco and Preto. Made in a rational and geometric way, they present lightness and simplicity. This c...

In the European design landscape of the mid-20th century, Brutalism emerged as a distinct architectural and artistic movement, influencing not only buildings but also furniture design. The 1960s witnessed the rise of Brutalist furniture...

These Guillerme et Chambron ‘Grand Repos’ Lounge Chairs display a beautiful contrast between the light wooden oak frame and the elega...

This charming set of stylish dining chairs was born from a desire to create an aesthetic that was organic and cosy in its simplicity while not compromising on comfort and functionali...

This beautiful Scandinavian two-seater sofa recalls the peak of Nordic Mid-Century Modern design. Thanks to its curved shape and slim, tapered legs, this two-seater is exceptionally ...

Finnish designer, Carin Lisa Johansson-Pape, was among the most significant Finnish lighting designers in the second half of the 1900s. She designed furniture for Stockmann from 1937...

Swedish designer, Arne Norell’s conceptual designs, gained recognition for their use of traditional materials and forms like fabrics and wood combined with simple and vanguard lines....

This stylish wall scone was designed by Peter Celsing for Falkenberg in 1966 for the cultural center Kulturhuset in Stockholm. The modernistic look is achieved by simple, yet smart...

‎This impressive mid-century dining set of six is representative of the fundamental axioms of Scandinavian design that revolve around quality and functionality and pairs it with a di...

Gunnar Ander was an industrial designer and architect, and one of the brightest stars of 20th-century Swedish metal, wood, and glass design. His most well-known models are the inn...

Strongly influenced by the functional forms of the Bauhaus school in Germany, Danish designers led the way in furniture design during the 1950s and 60s. They combined the inspiration...

In the European design landscape of the mid-20th century, Brutalism emerged as a distinct architectural and artistic movement, influencing not only buildings but also furniture desig...

With a robust organic form and an earth-toned palette, this chair is the embodiment of Brutalism. In furniture and décor, the Brutalist movement was somber, giving importance to eeri...

This wall lamp of Fog & Mørup production was designed by architect and designer Professor Jørgen Bo. Like the architect/designer’s other creations, the wall sconce is brilliant in it...

While Hans-Agne Jakobsson designed and produced various types of furniture, his lighting received greater international attention, not without a good reason. As this “V-169/1” wall l...

The designs of most of Danish mid-century modern furniture designers and architects aimed at functionality, an equally minimalist and appealing appearance and easy accessibility. Thi...

This pair of lounge chair and ottoman is an elegant and comfortable evidence of the mastery and artistry of the European cabinetmakers who defined mid-20th century modern seating. Th...

Swedish designer, Arne Norell’s conceptual designs, gained recognition for their use of traditional materials and forms like fabrics and wood combined with simple and vanguard lines....

The designs of most of Danish mid-century modern furniture designers and architects aimed at functionality, an equally minimalist and appealing appearance and easy accessibility. Thi...

This beautiful curved sofa features the recognizable touch of European Modernism: exquisite materials, craftsmanship, and an elegantly curved shape, because of which this type of sof...

"There is no style like art deco that embraces both the figurative and the abstract, the feminine and the masculine, the monumenta, the stringent and the opulent, the functional and ...

In mid-century furniture design, the marriage of organic materials and the brutalist style found its apotheosis in pieces such as this set of six chairs. These chairs, each a testame...

This so-called “kurulstol” or kurul chair, is an iconic model by Danish designer, Henning Kjærnulf. The Kurul chair is an ancient folding chair, originally a folding stool with strai...

In general, Brutalist furniture, such as this brilliant oak coffee table, stand as a testament to the visual benefits of the marriage of raw aesthetics and functional brilliance. Cra...

Adding a beautifully designed, styled, and stocked bar cart to a home—preferably next to a comfy lounge chair and accompanied by candles or mood lighting—is a lovely way to build a r...

‎In mid-century French design, timeless elegance and craftsmanship dominated the era and organic materials such as wood and papercord. Crafted from the warm, reddish-brown hues of ch...

These chairs have a soft design edge that is immediately recognizable. These chairs have unmistakeable shell bodies where the back cascades down to form the armrests. While the armre...

It is simply impossible to talk about 20th century lighting design without mentioning Finland and the Finnish “masters of light”. Brass bent into flowi...

This pair of Danish cabinetmaker chairs, is a great example of the Danish mid-century modern aesthetic. With their architectural, da...

In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. And not in a positive way, incidentally. Blaauw thought nothing of the latest developments ...

Henning Kjaernulf’s oak Razorblade chairs are the designer’s most distinctive designs. This set was manufactured by the Danish company...

Danish Modern is a recognized term around the world, and pieces from the mid-century era, like this daybed, are characterized by clarity in design and extremely high-quality craftsma...

In the bustling design landscape of 1960s Italy, this pair of elegant yet striking armchairs embody the aesthetic innovation that defined the era. Crafted in the 1960s, these chairs ...

The Italian furniture and interior designer, Federico Munari is known as a master of elegantly organic forms. His seating models - including these easy chairs - were created to highl...

From Charlotte Perriand to Axel Einar Hjorth, stools have been staples in European design history. Modernist stools, like this organic model, stem from one of the earliest forms of s...

Swedish mid-20th century lighting design is infinitely captivating, thanks to it featuring one-of-a-kind models crafted by renowned architects and craftsmen following in the footstep...

Italian Modern furniture is defined by unique design, perfect execution, and exclusivity. This pair of armchairs is attributed to Italian design icon, Paolo Buffa. Coinciding with contemporary debates about the role of design and its responsibility to the larger population, Buffa reworked the presiding neoclassical idiom. The architect incorporated simplified forms into his designs in order to streamline production techniques, whilst always retaining a high regard for materials and harmonious portions. This pair of armchairs is said to have been designed by Buffa during the 1950s and elegantly balances comfort and functionality with high-quality craftsmanship and materials: the refined, articulated lines of the armchairs’ frames counter the volume of its cushions and uniquely patterned upholstery. By the mid-1930s, Buffa had established his own studio, where the Milanese architect designed expertly crafted furniture featuring intricate details and combined luxurious materials for an elite clientele. Buffa developed close relationships with cabinetmaking workshops in Brianza, renowned for their traditional furniture manufacturing, and during the following decades collaborated with some of the period’s most skilled artisans. These relationships enabled Buffa to introduce a modern vocabulary into his work whilst adhering to Milan’s heritage of artisan furniture production, in order to realize inventive furniture designs that revealed a skilful union of design and execution. These chairs embody this patently, with their most intricate feature being the upholstery covering the elegant, stylish shape of the solid wood frames. The elaborate pattern invites the eyes to spend time observing and exploring it, therefore the overall impression is interesting and stylish, while it also makes these chairs a one-of-a-kind pair. The exposed architectural, tapered legs supporting the comfortable seats and curved backs complement the design of this model greatly. The slim look serves as a counterweight to the voluptuous bodies, and the colour of the wood complements the pattern as well. The overall design is focused on elegant and measured proportions, balanced compositions, and refined décor elements including the exclusive materials. Besides the upholstery, the versatile shapes, from the curving, rounded edges on the top to the characteristic armrests and tapered legs, make these chairs stand out. Buffa’s designs were featured in important publications, such as Roberto Aloi’s L’arredamento moderno series, through which a coherent evolution can be traced in Buffa’s work as he interpreted the formal elegance of Italian design with a subtle yet recognizably modern rigour evidenced by this pair. Paolo Buffa was especially passionate about furniture and product design, an area where he remained faithful to a figurative repertoire of substantial classicism, while not disdaining impulses of authentic modernity. He was extremely active in the Milanese design scene that was just as vibrant and unique as these armchairs. In an atmosphere committed to the reinterpretation of the Lombard classicism and Milanese architecture, exceptional pieces were created, as this pair shows. Condition: In good vintage condition. Wear consistent with age and use. Small scratches and marks on the wood. The chairs have been reupholstered recently in a premium patterned fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 29.52 in W x 34.44 in D x 37 in H; Seat height 15.15 in; Arm height 22.44 in 75 cm W x 87.5 cm D x 94 cm H; Seat height 38.5 cm; Arm height 57 cm Literature: 'Alcuni Mobili di Paolo Buffa', Domus, no. 178, October 1942, p. 431 for a similar example Roberto Aloi, L’Arredamento Moderno, quarta serie, Milan, 1949, fig. 366 for a similar example Roberto Rizzi, I mobile di Paolo Buffa, exh. cat., Mostra Internazionale dell'Arredamento, Cantù, 2002, pp. 30, 34-35 for a drawing and images of a similar example About the (attributed) designer: Paolo Buffa (born 1903, Milan – died 1970, Milan) was an Italian furniture designer who defined his own unique design aesthetic to become one of the most sought-after Italian designers of his day. Renowned for pairing elements from both the opulent Neoclassical and the streamlined Art Deco styles around a more modern sensitivity, Buffa excelled in creating high quality pieces that spoke to the well-to-do clientele of the time. Born in Milan in 1903, Buffa trained at the Politecnico di Milano. Following his graduation in 1927, he worked briefly for Gio Ponti, and in 1928, he partnered with architect Antonio Cassi to establish their own design studio in Milan. By 1936, Paolo Buffa opened his own independent studio where he became particularly successful, in part because he had already tapped into his unique combination of stylistic elements. His incorporation of more traditionally Neoclassical motifs or materials – for example, rich rosewoods or supple, velveteen fabrics – with the relatively avant-garde forms and themes of a lighter Art...

The iconic “Soriana” three-seater sofa was designed by the Italian designer duo, Afra and Tobia Scarpa in 1969. Besides its innovative manufacturing, visually, Soriana brings sophist...

The iconic “Soriana” three-seater sofa was designed by the Italian designer duo, Afra and Tobia Scarpa in 1969. Besides its innovative manufacturing, visually, Soriana brings sophist...

Scandinavian Modernism can be visually described by this beautiful armchair: sleek, organic and timeless. These attributes are met with high quality materials and the famous craftsma...

The post-war period in France saw a wide array of inventive and creative contributions to the history of design. What made this particular period so prolific and influential is that ...

This unique curved sofa is simple and striking. Despite the understated, elegant colours, this model is still an accent piece that stands out thanks to its materials and appearance. The structure relies on an interior frame covered by the upholstered fabric. In contrast to the constructivist models produced by the members of the Bauhaus, this aesthetic is more in favour of a relaxed and welcoming look. The design uses essentially geometric forms that exude warmth by the nature of the materials. The absence of arms and the ergonomic angle at which the seat and back meet creates an impression as if the sofa is opening up, enhancing both the visual and sitting comfort of the design. The crisp lines are ever so softly rounded on the edges adhering to the modernist design idioms, while the wooden lower structure and tapered legs showcase straighter lines. The black cow hide...