Maison Gerard

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and ...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and execution, each work is per...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and execution, each work is per...

Shastool Series consists of pieces felted by hand, recalling ancient textiles. Utilizing wool and silk, these one-of-a-kind fiber art pieces are softly molded over organic sculptural...

Shastool Series consists of pieces felted by hand, recalling ancient textiles. Utilizing wool and silk, these one-of-a-kind fiber art pieces are softly molded over organic sculptural...

Contemporary glazed stoneware centerpiece by Matthew Solomon. Signed: Solomon '14. Using fine porcelain and glazes he crafted himself, ...

This monumental swoosh of a sofa includes two integral side tables and an ottoman. The ottoman can be flanked by two cocktail tables to create two seating groups. The fiberglass side...

Zatfig is a modern take on a double-sided sofa, but with a sense of humor. COM requirements: Based on 54? plain (no repeat) fabric: 20 yards for sofa. 3.5 yards for 4 lumbar and 2 b...

The Alaia dining table is an homage to pre-20 th century Hawaiian surfboards. The top, made from dramatically grained ziricote wood indigenous to Mexico, rests on an ebonized oak base. Ziricote is a non-threatened species often used for fine musical instruments. This table can be used with a pair of matching Alaia commodes, upon which the leaves rest when in its smallest configuration, eliminating the need for leaf storage. Leaf storage case available if used alone. Note: Custom sizes are available. Georgis...

The Alaia commode is made of dramatically grained ziricote wood, lacquer and wenge. Ziricote, indigenous to Mexico, is a non-threatened species often used for fine musical instrument...

Inspired by the Moghul courts of India, this cocktail table is fabricated with a semi-precious inlaid stone top and plexiglass and bronze base. Made in India. Finish options: Green ...

Fabricated in Murano, Italy by storied glassblower Seguso, Nur is a beacon of light, comprised of three cylinders of Venetian bigolo glass with silver leaf and a plexiglass liner, hu...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

Kiko Lopez is one of the few artisans working today in the traditional craft of églomisé. With this beautiful well of glass, which changes dramatically from whichever perspective one...

Kiko Lopez is one of the few artisans working today in the traditional craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

Kiko Lopez is one of the few artisans working today in the traditional Craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

Kiko Lopez is one of the few artisans working today in the traditional craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

Kiko Lopez is one of the few artisans working today in the traditional craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

Ribbon Hook Aluminium by Henry Wilson Dimensions: D 7.7 x W 2 x H 9 cm Materials: Aluminium The Ribbon Hook is sand cast in solid aluminium. Ribbon hook has two protruding block...

Shastool Series consists of pieces felted by hand, recalling ancient textiles. Utilizing wool and silk, these one-of-a-kind fiber art pieces are softly molded over organic sculptural...

Shastool Series consists of pieces felted by hand, recalling ancient textiles. Utilizing wool and silk, these one-of-a-kind fiber art pieces are softly molded over organic sculptural...

Kiko Lopez is one of the few artisans working today in the traditional craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

This monumental edition of the Whalebone series curves into a symmetrical semicircle of more than 180 degrees. The sofa's legs, which provide the piece's strong skeleton and, placed ...

This sculptural hand-carved bench is part of a line of contemporary furniture designed by blending digital technology with fine traditional craftsmanship. Carved of American Walnut, ...

Carol Egan's works are produced using 3D modeling software and are then crafted and hand finished using traditional woodworking techniques. Egan emphasizes unique form and structu...

Carol Egan's works are produced using 3D modeling software and are then crafted and hand finished using traditional woodworking techniques. Egan emphasizes unique form and structu...

As in its namesake, the wavelike movement in Sandra Nunnerley's contemporary console resembles the visual Nova of a celestial star – flaring up in brightness before returning to its ...

As in its namesake, the wavelike movement in Sandra Nunnerley's contemporary console resembles the visual Nova of a celestial star – flaring up in brightness before returning to its ...

This sculptural stool is part of a line of contemporary furniture designed by blending digital technology with fine traditional craftsmanship. Cast in stainless steel, the stool feat...

This sculptural hand carved stool is part of a line of contemporary furniture designed by blending digital technology with Fine traditional craftsmanship. The stool features two cris...

Zigor’s work is shaped by his relationship to the environment of the Basque region-both by the natural landscape as well as the significance of the Basque identity. His sculptures an...

Zigor’s work is shaped by his relationship to the environment of the Basque region-both by the natural landscape as well as the significance of the Basque identity. His sculptures an...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker says, “all gentle grace and warmth” … [the sculptor] “engages with the stone as an equal—like wayfarers meeting on a path, Han and a stone spend time together and when they part, both are marked and changed forever.” Yongjin Han's career spanned decades and continents, and included several prestigious large-scale public commissions. In Seoul his work can be found at the National Museum of Contemporary Art, the IE Young Museum of Contemporary Art, the Whanki Museum, the Ewha Woman’s University Museum, Posong High School, and the 88 Olympics...

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker says, “all gentle grace and warmth” … [the sculptor] “engages with the stone as an equal—like wayfarers meeting on a path, Han and a stone spend time together and when they part, both are marked and changed forever.” Yongjin Han's career spanned decades and continents, and included several prestigious large-scale public commissions. In Seoul his work can be found at the National Museum of Contemporary Art, the IE Young Museum of Contemporary Art, the Whanki Museum, the Ewha Woman’s University Museum, Posong High School, and the 88 Olympics...

Zigor’s work is shaped by his relationship to the environment of the Basque region-both by the natural landscape as well as the significance of the Basque identity. His sculptures an...

Zigor’s work is shaped by his relationship to the environment of the Basque region-both by the natural landscape as well as the significance of the Basque identity. His sculptures an...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

Rapa Series consists of pieces felted by hand, recalling ancient textiles. Utilizing wool and silk, these one-of-a-kind fiber art pieces are softly molded ...

Rapa Series consists of pieces felted by hand, recalling ancient textiles. Utilizing wool and silk, these one-of-a-kind fiber art pieces are softly molded ...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

Marc Bankowksy's Large Scale chandelier, which spans five feet from end to end, takes its form from tangled vines descending from some point of ...

A sculptural cabinet carved in solid Mozambique. Coffey debuted this style of carving at Directional Furniture in New York, in 1972. In the 90’s he revived it, ...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous de...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous de...

Carrara marble, brass; Grigio marrone marble, brass; Nero marquina marble, brass. Dimensions of three elements as follows: LARGE: height: 17" - width: 32" - depth: 14" MEDIUM: height: 14" - width: 47" - depth 14" SMALL: height: 9.5" - width: 37.5" - depth: 18" Signed and dated. Antonio Pio Saracino...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous de...

An extraordinary piece, Brunelleschi Arches exhibits Kiko Lopez's mastery of the near-forgotten practice of hand-silvered glass, and his dedication to employing age-old methods to cr...

Niamh Barry often says that her sculptures are drawings in bronze and light. Inspired by natural beauty, the work transcends utility. She strives, above all else, to achieve striking...

This extra long Nijinksy bench features a set of eight newly designed legs by Marc Bankowsky in patinated bronze. The plush seat is upholstered in fabric embroidered by the Chilean-b...

Unique, signed and dated. The great diversity and originality of Girel’s work is the result of his wholly unique approach. His techniques are not found in any ceramics textbook, b...

This long Nijinksy bench features a set of eight newly designed legs by Marc Bankowsky in patinated bronze. The plush seat is upholstered in fabric embroidered by the Chilean-born Mi...

The Mekong Bench features a set of newly designed legs by Marc Bankowsky in patinated bronze. The plush seat is upholstered in fabric embroidered by the Chilean-born Miguel Cisterna,...

As with the rest of Naimh Barry's work, On it Goes IV is inspired by forms and movements in the natural world that evoke emotion. With every element of this...

Libertine is a grand, crystal chandelier, arranged on a brooding, brass plated frame of steel. Like much of Brazier-Jones' work, the piece focuses on repeating, naturally imperfect, ...