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'On the Menam River, Bangkok, Siam', Early Australian Artist, Thailand, Siamese
Located in Santa Cruz, CA
Signed lower right, 'A. W. Kerr' for Alexander Kerr (Australian, 1875-1950) and painted circa 1920.
Inscribed on original frame, 'Menam River, Bangkok, ...
Category
1910s Landscape Paintings
Materials
Canvas, Oil
'The Soul is Music' France, Provence, California, Post Impressionist Figural Oil
Located in Santa Cruz, CA
Signed lower left, 'J.da Silveira' for Jose Da Silveira (French-American, born 1965), titled, 'The Soul is Music' and painted circa 2002.
Additionally signed and titled, and with figural drawing, verso;
Previously with: Chabot Gallery, Campbell, California
Born in a tiny jungle village in Mozambique to a Portuguese bullfighter and the daughter of one of the leaders of the French Resistance...
Category
Early 2000s Modern Figurative Paintings
Materials
Canvas, Oil
'Evening Landscape', AIC, Russian-American, Palette & Chisel Club, Who Was Who
Located in Santa Cruz, CA
Signed lower left, 'Louis Weiner' (Russian-American, 1892-1967) and dated 1929.
Born in Vinnitza, Russia, Louis Weiner moved to Chicago where he studied with Reynolds, Higgins, Pool...
Category
1920s Landscape Drawings and Watercolors
Materials
Watercolor, Gouache, Illustration Board
'Woman Reading', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category
1950s Post-Impressionist Figurative Prints
Materials
Paper, Monotype
'Still Life with a Pewter Jug', Paris, Louvre Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...
Category
1950s Post-Impressionist Interior Drawings and Watercolors
Materials
Paper, Gouache, Graphite
'Bathing at Carmel', California Post-Impressionist, Stanford, Big Sur, Monterey
By Robert Canete
Located in Santa Cruz, CA
Signed lower right, "Canete" and further signed, verso. Painted in 2015.
A lyrical, Post-Impressionist beach scene showing a young woman in a bathing suit at the edge of the Pacifi...
Category
2010s Post-Impressionist Figurative Paintings
Materials
Oil, Board
'Beneath the Stars', Lovers, Moghul, Isfahan, Chouinard, LACMA, Dallas Museum
By Leon D'Usseau
Located in Santa Cruz, CA
Signed lower right, 'Dusso' for Leon D'Usseau, Jr. (American, 1918-1991) and painted circa 1965.
A substantial oil painting showing two lovers reclining in a barge on a stream before a Persian palace crowned with domes and minarets; the pair elegantly dressed, with the young woman bejeweled and the young man playing a lute.
Born in Los Angeles, Leon D'Usseau began training under the guidance of his father, who was among the earliest fine art film directors in Hollywood. At the age of twelve, he was drawing seriously and, at fifteen, he received a working scholarship at Chouinard School of Art where he studied under Merrill Gage and Alexander Archipenko and also taught a line-drawing class.
Adopting the anglicized brush-name of Dusso, he exhibited widely and with success including at the Los Angeles County Museum of Art (1937-40), the California Palace Legion of Honor (1941), the Metropolitan Museum of Art (1942), the Laguna Festival of Arts, Los Angeles Artists Association (1945), the California Watercolor Society (1946) and the Audubon Association (1945). Leon Dusso...
Category
1960s Figurative Paintings
Materials
Masonite, Ink, Oil
'Seated Nude' Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Stamped, verso, with certification of authenticity for Victor Di Gesu (American, 1914-1988) and created circa 1950.
Winner of the Prix Othon Friesz, Victor di Gesu first attended th...
Category
1950s Post-Impressionist Nude Drawings and Watercolors
Materials
Paper, Graphite
'The Artist in her Studio', Paris, Académie de la Grande Chaumière, Geneva
Located in Santa Cruz, CA
Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1965.
Titled, on old label, 'Le Modele'.
Previously with: Crocker Galleries, CA
From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style.
Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style.
Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development.
In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words:
"I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light."
Partial Exhibition Record:
1947 Paris, Galerie Claude
1951 Paris, Galerie Breteau - Cairo, Galerie Adam - Alexandria, l'Atelier
1954 Paris, Galerie Simone Bdinier
1955 Cairo, l'Atelier
1959 Paris, Galerie A. Weil
1960 Geneva, Galerie Motte
1962 Paris, Marignan Gallery
1964 Paris, Ror Volmar Gallery
1966 San Rafael (U.SA) International Museum
1966 Cagnes-sur-Mer, Castle Gallery...
Category
1960s Figurative Drawings and Watercolors
Materials
Paper, Gouache, Graphite
'Woman Seated', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and created circa 1950.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Cen...
Category
1950s Post-Impressionist Figurative Paintings
Materials
Paper, Oil
'Steeplechase, Los Altos Hunt', St. Martin's School, Carmel, PAFA, ASL, NAD, CAA
By Frank Ashley
Located in Santa Cruz, CA
Signed lower left, 'Frank N Ashley' (American, 1920-2007) and painted circa 1985. Additionally signed, verso, and titled, 'Steeplechase, Los Altos Hunt'. Bea...
Category
1980s Post-Impressionist Animal Paintings
Materials
Canvas, Acrylic
'Monterey', California Plein Air, Laguna Beach Art Association, New York ASL
By Dedrick Stuber
Located in Santa Cruz, CA
Signed lower right, 'Dedrick B Stuber' for Dedrick Brandes Stuber (American, 1878-1954) and painted circa 1925.
A substantial, early twentieth-century California coastal landscape showing the Pacific Coast's Monterey Bay on a sunny day with lightly scudding clouds against an azure sky. A particularly fine work with jewel-like, spring flowers scattered along the grassy bluff and a panoramic view across the bay towards lavender coastal hills. This luminous California plein-air painting happily retains its original title-plate.
Born in New York City, Dedrick Stuber first studied at the Art Students League and, later, with Julian Onderdonk and Clinton Peters. In 1920, he moved to Los Angeles where he became known primarily as a painter of California pastoral and marine scenes, preferring to paint his "plein air" works in the cool and shade of the early morning.
Over the course of a long career, Stuber exhibited widely and with success and was the recipient of numerous medals and juried awards. He was a member of the Painters and Sculptors of Los Angeles and the Laguna Beach Art Association and his works are held in numerous private and public collections, including the permanent collection of The Smithsonian Museum and The Pasadena Art Museum.
Reference:
Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 2, page 1076; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, page 3211; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith...
Category
1920s Impressionist Landscape Paintings
Materials
Canvas, Oil
'Reclining Nude', San Francisco Woman Artist, Large Post-Impressionist Oil
Located in Santa Cruz, CA
Signed lower right, 'Vivian R. Huebler' for Vivian Ruth Lewis Huebler (American, 1890-1975); additionally signed, verso, with artist address and painted circa 1955.
Vivian Huebler...
Category
1950s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
'Ginger Cat with Still Life', American Modernist, WPA Muralist, SFAA, GGIE, MoMA
Located in Santa Cruz, CA
Signed lower right, 'Jay Risling' (American, 1896-1993) and dated 1941.
A psychologically penetrating study of a contented, golden-eyed ginger cat shown re...
Category
1940s Modern Animal Paintings
Materials
Canvas, Oil
'Port-Vendres' Côte Vermeille, France, California, Large Post-Impressionist Oil
By Anthony McNaught
Located in Santa Cruz, CA
Signed verso, 'Ant McNaught', (American, born 1952), titled 'Port de Vendres', dated 2022 and inscribed '(After Derain, 1905)'.
This California Post-Impressionist and Abstract Expre...
Category
2010s Expressionist Landscape Paintings
Materials
Oil, Canvas
'Point Lobos, China Cove', Carmel, California Impressionist Oil, Monterey
Located in Santa Cruz, CA
Signed lower left, 'Edward Glafke' (American, 1925-1997); additionally signed, verso, titled, 'Point Lobos, China Cove', and dated 1993.
Edward Glafke w...
Category
1990s American Impressionist Landscape Paintings
Materials
Canvas, Oil
'Pacific Coast Sunset', Art Institute of Chicago, Mendocino, California Artist
Located in Santa Cruz, CA
Signed lower left, 'George A Rohrer' (American, born 1929), additionally signed, verso, and dated 1988.
A lyrical and light-filled seascape showing a view of the Pacific Ocean with the sun breaking through clouds and illuminating the breakers rolling in towards the coast of Northern California's Mendocino county.
This listed California artist lives on the Mendocino Coast...
Category
1980s Impressionist Landscape Paintings
Materials
Canvas, Oil
'California Coast', Corcoran, Bohemian Club, MoMA, AIC, CSFA, LACMA, SFAA
Located in Santa Cruz, CA
Estate stamped, lower left, 'Wm. A. Gaw' for William Alexander Gaw (American, 1891-1973) and painted circa 1935.
William Alexander Gaw was born ...
Category
1930s Post-Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Gouache, Postcard
'The Garden in Summer', Tsar Nicholas II, Queen Elizabeth II, Russian Imperial
By Grand Duchess Olga Alexandrovna
Located in Santa Cruz, CA
Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Grand Duchess of Russia and painted circa 1935. Additionally inscribed in Danish, verso, 'Malet af Storfyrstinde Olga, Rusland der senere bosatte sig i Ballerup. Emma Davidsen' (Painted by Grand Duchess Olga...
Category
1930s Impressionist Landscape Paintings
Materials
Oil, Board
'Flowers on a Window Sill', Royal Provenance, Russia, Queen Elizabeth II
By Grand Duchess Olga Alexandrovna
Located in Santa Cruz, CA
Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Grand Duchess of Russia and painted circa 1925.
Provenance: Formerly in the ...
Category
1920s Impressionist Still-life Drawings and Watercolors
Materials
Watercolor, Gouache, Laid Paper
'Au Table', Venezuelan Post-Impressionist Oil, Museo de Bellas Artes, Caracas
Located in Santa Cruz, CA
Signed lower left, 'M. V. Mujica' for Manuel Vicente Mujica (Venezuelan, 1924-2002).
A bright and breezy oil painting of a dark-haired young woman wearing a wide-brimmed, floral hat and seated at a table decorated with a large vase of flowers. A charming and period work by this European-trained Venezuelan Post-Impressionist.
Manuel Mujica first studied at the School of Plastic and Applied Arts under Antonio Edmundo Monsanto and Rafael Ramón González (1939-1942). Over the course of a long and successful career, he exhibited widely and with success including at the Salón Anual de Artistas Independientes held by the Caracas Museo de Bellas Artes...
Category
1960s Post-Impressionist Figurative Paintings
Materials
Canvas, Oil
'Seated Nude' Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
A graphite drawing of a young woman, shown nude and seated with her chin cupped in...
Category
1950s Post-Impressionist Nude Drawings and Watercolors
Materials
Paper, Ballpoint Pen
'Seated Nude' Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
A graphite study of a young woman shown nude and seated in an armchair.
Winner of...
Category
1950s Post-Impressionist Nude Drawings and Watercolors
Materials
Paper, Graphite
'Irises in a Sunset Breeze', Large Impressionist Botanical Oil, American School
Located in Santa Cruz, CA
A substantial, Impressionist botanical oil showing a bevy of purple and yellow irises swaying in an evening breeze and silhouetted against a sunset sky. Signed lower right, 'J. C. B...
Category
1990s Contemporary Landscape Paintings
Materials
Canvas, Oil
'Equestrian Actress', Modernism, Circus, Vietnamese, French, Horse, Acrobats
By Hoi Lebadang
Located in Santa Cruz, CA
Signed lower right, 'Lebadang' and with number and limitation, 163/215, lower left.
Also known as Dang Lebadang (Vietnamese-French, 1922-2015) this not...
Category
1960s Modern Animal Prints
Materials
Paper, Lithograph
'The Working Class Enjoying a Meal', Satire of Capitalism, Proletarian
By Antonio Manganaro
Located in Santa Cruz, CA
Signed lower left, 'A. Manganaro' for 'Antonio Manganaro (Italian, 20th Century), and titled lower center, 'Ability of the Working Classes to Enjoy Meals Under Humble Surroundings'. ...
Category
Mid-20th Century Realist Figurative Drawings and Watercolors
Materials
Paper, Ink, Gouache, Pen, Graphite
'Sunset Landscape', Hamburg, Rivne, Volhynia, Rivne Museum
Located in Santa Cruz, CA
Signed lower right, 'G. Kosmiadi' for Georg Kosmiadi (Ukranian-German, 1886-1967) and dated, '66'; additionally signed verso, 'Georg Kosmiadi', inscribed with serial number and dated, '20/9/66'.
Georg Kosmiadi was a resident of Rivne before moving to Hamburg in 1940 where he worked as an art teacher. Kosmiadi exhibited at the Rivne Regional Museum and a regional art...
Category
1960s Abstract Impressionist Abstract Drawings and Watercolors
Materials
Paper, Gouache
'Study of a Woman Reading', American Mid-Century Figurative Interior Scene Oil
Located in Santa Cruz, CA
Inscribed verso, 'P. Johnstone' (American, 20th century) and painted circa 1965.
A substantial Modernist figural oil of a young woman shown reading a book in a rose-colored room, wi...
Category
1960s Modern Figurative Paintings
Materials
Canvas, Oil
'Abstract in Coral and Jade', Painters Eleven, Ontario, Canadian Modernist Oil
By Hortense Mattice Gordon
Located in Santa Cruz, CA
Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949.
Previously with: Dominion Gallery of Montreal (stamp, verso).
Photo courtesy of Art Gallery of Hamilton, Ontario, Canada.
Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven.
A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920.
In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...
Category
1940s Abstract Abstract Paintings
Materials
Oil, Board
'Action Abstract, Ivory & Saffron', Paris, National Association of Women Artists
Located in Santa Cruz, CA
Signed lower right, 'M.S. Bremer' for Marlene Bremer (German-American, 1937-2018) and painted circa 1995. Additionally signed, verso, 'Marlene Bremer'.
...
Category
1990s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
'Abstract, Citron & Scarlet', American Abstraction, Pittsburgh, Freeman Center
Located in Santa Cruz, CA
Signed verso, 'Barr' for Charles Barr (American, 1929-2019); additionally inscribed and painted circa 1965.
From the Pittsburgh Post-Gazette, 2019:
CHARLES "CHUCK" BARR
Age 89, of Highland Park, graduated from human life on August 11. Although no headlines marked the event, he was a great man. People ranging from fellow Pittsburghers to New York art collectors have known Chuck as a wonderful self-taught artist and creative jazz musician. But above all, everyone touched by his joy knew him as a carrier of the Great Spirit. Ten minutes with Chuck could do more than make your day. It could open your heart to the boundless possibilities that life offers, if only we live from love. Chuck was raised in a working-class musical family in Beechview. Leaving home as a teenager to play tenor sax in a Chicago nightclub alongside brother, Tommy, a pianist, he burned out on the late-night routine. He then spent years trying to fit into so-called normal society, working various jobs in places from Yokohama (with the U.S. Army) to Philadelphia. Around 1969, Chuck returned to Pittsburgh to rediscover his calling and became a local legend. A Post-Gazette article dubbed him the city's "rambling minstrel" for his sax and flute recitals in public. College-trained artists marveled at the dynamic, visually musical paintings...
Category
1960s Abstract Abstract Paintings
Materials
Canvas, Oil
'Pacific Sunset', Oil Seascape, San Francisco Bay Area, Santa Cruz Art League
By Ray Radliff
Located in Santa Cruz, CA
Painted circa 1965 by Ray Radliff (American, 1900-1974) and accompanied by certificate of authenticity. Framed dimensions: 30.5 x 40.5 inches.
This California artist exhibited widel...
Category
1960s Impressionist Landscape Paintings
Materials
Canvas, Oil
'Pacific Surf', California Plein Air Woman Artist, Santa Cruz, Carmel
By Jane McCullough
Located in Santa Cruz, CA
Signed lower left, 'McCullough' for Jane McCullough (American, 20th century) and painted circa 1985.
Jane McCullough was an avid California plein air painter, exhibiting and took ar...
Category
1980s Post-Impressionist Landscape Paintings
Materials
Canvas, Oil
'Words to the Wise', African American Memento Mori, Skeletons, Bay Area, Black
Located in Santa Cruz, CA
Signed on palette, lower right, 'John Diallo Jones' (American, 20th century) and dated 1992.
A dramatic figural oil showing the artist flanked by two whispering skeletons, one of wh...
Category
1970s Expressionist Figurative Paintings
Materials
Board, Oil
'Evening Fishing', Sunset River Landscape, Chicago Society of Artists, New York
Located in Santa Cruz, CA
Signed lower right, 'Arthur Dawson' (American, 1857-1922) and painted circa 1915; additionally inscribed, verso, 'The Stream'.
Bearing old framing label: Ferguson Art Shop, Flint, Mi...
Category
1910s Tonalist Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
'Still Life with Florist', Paris, École des Beaux-Arts, Large Post-Impressionist
By Guily Joffrin
Located in Santa Cruz, CA
Signed upper right, "Joffrin" for Guily-Jeanne Joffrin (French, 1909-2007) and painted circa 1965.
Photo of the artist in her studio, 1995. Courtesy of Wikipedia.
Born in Paris, Joffrin first attended the École Supérieure Sophie-Germain before, in 1928, studying at the École des Beaux-Arts, initially in the studio of Lucien Simon. She continued her studies there for several years in the studios of Jacques Despierre and Lucien Fontanarosa. After receiving her diploma, Joffrin was appointed Professor of Drawing and taught in Paris until 1945, when she began to devote herself exclusively to her career as a fine artist. Over the course of a long career, she exhibited internationally with success including at more than forty exhibitions in France (Paris, Aurillac, Rennes, Strasbourg, Reims, Rodez, Toulouse, Barbizon, Saint-Paul-de-Vence, Cannes) as well as in Geneva, Vevey, San Francisco and Tokyo among other cities.
The human face was of particular interest to Joffrin and she created many portraits of academic notables including Paul Guth...
Category
1960s Modern Still-life Paintings
Materials
Canvas, Oil
'Still Life in Lavender and Rose'
By Jeannette Bedwell
Located in Santa Cruz, CA
Signed lower left, 'J. Bedwell' for Jeanette Bedwell (American, 20th century) and painted circa 1975; additionally signed, verso, on canvas.
A vibrant, mid-century oil still-life b...
Category
1970s Modern Still-life Paintings
Materials
Canvas, Oil
'Spring', Large Modernist Oil, Dartmouth, Slade School, McDowell Colony Fellow
Located in Santa Cruz, CA
Signed lower right, 'L. Curtis' for Lynn Curtis (American, 20th century) and painted circa 1985.
Exhibited: Lodi Art Center, 11th Annual Art Exhibition (from accompanying label).
Framed dimensions: 38.25 H x 60.5 W x 1.75 D Inches.
A very substantial, oil and mixed media Modernist work showing a profusion of spring wild-flowers bursting through panels of wind-billowed canvas. A dynamic expression of spring's power of growth overcoming all physical restraint.
Lynn Curtis holds a Bachelor’s Degree from Dartmouth College and a Masters in painting and drawing from The University of Iowa. She received a postgraduate certificate in printmaking from London's Slade School...
Category
1980s Modern Landscape Paintings
Materials
Canvas, Glue, Oil
'Still Life, Roses with Figure Approaching', German Expressionist, Robert Graves
By Karl Goldschmidt
Located in Santa Cruz, CA
Signed lower left, 'Karl Goldschmidt' (Anglo-German, 1912-1995) and painted circa 1930.
Photo of Karl Goldschmidt (Kenneth Gay) with Robert Graves courte...
Category
1930s Modern Still-life Paintings
Materials
Canvas, Oil
'Provincetown, Dusk', Evening Seascape, Massachusetts Harbor Lights
Located in Santa Cruz, CA
Signed lower center, 'D. M. Hildreth' for Donald Hildreth (American, born 1941), additionally signed, verso, titled, 'Provincetown' and dated 1997.
Los Angeles native Donald Hildreth worked as an aerospace engineer and in real estate before following his career as an artist. He then studied under Kim English, Ovanes Berberian and Ted Goerschner...
Category
1990s Impressionist Landscape Paintings
Materials
Canvas, Oil
'Mid-century Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
By Emilio Rodríguez Larraín
Located in Santa Cruz, CA
'Midcentury Biomorphic Abstract', NYMoMA, Paris, XXXII Venice Biennale, MALI, Lima, Peru
Signed, lower right, 'E.R. Larrain' for Emilio Rodríguez Larraín (Peruvian, 1928-2015), and inscribed 'Roma, Nov 1963, Enero 1964'. (Rome, Nov 1963-January 1964). Verso titled, "L'Homme C'est Sujet à Errer" (Man Tends to Wander), and bearing the artist's self-portrait in india ink and wash.
Exhibited: XXXII Venice Biennale, 1964. (original exhibition label verso)
Previously with Staempfli Galleries, New York. This painting is registered in the Archives of American Art as 'Staempfli Gallery, inventory #775'.
A monumental and historically distinguished work by this groundbreaking Peruvian Modernist who drew inspiration from Peruvian indigenous and pre-colonial culture. The paintings of Emilio Rodríguez Larraín are held in the permanent collections of museums worldwide including the Musée de la Ville de Paris, Peru's Museo de Arte de Lima and the Museum of Modern Art in New York. This painting was selected by the Peruvian Government for exhibition at the XXXII Venice Biennale in 1964 and is the largest single recorded work by the artist.
Emilio Rodríguez Larraín received his Bachelors of Architecture in 1949 from Peru's Universidad Nacional de Ingeniería and held his first solo exhibition in Lima after visiting Europe in 1950. In 1951, he returned to Europe in the company of the artists Alfredo Ruiz Rosas and Joaquín Roca Rey...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Fiberboard, Laid Paper, Oil
'Mount Fuji', Japanese Abstraction, Isle de St. Louis, Paris, Tokyo, Modernism
Located in Santa Cruz, CA
Signed lower left, 'S. Omori', for Sakue Omori (Japanese, 1919-2001) and painted circa 1965; additionally signed in Kanji, verso, with artist's name 大森 朔衛 (Omori Sakue) and titled, 'Mount Fuji'.
A large and exuberant, mid-century oil by this well-listed Japanese Modernist and Professor of Fine Art who studied in Paris and is particularly known for his lyrical landscape abstractions.
Sakusuke (Sakue) Omori was born in Takamatsu City in Kagawa Prefecture. He drew enthusiastically as a child and, by the age of 12, had resolved to become an artist. At the age of 13, he encountered the work of the Japanese Modernist, Takeji Fujishima, which further confirmed his vocation. Omori moved to Tokyo at the age of 18 and, despite his parents objections, entered the Japan Art School where he majored in oil painting. In 1940, at the age of 21, he was granted his first public exhibition. In 1941, he was selected as an exhibitor for the Independent Art Exhibition and, in 1942, for the Art Creators Association Exhibition. In 1943, Omori won the Kagawa Prefectural Governor's Award and also received the Naval Association Award at the Great Japan Maritime Art Exhibition. After the war, with his studio and his work having been destroyed by fire, he returned to Tokyo to build a new atelier in Yochomachi.
In 1950, Omori became a founding member of Japan's Modern Art Association and a member of the Action Art Association. In 1960, he was awarded the prestigious K-shi prize at the Contemporary Japanese Art...
Category
1960s Abstract Abstract Paintings
Materials
Canvas, Oil
'Abstract Landscape, Chestnut and Coral', Venice Biennale, Michetti Prize Winner
By Gianni Pisani
Located in Santa Cruz, CA
Signed lower right 'G. Pisani', (Italian, born 1935), titled verso 'Paesaggio con Valigia' (Landscape with Luggage) and dated 1963.
Provenance: Galleria El Centro, Naples, Italy 1963. (from original label, copied verso).
A very substantial, mid-century abstracted landscape comprising an assembled group of Fendi shopping bags in the fashion designer's signature tones of cream, bistre and scarlet, shown contrasted against a lyrical, sunset-coral background. This powerful and lyrical oil was awarded the 1963 Michetti Painting Prize.
Gianni Pisani studied at the Accademia de Bella Arti in Naples under Emilio Notte. Much of his career in the 1960s and 70s involved reinvigorating the Neapolitan art scene with assemblages, ‘object art’ and performance art, an approach that was critically described and acclaimed by poet and writer, Edoardo Sanguineti.
The recipient of numerous medals, prizes and juried awards, including the Prize City Cesenatico (1955). Pisani exhibited widely and with success from the early 1950's including at the 8th Biennale of San Benedetto del Tronto (1969), Palazzo Dugnani (1983) and at the Non-Existent Gallery. Other solo and group exhibitions include a three-time participation in the National Quadrennial Art Shows (VIII, Rome, 1960; IX, Palazzo dei Esposizione, 1965/66; XI, Palazzo dei Congressi, 1986) and the 1995 Venice Biennale.
An ardent exponent, and influential teacher, of Modernism, Pisani taught at the Academy of Fine Arts of Brera in Milan and, for many years, at the Academy of Fine Arts in Naples, of which he was later appointed director. Gianni Pisani’s works are held in the permanent collections of numerous museums including the Museum of Capodimonte, the Museum of Contemporary Art Donna Regina (MADRE), Museum of Contemporary Religious Art...
Category
1960s Abstract Abstract Paintings
Materials
Canvas, Oil, Masonite
'Still Life with Fish & Chianti Bottle'
Located in Santa Cruz, CA
A substantial, mid-century Post Impressionist oil still-life comprising a fish on a platter with four lemons, a raffia-wrapped bottle of Italian chianti...
Category
1950s Post-Impressionist Still-life Paintings
Materials
Canvas, Oil
'Trees at Sunset', Large Oil, Philadelphia Museum, Yale, PAFA Op-Ed Woman Artist
Located in Santa Cruz, CA
Signed, lower left, with monogram, 'E. A.', for Edna Wright Andrade (American, 1917-2008) and dated 1954. Additionally signed, verso.
A luminous, mid-ce...
Category
1950s Op Art Landscape Paintings
Materials
Canvas, Oil
'Santa Barbara Landscape', Paris, Académie Julian, LACMA, Pasadena, California
Located in Santa Cruz, CA
Signed lower left, 'J. W. Nicoll' for John W. Nicoll (American, 1865-1943), titled lower left, 'Santa Barbara' and painted circa 1925. Sheet dimensions: 9 x 12.75 inches.
A luminous, early twentieth-century landscape showing a picturesque view of a Spanish style cottage set in a lush garden with a view beyond towards the Santa Ynez Mountains rising towards clouded, blue skies. An unusual and elegant view of old-time Santa Barbara that retains much of its crispness and freshness of color.
Born in New York, John Nicoll first studied with his uncle, the landscape painter, James Nicoll. He subsequently moved to Paris where he furthered his education for three years under Bouguereau and Ferrier at the Académie Julian. He then continued on to Seville where he studied for three years at the Academia Real, spending his winters traveling and painting in North Africa.
By 1899, Nicoll had settled in Pasadena where he painted, exhibited and taught drawing at the College of Fine Arts from 1906-1935. Upon his retirement, he moved to San Diego where he continued to paint and exhibit until his death in 1943. Over the course of a long career, James Nicoll exhibited widely and with success including at the Stickley Building, Pasadena, 1899; Blanchard Hall, Los Angeles, 1899; the Louisiana Purchase Exposition, St Louis, 1904; the Ruskin Art Club, Los Angeles, 1904; Lewis & Clark Expo Portland, 1905 (Bronze Medal); the Painters Club, Los Angeles, 1906-09; the Nicholson Gallery...
Category
1920s American Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor
'Pacific Sunset', Society of Western Artists, California Woman Artist, Seascape
Located in Santa Cruz, CA
Signed lower left, 'Norma Webb' (American, 20th century) and painted circa 2000. Additionally signed, verso, stamped with artist address and titled, 'Sea and Rocks'.
A vibrant oil on on canvas showing a view of evening breakers crashing against rocks beneath sunlit clouds off Northern California...
Category
Early 2000s Landscape Paintings
Materials
Canvas, Oil
'The SS. San Jose', American Merchant Marine, United Fruit Company Freighter
Located in Santa Cruz, CA
The S.S. San Jose shown making way in medium water. This early refrigerated freighter, built in 1904, was designed to transport bananas between the Caribbean and the American mainlan...
Category
1910s American Realist Landscape Paintings
Materials
Oil, Board
'L'Oreal No. 3, Troyes', French Village, National Watercolor Society, Fashion
By Evelyne Brigeois
Located in Santa Cruz, CA
Signed lower right, 'E. Brigeois' for Evelyne Brigeois (French, 1946-2016) and dated 1985; additionally signed, verso, dated and titled, 'Troyes #3'.
Born in Troyes, France in 1946, Evelyne Brigeois grew up in the town of Nimes, east of Paris. She subsequently lived and painted in Germany, England and Spain before moving to the United States in her late twenties. Settling in Idaho, she began a forty-year career as a fine artist, exhibiting widely and with success including, regularly, at both Boise's Art in the Park and Art and Roses Festival. Evelyne Brigeois was also the recipient of numerous national and international awards including from the National Watercolor Society, the Detroit Institute of Arts, the Michigan...
Category
1980s Photorealist Landscape Drawings and Watercolors
Materials
Watercolor, Laid Paper
'L'Oreal No. 2, Troyes', French Village, Boise, National Watercolor Society
By Evelyne Brigeois
Located in Santa Cruz, CA
Signed lower right, 'E. Brigeois' for Evelyne Brigeois (French, 1946-2016) and dated 1985; additionally signed, verso, dated and titled, 'Troyes #2'.
Born in Troyes, France in 1946, Evelyne Brigeois grew up in the town of Nimes, east of Paris. She subsequently lived and painted in Germany, England and Spain before moving to the United States in her late twenties. Settling in Idaho, she began a forty-year career as a fine artist, exhibiting widely and with success including, regularly, at both Boise's Art in the Park and Art and Roses Festival. Evelyne Brigeois was also the recipient of numerous national and international awards including from the National Watercolor Society, the Detroit Institute of Arts, the Michigan...
Category
1980s Photorealist Landscape Drawings and Watercolors
Materials
Watercolor, Laid Paper
'The Doge's Palace, Venice'
Located in Santa Cruz, CA
Signed lower right, 'Tapie' for Viva Flower Tapie (American, 1897-1993) and painted circa 1925.
Viva Flower Tapie was born in Sibley, Iowa and lived in Oakland, California where she exhibited with success at the Oakland Art...
Category
1920s Post-Impressionist Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Gouache, Postcard, Pen
'California Coastal Diptych', Berkeley, Bay Area Woman Artist, Smithsonian, CCAC
Located in Santa Cruz, CA
Signed lower right, second panel, 'Isabelle Schrock' for Isabelle Schrock Barnett (American, 1903-1995) and painted circa 1975. Additionally signed, verso, on each panel and titled, 'Hillside City' on artist card.
Left panel dimensions: 22 x 30 inches.
Right panel dimensions: 30 x 22 inches.
Total dimensions: 30 x 52 inches.
Exhibited: Lodi 16th Annual Art Exhibition (1975) from partial label, verso, on right panel.
An unusual, asymmetric diptych landscape showing a view of a Northern California coastal city, probably Berkeley, set in gently rolling hills and painted circa 1975.
Born in Augusta, Kansas, Isabelle Schrock Barnett moved to California with her family at the age of five and graduated from the the California College of Arts and Crafts in 1923. She subsequently studied with Frederick Taubes and Yasuo Kuniyoshi. Over the course of a long and successful career as an artist, Isabelle Schrock Barnett exhibited widely and with success including at the Smithsonian Institute in Washington, DC, the Oakland Art Association, the San Francisco League of Women Artists and the Central California Art...
Category
1970s Impressionist Landscape Drawings and Watercolors
Materials
Watercolor, Gouache, Board, Laid Paper, Varnish
'Woodland Stream', Paris, New York, Hudson River School, Luminism, AIC, PAFA
By Arthur Parton
Located in Santa Cruz, CA
Signed lower right, 'Arthur Parton' (American, 1842-1914) and painted circa 1885.
This notable Hudson River School painter first studied under William Trost Richards, from whom he gained a grounding in the technical aspects of his craft, and, subsequently, at the Pennsylvania Academy of Fine Arts. While in Philadelphia, he began to exhibit with success and, in 1864, moved to New York where he continued to exhibit before leaving for Europe in 1869. In France, he was influenced by the works of the Barbizon painters and then furthered his studies in Paris and London (1870) before continuing to Scotland (1871). Upon his return to America, he would go on to establish himself as a major figure in the art world, maintaining a studio at 51 West 10th Street from 1874 to 1893.
Best known for his landscapes of the Adirondacks and Catskill Mountains, Parton also painted in England and Scotland. During his career, he explored several styles including Tonalism and Impressionism, but remained closely influenced by the Hudson River style including Luminism. Parton was a member of the American Watercolor Society, the Artists Fund Society and, from 1871, the National Academy of Design, becoming a National Academician in 1884. Parton exhibited widely and with success including at the Corcoran Gallery of Art (1907-1908, 1910), Brooklyn Artists Association (1866-85), Philadelphia Centennial Exposition (1876), Boston Art Club (1882-1909), New York City (1886 gold medal), Pennsylvania Academy of Fine Arts (1889 Temple gold medal, 1891, 1896-97, 1905), Paris Exposition Universelle (1889 honorable mention), St Louis Exposition (1904 medal), the Art Institute of Chicago and, for more than 50 years, at the National Academy of Design (1862-1914, 1896 prize).
Parton gained widespread recognition after his painting of the Shenandoah River (1872) was published in William Cullen Bryant...
Category
1880s Hudson River School Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Gouache, Postcard
'Woman Dancing' Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
By Victor Di Gesu
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
A dynamic, mid-century monotype by this Paris-trained, California Post-Impressioni...
Category
1950s Post-Impressionist Figurative Prints
Materials
Paper, Monotype
'Nuns at Notre-Dame', Paris, Munich, Woman Modernist, AIC, Smithsonian, Carmel
By Patricia Stanley Cunningham
Located in Santa Cruz, CA
Signed lower left, and lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965.
A vibrant, Post-Impressionistic oil showing a view of Paris with two nuns wearing wimples and cornets, one carrying a basket of daffodils, standing beneath the shade of a tree and with a view beyond to the facade of the Cathedral of Notre-Dame lit by bright sunshine.
The first woman to serve as president of the Carmel Art Association, Patricia Stanley Cunningham first studied at UC Berkeley and, subsequently, with Hans Hofmann in Munich and with André Lhote in Paris. While in Paris, in 1930, she wed the American artist, John Cunningham. Settling on the Monterey Peninsula after returning from Europe, Cunningham joined the Carmel Art Institute, of which she became president, the Southwest Artists...
Category
1980s Modern Landscape Paintings
Materials
Masonite, Oil
'Formal Samoan Meal', NYMoMA, Metropolitan Museum, National Gallery, SFAA, GGIE
By Marion Osborn Cunningham
Located in Santa Cruz, CA
Stamped, verso, with certification of authenticity for 'Marion Cunningham' (American, 1908-1948) and created in 1948.
Paper dimensions: 17.75 x 16 inches
A substantial and rare, mid-century silkscreen showing a Samoan family seated beneath a traditional tent of tapa cloth and being served by a young woman. To realize this complex work, Cunningham used as many as one dozen hand-drawn screens, each of which varied in pigment, hue and opacity. Created during the extraordinary creative ferment that characterized the last year of the artist's life, this work represents a remarkable achievement for both artist and medium.
Born in Indiana, Marion Osborn Cunningham moved to California in 1911. She first studied art with the American Impressionist, Ruth Heil Emerson, before continuing her education at Santa Barbara City College and receiving her Bachelor of Arts from Stanford University. She subsequently furthered her studies at the California School of the Fine Arts and at the Art Students League in New York City, where she met and married the American abstract artist Ben Cunningham. Returning to San Francisco...
Category
1940s Modern Landscape Prints
Materials
Paper, Screen
'Junks in Hong Kong Harbor', Kowloon, Bank, California Watercolor Society, SFAI
Located in Santa Cruz, CA
Signed lower right, 'Frank M. Hamilton' for Frank Moss Hamilton (American, 1930-1999) and painted circa 1965. Titled, verso, 'The Smugglers, Hong Kong' on artist card and inscribed, ...
Category
1960s Modern Landscape Drawings and Watercolors
Materials
Watercolor, Gouache, Board, Laid Paper
'Portrait of Pasta', Italian Modernist gouache study of a Maltese
By Vittorio Pisani
Located in Santa Cruz, CA
Signed lower right, 'Pisani' for Vittorio Pisani (Italian, born 1916) and dated 1975; additionally titled 'Pasta'.
An elegantly framed and character-filled, study of a Maltese captu...
Category
1970s Impressionist Animal Paintings
Materials
Paper, Gouache
'Woman in Blue', Danish Royal Academy, Brooklyn Museum, Kolding
Located in Santa Cruz, CA
Initialed lower left, 'A.S.' for Anton Schroder (Danish, 1893-1965) and dated 1953.
A substantial, modernist oil painting of a young woman, shown seated and gazing to her left with ...
Category
1950s Modern Portrait Paintings
Materials
Canvas, Oil
'Coastal Mist', Woman Artist, Carnegie Foundation, Rhode Island School of Design
Located in Santa Cruz, CA
Signed lower right, 'Horning' for Elizabeth Horning (American, born 1943) and painted circa 1985. Accompanied by artist biography and old label on or...
Category
1980s Post-Impressionist Landscape Paintings
Materials
Canvas, Oil
