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John Winkler (California, 1890-1979) "Night in Chinatown" Original Etching
Located in San Francisco, CA
John Winkler (California, 1890-1979) "Night in Chinatown" Original Etching c.1936 Also known as "Figures by a Street Lamp." Winkler worked as a gas lamp lighter early in his student...
Category

1930s More Prints

Materials

Etching

Johann Weinmann 18th Century Hand Colored Copper Plate Engraving
By Johann Wilhelm Weinmann
Located in San Francisco, CA
Rare hand colored copper plate engraving by noted Botanist Johann Wilhelm Weinmann (1683-1741) Beautiful color after 250+ years! This wonderful antique engraving is beautifully mat...
Category

18th Century Naturalistic More Prints

Materials

Engraving

Giovanni Piranesi Marble Urns and Vases and Lamps Etching C.1770
By Giovanni Battista Piranesi
Located in San Francisco, CA
G.B. Piranesi Marble Urns and Vases and Lamps Etching c.1770 Beautiful 18th century etching by Giovanni Battista Piranesi (1720-1778) Loose translation of the text: Knight Gio. Bat...
Category

Late 18th Century Old Masters More Prints

Materials

Etching

"Rooftops Charleston" Elizabeth O'Neill Verner
By Elizabeth Verner
Located in San Francisco, CA
Elizabeth O'Neill Verner: 1883-1979. Well listed American artist who has been called the best known 20th century woman artist of South Carolina. She was one of the leaders of the Charleston renaissance...
Category

Early 20th Century More Prints

Materials

Etching

Framed 18th Century Hand Colored German Book Page W/ Illustration and Text
Located in San Francisco, CA
Framed 18th Century Hand Colored German Book Page W/ Illustration and Text Antique Book Page German Text Dimensions 10" wide x 15" high The fram...
Category

Mid-18th Century More Prints

Materials

Handmade Paper

The Mote, One of the Seats of Ye Right Honorable the Lord Romney Etching c.1719
Located in San Francisco, CA
18th C. Etching "The Mote, One of the Seats of Ye Right Honorable the Lord Romney" C.1717 Plate dimensions 19.75" wide x 13.25" high Paper dimensions 24" wide x 20.75" high Frame dimensions 29.25" wide x 25.5" high A fine detailed bird's eye view of 'The Mote', showing the house, gardens and the avenues of trees stretching out into the surrounding park. Title along top edge, coat of arms at center. Published in Dr. Harris's History of Kent. Engraved by Kip. This is 1 of 6. We have 5 others not currently listed. If interested, send us a message. Johannes Kip (1652–1722) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he specialized in engraved views of English country houses. They created some of the most important English topographical prints...
Category

Early 18th Century Landscape Prints

Materials

Etching

Early 18th Century Etching "Badminton in the County of Gloucester" C.1724
Located in San Francisco, CA
Early 18th Century Etching "Badminton in the County of Gloucester" C.1724 Bird's eye view of Badminton House, in Gloucestershire; the seat of the Duke...
Category

Early 18th Century Landscape Prints

Materials

Etching

Mark Kostabi "Close Call" Original Serigraph c.1986
By Mark Kostabi
Located in San Francisco, CA
Mark Kostabi (American, b. 1960) "Close Call" Original Serigraph c.1986 Fine serigraph in three colors by listed artist. The images here show the serigraph in a protective sheet. ...
Category

Late 20th Century Abstract Impressionist Figurative Prints

Materials

Screen

John Link (American, b.1942) "Untitled" Limited Edition Lithograph c.1973
By John Link
Located in San Francisco, CA
John Link (American, b.1942) "Untitled" Limited Edition Lithograph c.1973 Rare mid 20th century lithograph by noted American artist John Link. The lithograph shows an area of illegible text surrounded by a block of black dots. Art dimensions 16" x 20". The hand made paper measures 24" x 32". Pencil signed and numbered by the artist. Number 32 out of 60. Very good condition. Comes unframed. John Link studied at the University of Oklahoma. Exhibitions include: Joslyn Biennale; Oklahoma Art...
Category

Mid-20th Century Abstract Expressionist Abstract Prints

Materials

Lithograph

Harry Shoulberg "The Bridge" Serigraph c.1944
By Harry Shoulberg
Located in San Francisco, CA
Harry Shoulberg (1903-1995) Expressionist mid modern serigraph "The Bridge" c.1944 Pencil signed and titled by the artist. This fine serigraph retains all of it's vibrant color after 76 years! Dimensions 12" x 15". Frame dimensions 23" x 19". Very good condition. Please note: The linen rabbet lining of the frame does show some discoloration. This is a rare and exceptional work by Shoulberg. His serigraphs can be found in the permanent collections of some of the finest museums, and institutions in the country. Harry Shoulberg was born in Philadelphia, 25 October 1903 of Russian/Jewish heritage. His father, Max Shoulberg, was the fourth of twenty children and the first to be born in America. His mother was Tessie Derfler, a New Yorker of German descent. Harry grew-up in New York, married Sylvia Hendler in 1931, and had one child, Ted. Shoulberg attended City College of New York where he studied biochemical engineering for three years before switching to fine arts in his last year. He continued his art education at the John Reed School, 1934-1935, the American Artist School, 1935-1937, and then privately at the studios of artists Sol Wilson (1894-1974) and Carl Holty (1900-1973). In 1938, he worked for the WPA and produced two oil paintings for the organization. He maintained studios in New York City and Bridgehampton on Long Island until 1983. He was a late bloomer...
Category

Early 20th Century Impressionist Landscape Prints

Materials

Screen

Pair of Early 19th Century "Conchology" Conch Shells Color Etchings c.1802
Located in San Francisco, CA
Pair of Early 19th Century "Conchology" Color Etchings c.1802 Fantastic pair of hand colored etchings titled "Conchology". Published in London on December 24th, 1802. Each plate s...
Category

Early 19th Century Realist More Prints

Materials

Engraving, Aquatint

France World Cup Lithograph by Aldo Luongo c.1998
By Aldo Luongo
Located in San Francisco, CA
FRANCE World Cup Lithograph by Aldo Luongo c.1998 Limited edition France 98' World Cup - Official License From a very limited edition of 300. Pencil signed lower right. Edition 24/300 lower left. This is a rare, very small edition lithograph for the 1998 Soccer World Cup...
Category

Late 20th Century Impressionist Figurative Prints

Materials

Lithograph

Adolph Dehn "Golden Gate" Lithograph c.1940
Located in San Francisco, CA
Adolph Dehn "Golden Gate" Lithograph c.1940 Fine pencil signed lithograph issued by Associated American Artists, New York Edition size 200. Dimensions 1...
Category

Mid-20th Century Impressionist Landscape Prints

Materials

Lithograph

Gerald Brockhurst (1890-1978) "Anais" Pencil Signed Etching c.1930
By Gerald Leslie Brockhurst
Located in San Francisco, CA
Gerald Brockhurst (1890-1978) Etching "Anais" c.1930 Very fine etching by listed English / American artist Gerald Brockhurst. Title "Anais" Pencil signed - From an edition of 55. ...
Category

Early 20th Century Impressionist Portrait Prints

Materials

Etching

The Rabbi In His Study
By Jack Levine
Located in San Francisco, CA
Jack Levine "The Rabbi in His Study" original etching circa 1961 A Fine original pencil signed etching by listed American artist Jack Levine (1915-2010) Pl...
Category

Mid-20th Century Other Art Style Portrait Prints

Materials

Etching

Chevaux et Cavaliers Artist Proof
By Marino Marini
Located in San Francisco, CA
Marino Marini (Italian, 1901-1980) "Chevaux et Cavaliers" Artist proof pencil signed circa 1970 Fantastic 1970 lithograph by noted Italian artist Marino Marini. This is a rare Art...
Category

Mid-20th Century Abstract Abstract Prints

Materials

Lithograph

Al Hirschfeld "Phantom of the Opera" Signed Lithograph Printers Proof, circa 988
By Albert Al Hirschfeld
Located in San Francisco, CA
Al Hirschfeld "Phantom of the Opera" hand signed lithograph printers proof, circa 1988 Sarah Brightman and Michael Crawford in Phantom of the Opera. This is a rare printers proof. ...
Category

Late 20th Century Other Art Style Figurative Prints

Materials

Lithograph

The Blue Rider
By Max Papart
Located in San Francisco, CA
Max Papart (1911-1994) "The Blue Rider" Original Etching with Aquatint, circa 1973 This is a rare artist proof. The artist proof is pencil signed and titled by the artist. The regu...
Category

Mid-20th Century Abstract Abstract Prints

Materials

Etching, Aquatint

Related Items
Persia, Armenia & Adjacent Regions: A Hand-colored 17th Century Map by De Wit
By Frederick de Wit
Located in Alamo, CA
This colorful and detailed 17th century copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1690. It depicts the Caspian Se...
Category

Late 17th Century Old Masters More Prints

Materials

Engraving

Octavio Paz Suite: Nocturne VI
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar to...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Handmade Paper, Color, Lithograph

Surrealist Portrait of Dali Surrounded by Butterflies, Memories of Surrealism
By Salvador Dalí­
Located in Washington, DC
Artist: Salvador Dali Title: Surrealist Portrait of Dali Surrounded by Butterflies Portfolio: Memories of Surrealism Medium: Etching and photolithograph Date: 1971 Edition: AP XIV/XX...
Category

1970s Surrealist Abstract Prints

Materials

Etching, Lithograph

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
By Franz Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...
Category

16th Century Old Masters Landscape Prints

Materials

Engraving

Guy Allen, Dachshund and Butterfly, Affordable Animal Art, Limited Edition Print
By Guy Allen
Located in Deddington, GB
Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Paper, Etching

Set of Three Leaves from "Breviarium Pataviense" /// German Catholic Incunabula
Located in Saint Augustine, FL
Artist: Erhard Ratdolt (German, 1442-1528) Title: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" Portfolio: Breviarium Pataviense Year: 1490 (First edition) Medium: Set of Three Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Friedrich von Öttingen and Christoph von Schachner, Passau, Germany Reference: Hain No. 3875; Bod-Inc No. B-542; GW No. 5426; Weale/Bohatta No. 335; Schreiber No. 3615 Sheet size (each): approx. 12.5" x 8.88" Condition: "Vol. 6, page 10-11", "Vol. 6, page 6-7", and "Vol. 6, 28-29" all have scattered wormholes, staining, foxing, and soiling about their sheets. The latter two have remnants of tape at their edges. "Vol. 6, 28-29" has heavier staining to its sheet and edge wear about. Have been professionally stored away for decades. They are all otherwise strong impressions in overall fair condition with strong colors Extremely rare Notes: Comes from Ratdolt's six volume "Breviarium Pataviense", (1490) (First edition), which consists of 378 pages of Gothic texts in Latin with red rubricated initials, psalms, readings, hymns, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on May 12, 1490. There was a subsequent printing on November 27, 1490. Both "Vol. 6, page 10-11" and "Vol. 6, 28-29" have a bow and arrow watermark in the center of their sheets. Some information and old prices inscribed in pencil to their sheets. Breviary is a liturgical book in the Roman Catholic Church that contains the daily service for the divine office, the official prayer of the church consisting of psalms, readings, and hymns that are recited at stated hours of the day. Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...
Category

15th Century and Earlier Old Masters More Prints

Materials

Laid Paper, Woodcut

Interior with Image - Original Etching by H. Bellmer - 1971
By Hans Bellmer
Located in Roma, IT
Interior with Image is an original print realized by the famous artist Hans Bellmer in 1971. Good conditions, except for usual signs of aging. Not signed. The artwork represents a Surrealist composition typical of Bellmer's style: the artist is known for his project on mutated body forms of dolls and their unusual poses. Here, a "disarticulation" on the background of a room is represented. Bellmer believed indeed art could stimulate desire in the viewer, and he played with his objects to explore how an artificial figure of a girl could create authentic passion, desire, or fantasy. Hans Bellmer (13 March 1902 - 24 February 1975) was a German artist, well-known for the life-size pubescent female dolls...
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1970s Surrealist More Prints

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Etching

Fishermen - Original Etching by Sandro Chia - 1979
By Sandro Chia
Located in Roma, IT
Monogrammed. Very good conditions.
Category

1970s Contemporary More Prints

Materials

Etching

Europe: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Accurate Map of Europe Drawn from the Best Authorities Assisted by the Most Improved Modern Charts and Maps." by E...
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Mid-18th Century Old Masters Landscape Prints

Materials

Engraving

Map of the World: An Original 18th Century Hand-colored Map by E. Bowen
Located in Alamo, CA
This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published. The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points. The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...
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Mid-18th Century Old Masters Landscape Prints

Materials

Engraving

Northern Italy: A 16th Century Hand-colored Map by Abraham Ortelius
By Abraham Ortelius
Located in Alamo, CA
This is a framed 16th century hand-colored copperplate map of northern Italy entitled "Veronae Urbis Territorium a Bernardo Bragnolo Descriptium" by Abraham Ortelius from his atlas "Theatrum Orbis Terrarum", which was the first modern atlas of the world, with the first volume published in 1570. This map was part of a subsequent volume, published in Antwerp in 1584. It was based on an earlier map by Bernardo Brognoli. This beautiful map of northern Italy is focussed on Verona and its environs, including Mantua. Lake Garda and the South Tyrol mountains are prominently depicted. There is a very large striking cartouche in the upper left and a decorative distance scale in the lower right. This striking hand-colored map of northern Italy is presented in a gold-colored wood frame and an olive green-colored mat. It is glazed with UV conservation glass. All mounting materials used are archival. The frame measures 21.5" high by 28" wide by 0.75" deep. There is a central vertical fold, as issued, with slight separation of the lower portion of the fold. There are faint spots in the upper and right margins, but the map is otherwise in very good condition. Abraham Ortelius (also known as Ortels, Orthellius, and Wortels) (1527-1598) was a Dutch cartographer, geographer, and cosmographer. He began his career as a map colorist. In 1547 he entered the Antwerp guild of St Luke as an "illuminator of maps". He had an affinity for business from an early age and most of his journeys before 1560, were for business. He was a dealer in antiques, coins, maps, and books. 
His business income allowed him to acquire an extensive collection of medals, coins, and antiques, as well as a large library of books...
Category

16th Century Old Masters Landscape Prints

Materials

Engraving

Set of Two Leaves from "Missale Frisingense" /// German Catholic Incunabula 15th
Located in Saint Augustine, FL
Artist: Erhard Ratdolt (German, 1442-1528) Title: "Preface Page" and "Page CVI - 106" Portfolio: Missale Frisingense Year: 1492 (First edition) Medium: Set of Two Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Sixtus of Tannberg, Freising, Germany Reference: Hain No. 11303; Weale/Bohatta No. 396; Schreiber No. 4699; Pell No. 7944 Sheet size (each): approx. 11.94" x 8.13" Condition: "Preface Page" has the occasional wormhole. Remnants of tape, a tape and a paper clip stain along its edge. Minor foxing and soiling mainly in margins. "Page CVI - 106" has remnants of tape and a small stain along its left edge. Light foxing and soiling about its sheet with some general edge wear. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition with strong colors Very rare Notes: Comes from Ratdolt's one volume "Missale Frisingense", (1492) (First edition), which consists of 576 pages of Gothic texts in Latin with red rubricated initials, music, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on March 17, 1492. "Preface Page" has a bull's head and cross watermark in the upper center of its sheet. Some information and old prices inscribed in pencil to their sheets. A missal is a book that contains the prayers, chants, biblical readings, and rubrics for celebrating Mass. The first missals were found in monasteries in the 12th and 13th centuries. The term missale is Latin for "Mass book". Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...
Category

15th Century and Earlier Old Masters More Prints

Materials

Laid Paper, Woodcut

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