TISHU Furniture

An early set of Chinese export sterling silver tea service circa 1840-70s. The service consists of a lidded tea pot, a creamer and a sugar bowl. The surface was beautifully decorated with chased high-relief dragons with tightly chased scales, slithering with open claws...

A large six-piece sterling silver service for coffee and tea that consists of a gallery tray, a coffee pot, a tea pot, a hot milk or chocolate pot, a sugar and a milk jar. This stunn...

An early four-pieces sterling silver coffee or tea serve set by Hector Aguilar (1905-1986) circa 1940-1945 per mark "HA, Taxco, 940". The mid-century modernist silverware...

A four piece Chinese export silver tea service set consists of a lidded teapot, a creamer with lid, an open sugar and a tongs. The se...

A ceramic vase with iridescent glaze in the shape of an elephant foot cache pot by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as t...

A Chinese export sterling silver tea set comprised of 13 pieces including tea pot, sugar, creamer, four tea bowls and six tea spoons, circa 1910s-1920s. Featuring matching chased rel...

A set of Chinese Export silver drinking set consists of a pinch bottle and five cordials circa 1910s-1920s. Featuring matching elaborate chased relief dra...

A Mexican modernist sterling silver tray by well known silversmith Antonio Pineda (1919-2009). The handsome silver tray with a subtle hammered surface was crown marked by the artist's logo circa 1953-1979, made in his studio in Taxco, Mexico. It was further stamped with Eagle 17 and Hecho en Mexico / 930. The oval tray presents itself with an abstract design with a leaf-like handle with a string of beaded...

An early mid-Century Modernist sterling silver water pitcher made by Hector Aguilar circa 1940-1945. Made in Taxco, Mexico and hallmarked Taxco /940 and Stamped for Hector Aguilar. T...

A stunning French convex wall mirror by Parisian art jeweler Line Vautrin (1913-1997) circa 1950s-1960s. A relatively rare model called "Tudor". Textured talosel construction with si...

A sterling silver coffee service set consists of six pieces: a coffee pot, a chocolate pot, a covered sugar bowl with a serving spoon, a...

An exceedingly rare pair of silver plated three-arm candleholders by Carl F. Christiansen, master of Goldsmith between 1943-1963. -Good vintage condition -1960s -Midcentury, Sca...

A Mid-Century Modernist coffee or tea service in sterling silver designed by Sigvard Bernadotte for Georg Jensen, circa 1950s. The service consists of four pieces, a coffee pot, a cr...

Modern sterling silver pitcher designed and crafted by Tane Orfebres in Mexico. The pitch is decorated with features of the mythical Quetzalcoatl design on the handle, base and lid a...

A vintage sterling silver brooch from the workshop of Hector Aguilar (1905-1986) in Taxco, Mexico, circa 1940s. The double V design feat...

Japanese cloisonné enamels are known as shippo-yaki and the mid-19th century saw the production of very high quality wares in the early centers Nagoya. One of the most renowned works...

An exquisite Japanese presentation bowl in sterling silver by Hattori Kintaro (1860 - 1934), circa 1910-1920s, late Meiji era to early Taisho era. This rare and rather large piece wa...

A sterling silver necklace with a turquoise color cabochon set in by Mexican silversmith Tane Orfebres circa 1960-1970s. The chain links were crafted in a modernist sculptural form w...

A lovely necklace pendant in 980 sterling silver from Taxco, Mexico. Designed and made by the studio of William Spratling, an American designer and entrepreneur who established his s...

A stunning choker style necklace in sterling silver by Graziella Laffi (1926-2009) Lima, Peru, circa 1960s. The bold necklace showcases an oversized plate...

A bespoken jewelry set including a necklace and a pair of clip-on earrings crafted by Graziella Laffi, Lima, Peru, circa 1970. The suite features linked square of green hardstone (appears to be a jade color granite or marble) set in the sterling frames with hanging long tubes of tassels. The design of the work was bold and confidently modern while also clearly inspired by Peruvian indigenous culture which imprinted famously in the artist's work. Marks to each: G. Laffi, PERU, 925. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A wide leather belt with sterling silver buckle and matching ornaments crafted by Graziella Laffi, Lima, Peru, circa 1965. The prominent silver articles feature the shape and motif rooted in pre-Columbian culture that inspired the artist's work. Mark on verso: PERU 950, extended size is 47 x 3 inches (119.4 x 7.6 cm) and weight is about 428 grams. Belt length adjustable between 27 to 38 inches. This lot with partially effaced Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

A pair of Mexican modern earrings in sterling silver with teardrop amethyst circa 1950-60s. The earrings are screwed on as shown and marked with his ...