WICK ANTIQUES LTD Paintings

Montague Dawson: ‘Six Metre Class boat by the Lymington Spit’, a watercolour showing a white hulled Six Metre yacht sailing away from a racing buoy, running downwind with reduced goo...

Tea clipper ‘Taeping’ closing on ‘Ariel’ by Henry Scott FRSA, oil on canvas showing the two clippers racing home with their cargoes in the Great Tea Race of 1866, Ariel in the lead s...

A large portrait of Provost Samuel Leckie as he was presented to Queen Victoria in 1897, William A. Donnelly, 1901, gouache and watercolour showing a large bearded man in court dress...

A Luca Papaluca gouache painting of Royal Yacht Squadron yacht ‘MY Fantôme II, RYS’, the three masted steam sailing barque. Italian, circa in 1920. Provenance: Sir Arthur Guinness...

Two gouache paintings by de Simone of ‘Latona’ , one showing the gaffe rigged yawl, in clam seas flying the Royal Thames Yacht Club burgee, the other showing her with reduced canvas ...

An oil on canvas of William Paget, Marquess of Anglesey’s yacht Pearl by Nicolas Condy, the reverse with a paper trade label for ‘Akermann & Co, prepared millboards, pastels, canvass...

An oil painting of circus performers by Emilio Grau Sala, featuring circus performers, including a dancer in a white tutu on a painted blue stage, ...

Thomas Willis: Shamrock III and Reliance Crossing the Line, America’s Cup, 1903. This mixed media picture is oil on canvas with silk and velvet fabric embroidered with silk thread. I...

Montague Dawson: Taking in the Jib. This charming watercolour and gouache on paper shows a gaff-rigged dayboat with a royal blue hull surfing over a wave as the foredeck hand gathers...

Montague Dawson: A Moonlight Scrap. This dramatic watercolour on paper shows a WWI R-class destroyer escorting a battleship through a night-time encounter in choppy seas. The moon ha...

This dramatic watercolour shows only the bow and the stern of Amelia as she is perilously close to being dashed against the sea wall with a wave completely swamping her amidships. Some of her crew have been washed out of the boat and would-be rescuers are wading along the promenade towards her bow. To her right, the schooner Coupland is rolling dangerously in huge waves. Scarborough Spa and crowds of onlookers are clearly visible through the storm. Signed J.N.Carter, 1865, Torquay. English, painted in 1865. The attempted rescue of the schooner Coupland by the lifeboat Amelia on November 2nd 1861 is one of the most memorable and tragic in Scarborough lifeboat history. The 32 ft. long, ten-oared, self-righting Amelia, on her maiden voyage, went to the rescue of the Coupland crew, with disastrous results. She was dashed to pieces against the harbour wall and two of the crew were lost, while others had to swim or be pulled ashore by rescuers wielding ropes. Three of the shore based rescuers, Lord Charles Beauclerk, William Tindall and John Hiles, also lost their lives. Eight Board of Trade Medals for Gallantry in Saving Life at Sea were awarded along with six RNLI medals and monetary grants. Joseph Newington Carter (1835-1871) was influenced by W. M. Turner and is known predominantly for his dramatic and compelling seascapes in oil and watercolour. His father, Henry Barlow Carter...

This oil on canvas half portrait shows a bearded Capt. G.T. Scobell looking to his left and wearing a black frock coat with a high collar, a white shirt and wide cravat. His right ha...

This three-quarter length oil on canvas portrait shows Major Sloane-Stanley in a landscape by the sea. He is smoking a cigar  and wearing a Royal Yacht Squadron cap. Signed lower left ‘G Hillyard Swinstead 1916’ the reverse inscribed in pencil ‘Major R Sloane-Stanley, Hants Yeomanry 1916’ . English. Capt. thence Lt Col Ronald F A Sloane-Stanley of the Hampshire Regiment (1867 – 1948) served as Deputy Lord Lieutenant of Hampshire. As a close friend of Edward VII, he reputedly procured two billiard tables from Osborne House (East Cowes, Isle of Wight) for Lee- on-the-Solent Yacht Club, of which he was the founding Commodore in 1907. He was also a member of the Royal Yacht Squadron from 1907 until his death, owning seven yachts during that period. He served on the Yachting Committee between 1935 and 1946. Despite Sloane-Stanley's long history of involvement with yachting, there is one yacht with which his family is associated that overshadows all of his other great achievements in the sport. The Formosa, built for his father Francis Sloane-Stanley in 1877, was acclaimed as a masterpiece of maritime design before she was even launched. In a rhapsodic article published on the 22nd of February 1879, The Field newspaper describes her as “the most beautiful cutter yacht ever built”. In addition to her fine attributes as a racing vessel, the article also mentions the luxurious way that she was decorated inside, personally supervised and designed by Mrs Sloane-Stanley-our sitter's mother. The Formosa, pictured above, became so famous that shortly after this article was written Francis Sloane-Stanley sold her to his friend the Prince of Wales (later Edward VII). There are several images of the Formosa in the Royal Collection, all dating from 1880. The Prince raced her on multiple occasions and her victories included the Queen's Cup on the 3rd of August 1880. By 1881, however, the Prince had sold her to a “Mr Bischoffsheim” as reported in the as reported in the Portsmouth Evening News on the 23rd of July of that year. Although Ronald Sloane-Stanley would have been 12 at the time the Formosa was raced by his father it is highly likely that seeing this beautiful cutter, and the success that it brought to his family, would have inspired Ronald's own yachting career. Additionally, as the same article in The Field makes clear, the Sloane-Stanley family were related in some way to Thomas Assheton-Smith, a founder member of the Yacht Club (later the Royal Yacht Squadron). The family is therefore a highly renowned one in yachting circles and we were lucky enough to be able to offer a silver gilt trophy won by Assheton Smith at the Regatta in 1828 in one of our previous catalogues. This portrait is a very exciting piece of yachting memorabilia as well as a superb work of art in its own right. The Artist George Hillyard Swinstead...

An attractive watercolour painting of Brighton’s RNLI life boat house by its architect, C.H. Cooke, the sturdy rectangular building sited below the promenade with the bows of a life ...

A fine genre oil painting by William Arthur Breakspeare depicting the fictional meeting of Nelson and Lady Emma Hamilton in the Studio of the Painte...

Clarkson Stanfield: The Gulf of Salerno This oil painting on canvas shows commercial shipping and fishermen in the Gulf of Salerno. The tower at Vietri is visible in the background...

This watercolour on paper is framed under glass and signed in the left corner. It shows the East Indiaman sailing downwind under full canvas. The rever...

‘The Forest Road, Boldrewood, Hampshire’ by Montague Dawson, oil on canvas, showing a road winding past a stand of tall conifers. Signed, framed and glazed, a paper label on the rev...

‘The Ark and the Dove off the Scillies with Lord Baltimore aboard’ by Montague Dawson, reputedly a commission for the White House, oil on board, showing the two ships of Cecilius Ca...

Montague Dawson: Gliding Along, The Deb, circa 1949 This is a framed oil painting on canvas and shows the first 5.5 metre day boat built by George Nicholson sailing past Newtown Cre...

Charles Edward Dixon ‘Coaling, Portsmouth Harbour’, watercolour and gouache showing a two masted ship steamship enveloped in black smoke while being loaded and re-victualled, with a ...

A rediscovered small oil painting of a fishing boat leaving Calais Harbour by E W Cooke, depicting a fishing boat from Trouville battling stormy seas as it a...

‘A Windy Day’ by Montague Dawson,watercolour heightened with white on artist board showing a gaff rigged yacht in the foreground with two astern in the distance, the water realistically painted with an approaching line squall to weather, signed ‘MONTAGUE DAWSON’. In the original gilt frame with a label stating ‘Windy Day Montague Dawson’ and a trade label from the Old Customs House on the back.. English circa …. Provenance: Sold by The Old Customs House Gallery, Lymington. Private collection, USA. Footnote: Montague Dawson RMSA, FRSA (1890–1973) was born in West London, in Chiswick in 1895, Montague Dawson was the grandson of Victorian landscape painter Henry Dawson. He studied under the seascape artist Charles Napier Hemy at the Royal Academy. He also worked in an art school in Bedford Row...

George Edward Horton: The Launch of H.M.S. ‘Victoria’ from the Elswick shipyard of Sir W. G. Armstrong Whitworth and Co. Ltd, Newcastle-upon-Tyne in 1887, watercolour and pencil heig...

A Continental brass marble-topped coffee table, of rectangular form with a pinkish marble top raised upon four waisted and sharply tapering square section legs, decorated with stippl...

An Elegant Musical Party in an Interior’ attributed to Gillis van Tilborgh, oil on canvas depicting a Dutch genre scene with figures dressed in rich silk clothing, fine lace ruffs and fichu collars grouped round musicians playing a clavichord, a fiddle and a flute, some couples holding hands or sitting close together and a baby playing on the floor, with a plaque reading ‘Gerard Terburg 1608-1681’, the reverse with a chalk notation ‘Ld Hesketh’. Dutch, circa 1870. Provenance: George, 3rd Earl of Pomfret (1768-1830), or his brother The Hon. Thomas Fermor, later 4th Earl of Pomfret (1770-1833), Easton Neston. Thence by descent, Lord Hesketh, Easton Neston. His Sale, Sotheby’s London, 17-19 May 2005, lot 82. Private Collection. Literature: George Baker...

Two landscape oil paintings on canvas by J R Wallace Orr, 1938, both showing Scottish coastal scenes with labels on the reverse from ‘Pearson and Westergaard Ltd, Fine Art Dealers, 28 West Nile Street, Glasgow, CI’ one titled ‘Ocharton Bay’ and the other’ Auchencairn Bay’, both signed ‘J R Wallace Orr 1938’. Scottish. Can be purchased individually or as a pair. James Robert Wallace Orr (1907 – 1992) attended the Glasgow School of Art and gained a diploma from the Royal College of Art in 1933. He became a well-known painter, printmaker and teacher at the Glasgow Academy until his retirement in 1967. During the war he served in the London Fire Brigade...

Two charming views of the Bay of Naples and Vesuvius by Maria Gianni, goache on paper, one showing fishing boats sailing into harbour and the other with a woman in a white smock carrying a basket in the crook of her arm and another on her head. Italian, early 20th century. Maria Ada Gianni...

These charming English School portraits show the subjects half-length by a desk, the surgeon with a skull at his elbow and his wife with an open writing box. Oil on canvas within a gilded frame and accompanied by five related letters. English, circa 1810. Footnote: Robert Prideaux died aged 36 in 1818 but in his short life he managed to rise rapidly through the ranks as a naval surgeon. The Naval Chronicle Vol. 19 (1808) records his appointment as a surgeon, aged only 26, on the cutter Sprightly and that he moved to the Lily by the end of the same year. In 1809, a member of the crew of the vessel Polyphemus was involved in a drunken incident that culminated in him being sick on the quarter-deck of the Lily whilst both vessels were docked at Port Royal in Jamaica. This led to a Court Martial appearance for one Joseph Fountain, the Master at Arms...

Montague J Dawson (1895-1973), ‘Valetta Harbour’, oil on board, painted in a grisaille palette with a British Hunt Class Type II destroyer in Valetta Harbour, Malta, signed ‘Montague Dawson’, English, 1940. Footnote: Montague Dawson RMSA, FRSA (1890–1973) was born in West London, in Chiswick in 1895, Montague Dawson was the grandson of Victorian landscape painter Henry Dawson. He studied under the seascape artist Charles Napier Hemy...

These extraordinary ‘paintings’ were created using coloured grains of sand rather than paints. Each is after an original painting by Philip James de Loutherbourg. The first scene shows the Battle of Hastings with a central mounted figure, presumably William the Conqueror, with a red plume in his helmet, raising his sword against a fighter on foot. A printed version of this image, shown above, was made by William Bromley. (See the British Museum registration number 1858,1009.115 for a fine impression.) The second scene, composed with a similar central mounted knight with a raised axe (sword in the original) represents Richard the Lionheart in combat against Saladin at the Battle of Acre. In this case the print was made by Anker Smith...

Nicholas Pocock: ‘The Glorious First of June’, ink, grey wash and watercolour on paper showing the battle formation of Admiral Lord Howe’s British flee...

A pair of watercolours by (Albert) Gordon Thomas R.S.W ( 1893-1970), one titled ‘Summer Afternoon Weymouth’showing a gentleman’s motor yacht in the foreground and the other ‘Yachts a...

Thomas Whitcombe: ‘Flora’, this oil on canvas shows the action, within a gilt frame with a panel reading ‘British Frigate “Flora”, 36 guns commanded b...

‘Tea at the Vicarage’ by Margaret Dovaston, dated 1952, an oil painting showing four gentlemen having an earnest conversation over a cup of tea on a terrace outside a cottage garden, Margaret Dovaston, dated 1952. English. Margaret Isabel Dovaston (1884 – 1954) was a British artist who became particularly well known for her historical genre scenes, often depicting groups in Georgian costume. In the course of her education, she was taught by Thomas William Cole at the Ealing School of Art and Arthur Stockdale Cope at the South Kensington School of Art. Her crowning achievement was winning a five-year scholarship the to the Royal Academy Schools (1903-1908) where she won many medals. She exhibited at the Royal Academy (1908 and 1910) and helped set up The Ealing Art...

Montague Dawson: Racing Six-Metre yachts, goache on paper showing a yacht number 6/18, running before the wind with ‘goosewinged’ sails as she leads three other six-meter yachts. Sig...

Thomas Luny (British, 1759-1837) HMS Bellerophon leaving Torbay with the defeated Emperor Napoleon aboard, 26th July 1815, this oil on panel shows the crew manning the yards to bring in the sails, having just dropped anchor in Torbay, with another battleship anchored astern and a further ship under sail in the distance, the foreground with working boats approaching, signed and dated ‘Luny 1827’(lower left). In the original gilt-wood frame. Provenance: Private collection, UK. Footnote: Despite a service career as illustrious as any fighting ship...

H.M.S. Topaze by George Mears, the three-masted frigate shown under steam with Royal Yacht Victoria and Albert II in the background on her bow, oil on can...

A working watercolor of the Royal yacht by Wyllie. Arguably the most beautiful paddle steamer and yacht ever built. “Titled Victoria and Albert a lovely vessel.” Overall size 17” x 21”. Harold Wyllie...

An American reverse-glass painting of the ship ‘Hurricane’ of Boston, of rectangular form showing a three masted sailing ship flying the Stars and Stripes and signalling flags from h...

Lady Macnaghten of the Eddystone Lighthouse Painting on oil of the three masted 588 ton carvel built ship "Lady Macnaghten" sailing under reduced sail. In the original gilt frame. ...

A fine 19th century watercolor of the three masted sailing ships The SS City of Manchester. Taken from Wikipedia, The SS City of Manchester was an iron-hulled single screw liner bui...

An oil on canvas by R G Thurgood of HM Cruiser 'Vindictive', Assaulted the 'Mole' at Zeebrugge against the Germans, April 1918. Thomas George Thurgood (1876–1953) A very simi...

Oil on board with two men playing chess in an 18th century interior while a third smokes a clay pipe, in the original frame, signed.          

A set of three pen, ink and water color sketches set in a single frame, HMS Euphrates, HMS Irresistible and a hulk, a view of Sunbury Lock and a Dre...

Nelson's tomb in St. Pauls Cathedral by Amy Sawers (Exh. 1887-1909) Painted in gouache by this well listed artist who exhibited at many different venues including 16 at The Royal Ac...