Paper Figurative Drawings and Watercolors

Medium: Pastel on Paper Signature: Signed and Dated Lower Left

Drawing based on natural pigments from leaves, flowers and bark and Pastel, Pencil, flower petals, Color and Ink on Paper. In my work there is a cross with the gaze of animals, a rem...

Signed Lower Right

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Duchándome and Duchándome, En Cuerpo Ajeno, May 29th, 2018 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.7...

Ink and gouache with yellow heightening on fibrous, brown laid paper, with a Jaipur Court Fee tax stamp in purple ink on the recto, and the Jaipur State Council Stamp dated June 5 18...

Detailed European Landscape in Watercolor and Gouache on Paper This finely detailed watercolor painting captures a serene countryside setting with an old stone church, a rustic hous...

Illustration of the Garden of Eden done with Mexican Amate Bark Drawing in Ink Vibrant illustration with Adam and Eve in the Garden of Eden by Cristino Florez Medina (Mexican, 1937-...

The picture describes 3 people supporting each other. The figures organically interwine each other. This motive will refresh any interior. High-quality materials were used for work. The gallery guarantees the uniqueness and high quality of this work of art, confirmed by purchasing paintings by Sanne...

Architectural Drawing is a modern artwork realized by Giuseppe Perotti in the Early 20th Century. Good conditions.

These recently discovered 1984 oversize nudes on mylar and/or archival papers were created working quickly, from a live model. The series shows the last existing observational drawi...

The dramatic, rich markings left by charcoal appear in the earliest primitive cave painting of early humans, which are believed to have been drawn with the charcoal created from burnt sticks. Of the various kinds of charcoal available today, David Becker often chooses vine charcoal which provides a smooth, softer line. Able to produce lines with either a subtle or strong quality, charcoal is wildly versatile, allowing Becker to approach texture, shading and tone with ease. He is able to capture both gestures and emotions with an intuitive mixture of the soft and the dark. David Becker Reflection #1 charcoal on paper 36h x 25w in 91.44h x 63.50w cm DB0009 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

Watercolor by Louis Berthommé Saint-André, France, circa 1925 This exquisite watercolor by Louis Berthommé Saint-André, dating from around 1925, exemplifies the artist's mastery in ...

A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 61 of the book. David Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. These museum quality drawings are rarely made available for sale, they are not only wonderful rare works of art, but are truly historically important works in the field of Theatre and Rock and Roll collecting. It has been framed with archival double matting. David Byrd's poster art is in many museum collections, including : The Louvre, in Paris, Victoria & Albert in London, The Museum of Modern Art in New York and The Smithsonian in Washington, DC. Featured in this listing is the Original Color pencil Sketch created in 2006 by David Byrd prior to working on the finished painting which we also have available for sale. This drawing created in 2006 is based on David's very first original 1968 drawing for Hendrix's very first Fillmore East concert. It only featured Hendrix, and Bill Graham asked David if he could add the other two members of The Experience, which became the famous Fillmore East orange poster that featured all three members of the Experience. I included and image in this listing of the original pencil drawing from 1968 where you can see Bill requesting all three members to be included in the poster art. In this color rendering, David Byrd indicates two possible color choices for the poster in this sketch by listing the color numbers. He shows one half with one color combination and the other half with a different color combination. That was so that Bill Graham could choose which colors he preferred if the original 1968 poster art was to use this image. A great original color drawing that David Byrd created to show the colors of the first version of the 1968 Hendrix poster...

Duchándome, by Celso Castro From the Duchándome Series Watercolor, ink, and pastel archival paper. NUDES 2D Individual size: 19.5 in. H x 13.75 in. W 2018 Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

The painting shows the artist`s perception of the epidemic. The little mouse has the Latin name « Pande Mus». This painting is bursting with surrealism and symbolism. It features a...

Linda Stein, Profile Solid 383.048 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.048 is from Linda Stein's Profiles series--drawings, coll...

"Three Ribbon Heads", Art Deco Female Figurative by John Luke Eastman. 1984 Beautiful mid-1980's hand colored Art Deco style lithograph by Southern California artist John Luke Eastman (American, b.1929). In this 1984 version of Eastman's "Three Ribbon Heads", a delicate flowing line drawing of three consecutive women's faces in profile are framed by ribbons in a circular composition. As in many of the artist's works, Eastman captions the piece with the following phrase: " In this life we have three lasting qualities...faith, hope, and love. But the greatest of them is love." Hand signed and dated in pencil lower right, "John L. Eastman 84" artists proof. Displayed in a light grey mat and new art deco-style giltwood frame. Paper size: 20"H x 16"W. Framed size: 19.5"H x 23.25"W x 1"D. John Luke Eastman is a Southern California artist with a unique style. A graduate of UCLA with a degree in graphic arts, he was successful fashion illustrator and art director for prestigious department store in L. A. before turning his full attention to fine art. Over the part decade he has created and mastered the unique style that is currently found in his limited edition silk-screen graphics. A versatile artist, who has illustrated many record and book covers he refers to his style as "the 5th dimension" or "beautiful distortion". The qualities he seeks to impart through his works are fluidity of movement, a feeling of spatiality, weightlessness and beautiful color. His artworks have been in a lot of shows across the country. He recently had show at Celux (Louis Vuitton membership...

David Hockney Hockney Paints the Stage (Signed and inscribed to Walker Museum trustees), 1983 Original acrylic, watercolor and ink painting done on title page of monograph (Signed an...

Gloucester Harbor Docking the Boat 1900 Gloucester Harbor circa 1900 by C. Bailey Cora was a San Francisco artist in the 19th century. (American), 19th-20th C). Image, 9.75"H x 14.5"...

Portrait of an African American Woman by Tony Sisti (1901-1983). Sisti was a master draftsman. With just a few lines he captures the moment. Sisti was a professional boxer and an acc...

Coloured lithograph on paper, edited in 1969. Limited edition of 90 copies, numbered as 54/90 in lower left corner. Paper size: 61 x 81 cm Framed size: 76 x 96 cm Very good conditio...

Stamped, verso, with certification of authenticity for Janet Ament De La Roche (American, 1916-2000) and painted circa 1965. Winner of the Prix Othon Friesz, Janet Ament studied at the Chouinard Art Institute, the Los Angeles Art Center, and at the Otis Art Institute. After World War II, she traveled abroad and continued her studies first with André L’Hote at the Académie de la Grande Chaumière (Paris) and, subsequently, at the Accademia di Belle Arte (Rome) and the Academie des Belles Artes de San Jorge (Barcelona). Ament exhibited internationally with success, including at The Salon d'Automne (1954), The Salon Des Artes Decoratifs (1955), the Museum of Modern Art, Paris (1955), the Gallier Charpentier (1955), the San Francisco Museum of Art and the Los Angeles County Museum of Art. A long-time member of the Carmel Art Association, she is listed in all relevant art reference works. Reference: Art & Artists: Carmel – Monterey...

Contemporary watercolor painting on paper by Polish artist Wlodzimierz Karczmarzyk. Landscape painting depicting river and woods. Main colors are green and blue. Artwork's style is s...

watercolour on paper unique artwork one-of-a-kind

We are delighted to present a stunning watercolor by the Swedish artist Albert Theodor Gellerstedt. This artwork, titled "Sickelsjö Trädgård" was created on June 8, 1883. The paintin...

"Foxglove" (2024) Is an original watercolor fantasy painting, which depicts a young witch and her black cat in the center of a clearing in a forest, rife with magical flora and fauna...

Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...

"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...

Date: 1895 Medium: Watercolor on Paper Dimensions: 9.25" x 14.75" Signature: Signed and Dated Lower Left

The series of works "Visual Diaries" represents drawings on paper, featuring expressive abstractions or figurations created daily by the artist. Each work’s title includes the creati...

Signature: Signed Upper Left Medium: Watercolor on Paper 1905 Calendar Art, a copy of the calendar is included.

Indian miniature showing Krishna, cows and the gopis (girls) Watercolour on paper, c mid 20th century Size Mounted: 33 x 22 cm Image Size: 24.2 x 13.4 cm Signed bottom right with a...

Figures by River Frank Duffield (British, 1908-1982) signed original watercolor painting on thick artist paper, unframed size: 10 x...

"Packed With Personality" (2024) by Mo Myra is a watercolor painting on paper that depicts a chicken standing in a grassy field. Mo Myra, born in 1990, is a Connecticut-based artist...

A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 104 of the...

The Sparre/De la Gardie collection is one of Sweden’s most important collections of drawings. In 1969, upon the death of Pontus de la Gardie, the collection—comprising approximately ...

Black felt marker on paper with six bullet holes Signed, titled, and dated, recto This artwork is offered by ClampArt, located in New York City. Willam Seward Burroughs (1914-1997)...

Special edition of the artist made with an original and unique drawing for his exhibition "1 + 1 = infinity" at the Manolo Eirin Gallery. This tension between the unlimited and the c...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

John Bowers Collection Nude With Cubist Sculpture 1929 Charcoal on Paper 18.75"x24.75", unframed Dated in charcoal lower right Came from a portfolio owned by artist John Bowers John was awarded a Master of Fine Arts degree by the University of California, at Berkeley. His collection included pieces by fellow student artists and professors at UC Berkeley including Fred Reichman...

Graphite on hand made, fibrous wove paper, finished with gray wash. Unevenly trimmed sheet edges, non-archival tape remnants at all four corners, recto, well outside of image area. Horseshoe-shaped area of light discoloration that extends significantly into the figure's face, beneath the lips, and up over the rear of the head, dog-eared right lower corner with associated light discoloration at crease. DeMin and Belluno inscribed in graphite, verso. A detailed study showing 'primo pensiero' for Giovanni DeMin's large scale fresco, Assumption of the Virgin...

This black and white drawing titled "GAZE" is an original pencil and ink on paper drawing by Jasjyot Singh Hans measuring 7"h x 5"w unframed and 14"h x 11"w framed. Jasjyot Singh Ha...

A quick live sketch is always a little imperfect - too little time and too much adrenaline in the blood at this moment, but it perfectly conveys the delight of beauty and, as the Fre...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Rembrandt van Rijn 1606-1669 Dutch Woman Bathing Her Feet in a Brook Etching on paper New Hollstein's 309, second state of II Signed and dated "Rembrandt f. 1658" (upper left) Created from observations of a live model, this work started as a figure study before evolving into a more imaginative setting. It remains ambiguous whether the scene is set indoors, as suggested by the cushion the figure is seated on, or outdoors, indicated by the foliage in the background. The omission of her feet, suggesting they may be dangling in a brook, adds a charming touch to Rembrandt’s imaginative scene. The figure seems unaware of the viewer, presenting a dignified yet sensual demeanor. The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and then was enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman...

SILHOUETTE - This artwork on paper captures a sense of understated glamour. The blending of a textile texture and delicate gold detailing around the waist creates a refined and elega...

IT'S ALL IN THE BAG - This set of three original pencil artworks on heavy textured paper features streamlined compositions with an emphasis on the bag. The blend of detailed and expr...

"The Famished Vampire" (2024) by Timothy Von Rueden is an original handmade graphite drawing that depicts an imprisoned vampire, who's hands are bound and has a cage on his head.

This is the Original 1969 drawing of the two nude figures that appear on the Jimi Hendrix Spring 1969 concert poster. It is as much of a collectors item as it is a fine work of art. This was given to Hendrix to approve the art for the final poster. You can see images of the full 1969 poster in this listing. David Byrd referred to these women as "Moon Maidens" The art is Pencil on iridescent tracing paper, Matted with it's original "Electric Purple" matt, as done by David Byrd. The original drawing of this full image was used for the 1969 Spring U.S concert tour and it was also used as the image for Hendrix's press kit in 1969 which was given to concert promotors to advertise the concert. David met with Jimi to approve his original drawing. The art measures 7 x 8", and the matted and framed art measures approx. 15x16". David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters...

Rome. 1956, paper, mixed media, 44x34 cm

Green Nude Woman's Torso in Watercolor on Paper Vibrant nude torso watercolor by artist David Stephens (American, 20th century). A nude woman with arms raised is shown against a viv...

Raymond Pettibon (untitled) Clock drawing 1995: Medium: ink and graphite on paper. 1995. Dimensions: 121⁄4 x 12 7/8 inches (31 x 33 cm.) Dimensions including frame: 16x16 inches. Very good overall vintage condition; floated in a wood glass frame. Hand signed and dated 'Raymond Pettibon 95' (on the reverse). Provenance: Private collection, acquired directly from the artist; Phillips, London 2014; Christie’s 2023. Raymond Pettibon emerged from Southern California DIY culture and its punk-rock sensibility, and his work still embraces a youthful edginess and sense of political engagement. Drawing from disparate cultural sources—which range from Marcel Proust and William Blake to the Bible—the artist makes cartoon-inspired ink drawings on paper which evoke the aesthetics of fanzines and concert flyers...

This work is as much of a collectors item as it is a fine work of art. it is the original 1971 concept drawing with detailed notations for Jesus Christ Superstar...

Charming "Yesterday's Ladies" drawing by Aptos, California artist Virginia J Hughins,(Virginia Brubaker DeWolf), (American, 1923-2004). Presented in a rustic black wood frame. Signed...

Impressive 19th century Italian hand fan, remarkably preserved with silvered metal sticks and guards depicting ancient gods, palm trees and classical emblemes. The paper leaves are h...

Original China ink drawing on ivory colored cardboard, representing grapes harvest, resembling a dramatic and satiric scene. Hand-signed on the lower right corner, in black ink, by "...

“On the Beach”, tempera pencil charcoal on blue paper, frame included. Framed size 35.8x24in shipped framed. Check 1stDibs free shipping code for items over $500. This drawing is a d...

Ink wash with watercolor in sepia and black, and blue, on buff wove watercolor paper, 14 1/4 x 10 1/4 inches (360 x 260 mm). 1/4" of the lower right corner is lost, minor crack (doe...

Chiura Obata Dahlias, 1940 Signed, dated and stamped lower right Watercolor on paper 15 x 9 5/8 inches Born in the Okayama prefecture of Japan, Chiura Obata was adopted by his uncle, an artist. As a child he was trained in ink painting, and at 14 he was apprenticed to the painter Murata Tanryo in Tokyo. He also studied with Kogyo Terasaki and Goho Hasimoto. In 1903, Obata moved to San Francisco and began working as an illustrator for The New World and The Japanese American, two of the city's Japanese newspapers. He also did work as a commercial designer. Obata helped establish the East West Art Society in San Francisco in 1921, which sought to promote cross-cultural understanding through art. This goal was reflected in his embrace of the Nihonga style, which fused traditional Japanese sumi-e ink painting with the conventions of western naturalism. He spent much of the 1920s painting landscapes throughout California, and among his favorite subjects were mountain landscapes. In 1927, he visited Yosemite and the Sierra Nevada, creating over a hundred paintings and sketches of the high country. Obata stayed in the USA until the death of his father in 1928. Between 1928 and 1932, he worked in Tokyo as a painter and transformed his California landscape watercolors...

An early 1940s black & white fashion study featuring an advertisement for women's hats by Lilly Daché. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Department at the Sc...

This architectural wall-hanging artwork titled "In Isolation Series VI" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...

Martryce Roach is a self-taught visual artist from New Brunswick, NJ, who introduced her work in 2014. Martryce incorporates elements of music, education, geometric shapes, and envir...

Deer Dance, painting by Tonita Pena, Santa Fe, Cochiti, Pueblo, male, female Tonita Peña (born 1893 in San Ildefonso, died 1949 in Kewa Pueblo, New Mexico) was born as Quah Ah (meaning white coral beads) but also used the name Tonita Vigil Peña and María Antonia Tonita Peña. Peña was a renowned Pueblo artist, specializing in pen and ink on paper embellished with watercolor. She was a well-known and influential Native American artist and art teacher of the early 1920s and 1930s. Tonita Peña was born on May 10, 1893, at San Ildefonso Pueblo, to Ascensión Vigil Peña and Natividad Peña of San Ildefonso Pueblo, New Mexico. When she was 12, her mother and younger sister died, as a result of complications due to the flu. Her father was unable to care for her and she was taken to Cochití Pueblo and was brought up by her aunt Martina Vigil Montoya, a prominent Cochití Pueblo potter. Peña attended St. Catherine Indian School in Santa Fe. Edgar Lee Hewett, an anthropologist involved in supervising the nearby Frijoles Canyon excavations (now Bandelier National Monument) was instrumental in developing the careers of several San Ildefonso “self-taught” artists including Tonita Peña. Hewett purchased Peña's paintings for the Museum of New Mexico and supplied her with quality paint and paper. Peña began gaining more notoriety by the end of the 1910s selling an increasing amount of her work to collectors and the La Fonda Hotel. Much of this early work was done of Pueblo cultural subject matter, in a style inspired by historic Native American works, however, her use of an artist's easel and Western painting mediums gained her acceptance among her European-American contemporaries in the art world. At the age of 25, she exhibited her work at museums and galleries in the Santa Fe and Albuquerque area. In the early 1920s, Tonita did not know how much her painting sold for at the Museum of New Mexico, so she wrote letters to the administrators because a local farmer was worried that she got paid too little. In the 1930s Peña was an instructor at the Santa Fe Indian School and at the Albuquerque Indian School and the only woman painter of the San Ildefonso Self-Taught Group, which included such noted artists as Alfonso Roybal, Julian Martinez, Abel Sánchez (Oqwa Pi), Crecencio Martinez, and Encarnación Peña. As children, these artists attended San Ildefonso day school which was part of the institution of the Dawes Act of 1887, designed to indoctrinate and assimilate Native American children into mainstream American society. In 1931, Tonita Peña exhibited at the Exposition of Indian Tribal Arts which was presented at the Grand Central Art Galleries in New York City. Works from this exhibition were shown at the 1932 Venice Biennial. That year is the only time Native American artists have shown in the official United States pavilion at that biennial, and Tonita Peña's paintings were part of that exhibition.[1 Her painting Basket Dance, that had shown in the Venice Biennial was acquired by the Whitney Museum of American Art in New York for $225. This was the highest price paid up to this time for a Pueblo painting...

'The Port of Le Havre', pencil on art paper, by French artist Fred Pailhès (circa 1950s). Le Havre was only a fishing village until 1517, when Francis I h...

"Fall to Grace" is an original ink and watercolor painting on paper mounted to wood by artist Robert Kraiza measuring 19in height x 9in width. Artist Statement // In my work I invoke a whimsical world inspired by Victorian and Edwardian eras. To me they represent a romantic time period that has roots that extend directly into the modern world, both good and bad. The customs and aesthetics of the period are both fascinating and breathtaking but a vast portion of the population was victim to subjugation. It has since been eradicated on paper but still permeates to this day. I am exploring an imagined supernatural world hidden just out of sight where these woman could escape. This is an evolution from my earlier work set in the same time period with a continuous thread of humans and their animal companions. Through witchcraft these women find strength in their abilities and each other to leave the oppressive world they inhabit behind and escape to the woods to their Covendom, the boundary that defines the territory of their coven. They shed their customs, their corsets, and their concerns at the edge of the forest and gather among the trees to explore their magical potential with their familiars at the side. This body of work is exploring multiple media with a consistent theme and setting; combining watercolor painting, pen and ink illustrations, and graphite drawings. All pieces are created in monochrome on hot press watercolor paper mounted on wood with a gold painted border reminiscent of daguerreotype frames. Watercolor allows me to achieve results ranging from soft ethereal layered washes similar to oil glazes to precise minute details I include in all of my works. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

Portrait of woman on a light blue pattern dotted with white daisies "Angela" by Ransome 2023 graphite, acrylic and collage on panel 8 x 8 x 2 inches, unframed Piece can be hung attra...

The Old Man from the last expo, 2016 by Celso Castro-Daza Crayon pencil on archival paper Paper size: 59 H in. x 43 in. W Image size: 54 H in. x 40 in. W On The back of the painti...

About the Series: “Sensitive Material” In this Work on Paper Series, started in 2020, Claire Gilliam continues her exploration of Visual Language. She uses a common motif, the Latin ...

Illustration of a Village by the River - Amate Bark Drawing in Ink Illustration with people in a village by Cristino Florez Medina (Mexican, 1937-2007). This piece is divided horizo...

Ama Liyanage, a contemporary artist and printmaker, creates whimsical paintings from her home studio in Ontario, Canada. Each piece holds minuscule painted details waiting to be discovered, narrating stories or invoking a touch of humor for perceptive observers. This enchanting watercolor artwork on paper, featuring a woman on a couch in a luxurious room, measures 12 inches high by 16 inches wide. The delicate brushstrokes and ethereal hues evoke a sense of romance and whimsy. This artwork is not framed. The artist signed it on the front and the back and it comes with a certificate of authenticity from the art gallery. Convenient delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. Through her artwork, Liyanage proudly amplifies the voices of women of color, reclaiming spaces historically devoid of their representation. Drawing from her experiences as a Sri Lankan navigating colonial spaces in Canada, her art challenges one-dimensional portrayals of women of color often centered around labor. Inspired by French and Dutch Impressionist art...

Paraguayan Ink Drawings from the Chaco #15 Paper Indigenous Jorge Calrema Motifs of shamanic significance are very present in the drawings of Jorge Calrema : the jabiru ( pôtsej ), ...

Romans Suta Born on April 28, 1896 in the vicinity of Cesis (Latvia), died on July 14, 1944 in Tbilisi (Georgia), rehabilitated posthumously. Painter, graphic artist, decorative and stage designer, art critic and theoretician. Studied at the J. Madernieks' Art Studio (1913), Riga City Art School (1913-1915), and Penza Art School (1915 -1917). A prominent figure and active protagonist of modernist trends in Latvian art. Travels to Berlin and Paris, where he made the acquaintance of A. Ozanfant, Le Corbusier, and others. The influences of Cubism and Constructivism. A member of the Riga Artists' Group (1920-1924) and the Riga Graphic Artists' Society. Painter of still lifes and figural compositions. After the first experiments in Modernism, he turned to a more realistic manner of representation. The initiator and developer of a national constructive style, especially in interior design; the founder of Baltars creative workshop for porcelain painting (1924-1928); a designer and painter at Kuznetsov...