Paper Figurative Drawings and Watercolors

A charming and colorful vintage coastal figurative landscape watercolor by Bay Area artist Sewall Smith (American, 1904-1988), c.1960s-1970s. This coastal scene depicts a plein air art class on the beach, with a group of figures busy working at their easels. Signed "Sewall Smith" lower right. Displayed in a new mat and vintage wood frame. Image size: 10.5"H x 13.25"W Edmund Sewall Smith, known as Sewall Smith or E. Sewall Smith, was a Berkeley, California based architect and artist known for watercolor paintings with nautical themes. A well known architect, Smith moved from Niagara Falls, New York to California in 1944. He flourished as an artist in the Bay Area in the 1970’s, exhibiting extensively in the East Bay throughout this time. Exhibitions included venues such as UC Berkeley, El Cerrito...

Signed Lower Left

"Summer and the Setting Sun" (2024) by Mo Myra is a watercolor painting on paper that depicts a landscape with the sun setting in the distance. Mo Myra, born in 1990, is a Connectic...

"Satyr and Nymph" A satyr is a male spirit of nature, always nude, who walks upright on legs usually shown as goat’s legs. Nymphs are female spirits, who rule over rivers and ponds, ...

Pastel on paper, signed (lower right), 50cm x 74cm (70cm x 92cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher...

Passageway North Africa was executed during Walter’s extensive travels throughout Spain, Northern Africa, and the Dalmatian coast. These works are magnificent snapshots –pictorial po...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Pen and black ink on watermarked Ingres laid paper, 9 1/4 x 12 1/4 inches (234 x 310 mm), signed, dated and titled in brown ink, and initialed and titled in black ink in the lower right corner. Light to moderate age tone and mat tone, and with the signature and notations in brown ink having become quite attenuated, although legible. Presented in a basic black wood frame with a label from the Country Art...

Art Deco Buick Car 1937 Design Mid-20th Century American Modern Illustration Arthur Rosenman Ross (1913 - 1981) 1937 Buick 10 1/2 x 19 inches (sight) 11 5/8 x 23 inches (sheet) Go...

Figurative landscape of four infantrymen in formation with their long arquebus guns by Adolphe Ancker (Dutch, 19th Century), after Marchetti. Signed and dated "Adolph Ancker 1888" lo...

Figurative chalk drawing of black Greyhound dog and red birds on vintage collaged book pages 'The Searchers' by Louise Laplante in 2022 chalk on vintage collaged book pages 28 x 46 1/2 inches unframed, 32 x 52 inches in natural wood frame with non-glare plexi This graphic, figurative drawing in black chalk with collaged antique...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

Gabriel Spat was born in Kishinev, Russia, in 1890. Leaving Russia in 1911, he studied at the Academie des Beaux-Arts in Geneva and at the Academie Colarossi and the Academie de la ...

Melodie Provenzano (b.1974). Ballerina and Bugs, 2006. Graphiye pencil on paper, sheet measures 14.5 x 20.5 inches. 16.5 x 22.5 inches framed. Signed, titled and dated on back of sheet. Excellent condition. Melodie Provenzano lived and worked in New York City until 2020. After receiving her BFA from Parsons School of Design in 1996, she freelanced for more than a decade painting window displays, showrooms and various commissioned projects for fashion companies including, Saks 5th Avenue, Donna Karan, Louis Vuitton, Ferragamo, Chanel and Hermes. At this time, she sharpened her drawing and painting skills while developing her fine art. Melodie has exhibited in group shows at The Brattleboro Museum, VT, The Chelsea Art Museum, NYC, Geoffrey Young Gallery, Great Barrington, MA, and solo shows at Lyons Wier Gallery, NYC, Goya Contemporary, Baltimore, MD, Carrie Secrist Gallery, Chicago, IL, The University School of Nashville, TN, and Nancy Margolis Gallery, NYC. She has also written and recorded songs as "Connie Acher", releasing five LPs on Flipped Out Records and her most recent "For Giving" on UK label Golden Lab. Melodie currently lives and works in the countryside near Nashville, TN. Born in Hudson, NY, 1974 EDUCATION 1996 BFA Parsons School of Design SOLO & TWO PERSON EXHIBITIONS 2020 Seeing Oneself in Others, Nancy Margolis Gallery, New York, NY, February 27 - April 11 2015 Stealth Peace, Nancy Margolis Gallery, New York, NY, May 14 - June 20 2014 Raw Ribbon, University School of Nashville, Nashville,, January 9 - February 10 2012 Rock Center, Lyons Wier Gallery, New York, NY, November 15 - December 15 Selected Work 2005-2011, 5th Avenue Windows of Saks Fifth Avenue, New York, NY, October 5-12 2011 Drawn Together: Melodie Provenzano & Philippe Simille, The Marketplace Gallery, Albany, NY, May 6-28 2010 Melodie Provenzano & Rachel...

A really charming study of a blacksmith puffing on a clay pipe at the forge door. Thomas Charles Leeson Rowbotham Junr (1823-1875) Village Blacksmith Patterdale, Aug 1848 Signed, in...

The endless struggle of man with reality. The suffering and insignificance of man in the world. Elements in the work give a chance to find a solution. The color scheme adds tension t...

Linda Stein, Signature Formations 996 - Contemporary 3D Sculptural Drawing Collage In 2000, Linda Stein began a series called Knights of Protection. ...

This artwork showcases an elegant dress on paper, seamlessly blending paint and colour pencil. Delicate detail and intuitive mark-making create an outcome both expressive and refined...

An exceptionally fine, brush and wash, mythological figural study showing a centaur interrupting the playing of his pan pipes to cast a speculative eye towards a dancing nymph. Datin...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

Maximilien Luce 1858-1941 French Femme mettant ses bas (Woman putting on her stockings) Pastel on paper Signed "Luce 89" (lower left) Maximilien Luce’s Femme mettant ses bas is a...

Finely detailed historical figurative fashion illustration painted in watercolor in 1921, of a lady in 17th century dress; complete with a full blac...

Alex (Cuban, b.1949). Indigenous Mexican Woman, 1982. Pastel and charcoal on wove paper, sheet measures 23 x 33 inches. 31.5 x 41 inches framed. Excellen...

"After Ingres Drawing" is a figurative Modern pencil and watercolor on paper work by Paul Wunderlich in 1973. The artwork is 26 1/8 x 19 inches and 35 1/4 x 28 1/2 x 2 inches with th...

"Nude in Blue" Part of my Nude in Interior series. Female nude, ultramarine blue tempera on blue gray paper, inspired by Matisse. 70x50cm / 27.5x1...

Kotlicki is a constantly searching artist. Treading his own path, aiming at defining himself, giving his work a clear identity, he came across the avant-garde. He would back off the ...

Paper paint charcoal collage Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and again, later, alone in the stu...

Robert Henri Self Portrait / Sketch on verso Estate stamped lower right Ink on paper, graphite on paper 12 1/2 x 8 inches Born Robert Henry Cozad in Cincinnati, Ohio, Robert Henri became one of the leading personalities in American art, known for his teaching skills, ethnic portraits, especially spirited children, and insistence that artists should adhere to social realism and give rein to their own artistic instincts. During his growing up years, he lived between Cincinnati and Cozad, Nebraska, founded by his father John Jackson Cozad, a gambler and real estate promoter. When Robert was about 10 years old, his family moved to Cozad in Dawson County. Tension existed between John Cozad and the established ranchers who resented development, and a rancher attacked Cozad, who in self defense shot the man to death. Fearing for his life, he, his wife and two sons sneaked out of town and re convened in Atlantic City where they disguised their identity by taking other names. The father was later cleared of the charge, but he changed his name to Richard H. Lee, and passed his two sons off as adopted children named Frank Southern and Robert Henri. Robert chose a variation of his middle name to rhyme with "buckeye" to symbolize his Ohio roots. From Atlantic City, as a young man, he attended boarding school in New York City. He, having shown early art talent, studied at the Pennsylvania Academy of Fine Arts as a student of Thomas Anschutz and Thomas Hovenden...

Graphite on greenish gray wove paper. 15 1/4 x 11 5/8 inches (390 x 295 mm). Initialed "G. B." in pencil on the lower right recto. In generally good condition with some minor scattered surface soiling. Condition is consistent with age. ____ This drawing is closely related to two known mid 18th century oils...

Leopard print takes centre stage in this original artwork on paper. Blending paint and colored pencil, intuitive mark-making and loose textured detail creates an expressive yet refin...

Duce Portrait is a modern artwork realized by the artist Alberto Manetti (known also as Brivido). Pencil and charcoal on paper. Hand signed on the higher right margin. Inscription...

This drawing titled "Spaulding Mountain Lean-To, Maine, [ 44.99577, -70.34134 ]" is an original artwork by Sarah Kaizar made of pen and ink, and acrylic wash. Drawing from her experience hiking the Appalachian trailing...

"Private Moment", 39x27.5in / 100x70cm, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. Free shipping for items over $500 with 1stDibs code. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Artist/Designer: Karl Lagerfeld (German, 1933-2019) Marking(s); notes: marking(s), signed; 1966 Materials: mixed media on card stock Dimensions (H, W, D): 19.5"h, 8.25"w; 21.75"h, 10...

A French Art Deco illustrative drawing, hand painted in ink and gouache on blue laid paper. The design includes a collection of fashion accessories, handbags, gloves, hats, and perfu...

'Portrait of a Young Child', pencil on art paper, by French artist, Guillaume Dulac (circa 1920s). An artist known for his exquisite drawings - many are sketches for his larger oil p...

Artist: Mkrtich Sarkisyan (Mcho) Work: Original Drawing, Handmade Artwork, One of a Kind Medium: Ink on Paper Year: 2023 Style: Abstract Figurative Subject: Nude Size: 11" x 14" x...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Anthony Thomas Triano (1928–1997) was an abstract expressionist painter, sculptor, illustrator and teacher. His works feature natural forms, espe...

"MARK AND ADAMS RAMP" is an original collage on canvas artwork by Jim Houser measuring 6" x 6". Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currentl...

This piece is a unique drawing created by Jonathan Winters in 2001 using pen and ink. It is hand signed and dated, "May 22, 2001." Winters was an iconic American comedian, actor, aut...

Jules Schyl (Sweden, 1893-1977) Title: Ballet Dancers A Ballet Dancer painting is a rare find for an artist mostly known for his oeuvre with Cubism and Expressionist paintings. The current painting has many similarities with Degas sketches...

Usually viewers try to look over the shoulder to see what the artist is painting, but here Evgeniy Monahov, in a quick sketch portrait, seems to be looking over the shoulder of his m...

Seated Nude in Charcoal on Paper Figurative piece with a nude model by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The model is seated, with one leg bent ...

Study for David and Goliath 1971 Color pastel on paper 10 x 10 inches (25.4 x 25.4 cm) This work is offered by CLAMP in New York City.

Woman is an original drawing in pencil on paper realized by Nicola Simbari in 1960 ca. Hand-signed in pencil. In good conditions except for being aged. Nicola Simbari (San Lucido,...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A mid-century graphite drawing of a fashionably-dressed woman shown seated and re...

Carcassonne Citadel, France - Pastel Drawing by Charles Sumner Schneider Dramatic black and white pastel drawing of Carcassonne Citadel, France by Ohio...

Signed lower right, 'Mallory' for Ronald Mallory (American, 1932-2021) and dated 1975. A dramatic, disjunct figural study of a man wearing a checked cap, shown dancing and playing ...

Stunning late 19th century landscape of misty purple hills dotted with small sheep in the Scottish highlands near Dunkeld by Boston artist Miss H. L. Radford (19th Century). Signed a...

Artist: Mkrtich Sarkisyan (Mcho) Work: Original Drawing, Handmade Artwork, One of a Kind Medium: Ink on Paper Year: 2023 Style: Abstract Figurative Subject: Fashion Size: 11" x 14...

The Mirror is a drawing realized by Nicolai Sarguir in the Early-20th Century. Charcoal ivory-colored paper. Good conditions with slight foxing. The artwork is realized through de...

Mixed media small scale figurative & abstract drawing on paper by Polish artist Eugeniusz Tukan-Wolski. At first glance, the artwork looks like an abstraction, however the tile 'A st...

George Frederic Watts (British, 1817-1904) Christ in Glory Red chalk in an arched mount Inscribed verso, including a signed letter verso from R H Jefferies, Curator of The Watts Ga...

A astounding portrait of a society beauty by Adele Grasset (active ca 1830-1850). With an open face and and lightly smiling lips, she is wearing a gown typical of the romantic period. Drawn in graphite and heightened with white, the drawing is dated 1836 As often with woman artists of the 18th and 19th century, there is little biographical information available on Adèle Grasset. We do know however, that she had studied with the highly prominent artist François Gérard (1770-1837) , known also as the Baron Gérard...

Landscape is a beautiful drawing in ink and watercolor on paper realized by the Russian artist Angelina Beloff (1879 - 1969) Good conditions except fo...

Three Poses - Original Male Nude Figurative Drawing on Paper Original male figurative drawing on paper depicting a nude male posing in three diff...

In the Mirror 2 , nude, ultramarine tempera on colored paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube. 1st dibs offers free shipping for certa...

Animal is a Color Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a white sheet of a notebook No Signature. Reynold Arnould was born i...

China ink drawing on paper. Not signed. Good condition except for some foxing.

Linda Stein, Profile Flying 446.030 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.030 is from Linda Stein's Profiles series--drawings, collages and paintin...

The Director is a pen and pencil Drawing realized by Mino Maccari in the mid-20th century. Hand-signed on the lower in pencil. Included a whie Passepartout. Good condition on yell...

"Nude at the Window" Tempera on paper, Part of my Nude in Interior series. Inspired by Matisse. Shipped rolled in a tube. Free shipping with 1stDibs code Freeship for items over $500...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences whi...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (gold) with a styrene face on a double mat b...

"Mountain Climbers" - Mountain Landscape in Watercolor on Paper Serene mountain landscape by Margie Westcott (American, 1931-2018). The viewer stands...

"The Sphinx" The Sphinx is a mythical creature with the head of a woman, the body of a lion, and the wings of an eagle. Part of "Neo Mythology" series. Original work on colored pape...

"Sensory Experience", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. See 1stDibs free shipping offer FREESHIP Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

Unique Mid-century original mixed-media newsprint and crayon collage/drawing by French artist Max Papart, signed with dedication and dated 1967 to the bottom right. The work is on th...

Medium: Pencil, Charcoal and Orange Wash on Paper Signature: Signed "O'Neill" Upper Left Sight Size 24.00" x 19.50", Framed 35.00" x 29.00" Illustration for the poem "Baby's First Christmas" by Margaret G. Hayes, published in Harper's Bazar, December 1910. ​​​​​​​The artwork is also reproduced within Walt Reed's The Illustrator in America, 1860-2000 (Society of Illustrators, 2001) on page 154. Exhibited: Brandywine River...

"Bright Day", nude, ultramarine tempera on colored paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube. Fast shipping, anywhere in the world, 7 days...