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Medium: Charcoal
Frank Brangwyn Painting Mural Study Christ's Hospital West Horsham England 1912
Located in Portland, OR
FRANK BRANGWYN ( U.S./U.K./Belgium, 1867-1956) watercolor, gouache, and charcoal on paper, "The Scourging of St. Alban," study for the mural painted for Christ's Hospital, West Horsh...
Category
1910s Art Nouveau Charcoal Figurative Paintings
Materials
Chalk, Charcoal, Watercolor, Gouache, Pencil
"Murel", from the Series "Restful home"
Located in Palm Beach, FL
Kim Jeong Yeon - Contemporary Conceptual Korean painter and installation Artist, based in Seoul South Korea.
Kim is recognized for her installations ...
Category
2010s Abstract Charcoal Figurative Paintings
Materials
Stone
Beflowered II
Located in Ibadan, Oyo
"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night.
The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power.
The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women.
A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential.
This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society.
Shipping Procedure
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity.
About Artist
Paul Ayihawu...
Category
21st Century and Contemporary Realist Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Acrylic
Mid Century French Black Haired Nude Figure Bowed Into Her Knees
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Signed by Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal/ink on artists paper, double sided
Size: 9 (height) x 6.75 (width)
Stamped Verso
Con...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil, Ink
Mid Century French Pencil Sketch Fashionable Sketches of Figures and Accessories
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal /watercolour on artists paper, double sided
Size: 9.5 height) x 6.25 (width)
Stamped Verso
Con...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil, Watercolor
Nude Woman on Striped Chair #2 in Charcoal and Gouache on Paper
Located in Soquel, CA
Nude Woman on Striped Chair #2 in Charcoal and Gouache on Paper
Black and white painting of a woman by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). Th...
Category
1970s Contemporary Charcoal Figurative Paintings
Materials
Paper, Charcoal, Gouache
Feasible -21st Century, Contemporary, Portrait Painting, Mixed Media
Located in Ibadan, Oyo
Shipping Procedure
FREE Shipping Worldwide
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Signed on the front side and accompanie...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic
Circa 1800 French Neo-Classical Study of Male Nude Standing Academic Pose
Located in Cirencester, Gloucestershire
Nude Male Study
French, circa 1800
Neo-Classical School, circle of Jacques Louis David (French 1748-1825)
Pencil drawing on paper, unframed
drawing: 14 x 8 inches
double sided with ...
Category
Early 19th Century French School Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Black Heritage 5 - 21st Century, Contemporary, Figurative, African, Woman, Hair
Located in Ibadan, Oyo
Black heritage portrays the rich cultural, historical, and social contributions of Black individuals and communities throughout history. It encompasses the traditions, values, and ac...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic
ABSTRACT Figurative Human Women Diptych by Contemporary Arnau Casas Spanish Art
Located in Barcelona, Barcelona
Diptych artwork 140x70 cm (each one) total dimension: 140x140 cm
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Arnau Casas...
Category
2010s Abstract Charcoal Figurative Paintings
Materials
Charcoal, Cotton Canvas, Acrylic
Oil Painting On Canvas, Mixed Media, Contemporary Art. “Blue dream”
Located in Bogotá, Bogotá
Constructive figurative oil painting on canvas in mixed technique with blue and violet tones. It is part of a series where I explore the relationships between animals and humans. It ...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Cotton Canvas, Oil, Acrylic, Charcoal, Pen
Seated Figure (Abstract Woman Collage).
Located in Wilton Manors, FL
Sam Maitin (1928-2004).
Seated Figure, ca. 1970.
Charcoal, gouache and decorative paper collage.
Measuring 15.5 x 20.5 inches; 22.75 x 27.75 inches framed.
Signed lower left. Excellent condition.
Period frame original to the piece in mahogany with natural wood grain on sides and 22k gold leaf gilt face.
After graduating from Simon Gratz High School, Maitin won a scholarship to the Pennsylvania Museum School of Industrial Art (now the University of the Arts). A painter, printmaker, sculptor, muralist, graphic designer, political activist, and beloved teacher, Maitin headed the Visual Graphics Communication Laboratory at the University of Pennsylvania’s Annenberg School for Communication from 1965–1972 and served on the board of Woodmere Art Museum from 1995–2004. He received a number of awards, including a 1968 Guggenheim Foundation Fellowship. He created murals and other public art for the Children’s Hospital of Philadelphia, the University of Pennsylvania, Temple University’s Kornberg School of Dentistry, the Please Touch Museum, and Hahnemann University Hospital, among others.
Maitin's work is museum collections in the United States and Europe, including (but not limited to):
Philadelphia Museum of Art
Library of Congress, Washington, D.C.
National Gallery of Art, Washington, D.C.
Museum of Modern Art, New York
Tate Gallery, London
Bauersche Geisserie, Germany
Oakland Museum, California
Pennsylvania Academy of the Fine Arts
The Currier Gallery of Art...
Category
Mid-20th Century Abstract Charcoal Figurative Paintings
Materials
Paper, Charcoal, Gouache
"Composition #17", Mixed Media Figure Drawing on Stretched Canvas with Collage
Located in St. Louis, MO
Joseph Piccillo’s meticulous charcoal and graphite drawings and paintings reveal an exquisite draftsmanship tempered by emotional sensitivity. Piccillo presents an action-based assem...
Category
Early 2000s Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Varnish, Mixed Media, Pencil
French Sketch of a Glamorous Woman Victory Rolls Hairstyle and Bold Red Lips
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper, double sided
Size: 10 (height) x 6.5 (width)
Stamped Verso
Condition: Good
P...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Wings 2021, Acrylic, Charcoal, Canvas by Modern Artist Shuvaprasanna "In Stock"
Located in Kolkata, West Bengal
Shuvaprasanna Bhattacharya - Wings 2021 - 60 x 30 inches (unframed size)
Acrylic and Charcoal on Canvas , 2021
One of the most popular series of the Master Artist, The Golden Flute is the artists more romantic renedition of Art. The iconic figures of Krishna, Radha, and Ganesha that found lyrical expression in the Icons series are modern representations and sophisticated idealizations of the same images in the popular media.
Krishna is a cosmic musician, and the tune he creates by playing his transcendental flute is embodied with cosmic energy. When Krishna is depicted as being between the age of 5 and 8, it is always with his flute. Therefore, during this period, he is aptly called Murlidhara (murali means “flute,” and dhara means “hold”), signifying the one who holds the flute. He is never without it, whether he is with his mother, on the grazing grounds with his herd of cows, among his cowherd companions or roaming around on the Jamuna banks. Gopis lose their selves in this tune. For them, music becomes the voice of love, which is too passionate and secretive.
Style :
The city of Kolkata has always figured prominently in his work. His themes come from his personal interactions with its urban milieu - its sickness and sordidness, its violence and vulnerability and all that compounds its existential agony. Shuvaprasanna has depicted varying moods of the city and its people, its places, and all its facets that make the city distinctive.
He doesn't merely portray reality as 'matter of fact' and his presentation of reality often has dream-like elements in it. In terms of technique, Shuvaprasanna boasts a precise, finely executed style that yields an unmistakable visual intensity. He works comfortably in an assortment of media, including oil on canvas, charcoal, and mixed media.
About the Artist and his work :
Born : In Calcutta, 1947.
Education :
Graduated from Indian College of Art (R.B. University, Calcutta) in 1969.
Exhibitions :
Shuvaprasanna has had several gallery and museum exhibitions, including at the Tao Art Gallery and at the Chawla Art Gallery, Square One Mall. Several works by the artist have been sold at auction, including 'ABODE' sold at Waddington's 'Fine Prints & Photography Auction' in 2014. There have been many articles about Shuvaprasanna, including 'An exclusive edifice' written by Kunal Ray for The Hindu in 2014.
Selected Solo Exhibitions :
2011 - Shuvaprasanna: Recent Works, CIMA, Centre of International Modern Art, India, Kolkata
2010 - Summer Show 2010, CIMA, Centre of International Modern Art, India, Kolkata
2007 - ‘Madhura: The Golden Flute’, organized by Indian Contemporary at Visual Arts Centre, Hong Kong
2006 - ‘The Divine Flute’, Aicon Gallery, USA
2002 - ‘Icons and Illusions’, Gallery ArtsIndia, New York
1998 - ‘An Appreciation of Ted Hughes’, Exhibition of Crow Paintings...
Category
2010s Modern Charcoal Figurative Paintings
Materials
Mixed Media, Canvas, Charcoal, Acrylic
Rare Modernist Hungarian Rabbi Pastel Drawing Gouache Painting Judaica Art Deco
Located in Surfside, FL
Rabbi in the synagogue at prayer wearing tallit and tefillin.
Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter.
Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment.
However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920.
A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York.
Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change.
The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934.
He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950.
Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including:
"The Nell Walden Collection," Kunsthaus Zürich (1945)
"Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950)
"Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964)
"Ungarische Avantgarde," Galleria del Levante, Munich (1971)
"Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978)
"L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980)
"Ungarische Avantgarde in der Weimarer Republik," Marburg (1986)
"Modernizmus," Eresz & Maklary Gallery, Budapest (2006)
"Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007)
Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses.
He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...
Category
Early 20th Century Modern Charcoal Figurative Paintings
Materials
Paper, Charcoal, Pastel, Watercolor, Gouache
Portrait of Matt Latham - Large Scale Portrait, Original Charcoal on Mylar
By Mary Borgman
Located in Chicago, IL
Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them.
These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact.
Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that.
Mary Borgman
Portrait of Matt Latham
charcoal on mylar
60h x 40w in
152.40h x 101.60w cm
MBG011
FRAMED DIMENSIONS
62h x 42w x 2.25d in
157.48h x 106.68w x 5.71d cm
[This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass]
Mary Borgman
b. October 4, 1959 St. Louis, MO
SELECTED EXHIBITIONS
2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR
2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C.
SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
2011 Gallery Group Ann Nathan Gallery, Chicago, IL
SOFA NY, Ann Nathan Gallery, New York, NY
2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL
What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Mylar, Charcoal
Take Center Stage by Judith Williams contemporary black and white ballerina
Located in Atlanta, GA
This piece is signed on the bottom right.
"The unusual shapes coming together in their raw simplistic form, how they interact with each other, the shapes creating their own language...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Paper, Charcoal
Rare Modernist Hungarian Rabbi Pastel Drawing Gouache Painting Judaica Art Deco
Located in Surfside, FL
Rabbi in the synagogue at prayer wearing tallit and tefillin.
Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter.
Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment.
However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920.
A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York.
Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change.
The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934.
He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950.
Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including:
"The Nell Walden Collection," Kunsthaus Zürich (1945)
"Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950)
"Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964)
"Ungarische Avantgarde," Galleria del Levante, Munich (1971)
"Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978)
"L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980)
"Ungarische Avantgarde in der Weimarer Republik," Marburg (1986)
"Modernizmus," Eresz & Maklary Gallery, Budapest (2006)
"Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007)
Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses.
He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...
Category
Early 20th Century Modern Charcoal Figurative Paintings
Materials
Paper, Charcoal, Pastel, Watercolor, Gouache
Black Heritage 4 - 21st Century, Contemporary, Figurative, African, Woman, Hair
Located in Ibadan, Oyo
Black heritage portrays the rich cultural, historical, and social contributions of Black individuals and communities throughout history. It encompasses the traditions, values, and ac...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic
Seated Figure (Abstract Woman Collage).
Located in Wilton Manors, FL
Sam Maitin (1928-2004).
Seated Figure, ca. 1970.
Charcoal, gouache and decorative paper collage.
Measuring 15.5 x 20.5 inches; 22.75 x 27.75 inches framed.
Signed lower left. Excellent condition.
Period frame original to the piece in mahogany with natural wood grain on sides and 22k gold leaf gilt face.
After graduating from Simon Gratz High School, Maitin won a scholarship to the Pennsylvania Museum School of Industrial Art (now the University of the Arts). A painter, printmaker, sculptor, muralist, graphic designer, political activist, and beloved teacher, Maitin headed the Visual Graphics Communication Laboratory at the University of Pennsylvania’s Annenberg School for Communication from 1965–1972 and served on the board of Woodmere Art Museum from 1995–2004. He received a number of awards, including a 1968 Guggenheim Foundation Fellowship. He created murals and other public art for the Children’s Hospital of Philadelphia, the University of Pennsylvania, Temple University’s Kornberg School of Dentistry, the Please Touch Museum, and Hahnemann University Hospital, among others.
Maitin's work is museum collections in the United States and Europe, including (but not limited to):
Philadelphia Museum of Art
Library of Congress, Washington, D.C.
National Gallery of Art, Washington, D.C.
Museum of Modern Art, New York
Tate Gallery, London
Bauersche Geisserie, Germany
Oakland Museum, California
Pennsylvania Academy of the Fine Arts
The Currier Gallery of Art...
Category
Mid-20th Century Abstract Charcoal Figurative Paintings
Materials
Paper, Charcoal, Gouache
Soul Sister 2 - 21st Century, Contemporary, Portrait, Women, Love, Africa, Face
Located in Ibadan, Oyo
"Soul Sister" embodies the profound bond between kindred spirits, celebrating the deep connections that transcend time and distance. The phrase evokes feelings of warmth, support, an...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic
Good Company - Amicus Colorful Authentic Original Contemporary Intense Striking
By Karnish Art
Located in Cullinan, ZA
Title: Good Company - Amicus
Colorful Authentic Original Contemporary Intense Striking Love Friendship One-of-a-kind
Amīcus - The Latin word meaning to befriend. To be in good com...
Category
2010s Abstract Expressionist Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Oil, Acrylic
Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Figurative Paintings
Materials
Paper, Charcoal
Solace - Contemporary, 21st Century, Figurative Portrait, Africa, Women, Modern
Located in Ibadan, Oyo
Solace portrays a woman enveloped in a serene embrace, symbolizing the quiet strength found in moments of solitude. Her posture and expression convey a sense of inner peace, offering...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Acrylic, Charcoal, Mixed Media
She was never bored because she wasn't boring
Located in Zofingen, AG
She was a flapper - a symbol of freedom and change, the embodiment of rebellion against the conservative past. She was never bored because she was not boring. In her world, Charlesto...
Category
2010s Impressionist Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Oil
In Isolation Series VI
By Seth Clark
Located in Philadelphia, PA
This architectural wall-hanging artwork titled "In Isolation Series VI" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Wood, Paper, Charcoal, Pastel, Acrylic, Graphite
Mid Century French Drawing of a Classical Bald Male Bust
Located in Cirencester, Gloucestershire
Title: Mid Century French Male Bust
Artist: Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper
Size: 19 (height) x 12.5 (width)
Stamped: Verso
Condition:...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Just The Way You Are 1 - 21st Century, Figurative, Mixed Media, Women, Africa
Located in Ibadan, Oyo
Shipping Procedure
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity (Issued by the Gal...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Oil, Acrylic
Passing (oil and charcoal on canvas)
Located in Agoura Hills, CA
I am fascinated with the ‘human condition’ that we are all a part of; more specifically with how each of us experiences and sees ourselves, each other and the world on our collective...
Category
2010s Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Oil
Radiant Beauty by Judith Williams black and white nude on paper
Located in Atlanta, GA
"The unusual shapes coming together in their raw simplistic form, how they interact with each other, the shapes creating their own language. I let them stand alone in their purest fo...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Paper, Charcoal, Mixed Media
Valley of No Shadows 1
Located in Ibadan, Oyo
Valley of No Shadows is an original painting by Fredrick Idele. Fredrick created Valley of No Shadows with Acrylic, Pastel, and Charcoal on a 24W by 24H inches Card.
"Valley of No Shadows" is a captivating artwork that portrays a peaceful state of mind where fears and worries are conquered, and inner peace is found. The artwork features a character adorned with African symbols...
Category
21st Century and Contemporary Expressionist Charcoal Figurative Paintings
Materials
Charcoal, Pastel, Acrylic, Cardboard
Feeling Sassy by Judith Williams black and white nude on paper
Located in Atlanta, GA
"The unusual shapes coming together in their raw simplistic form, how they interact with each other, the shapes creating their own language. I let them stand alone in their purest fo...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Paper, Charcoal, Mixed Media
Black Heritage 3 - 21st Century, Contemporary, Figurative, African, Woman, Hair
Located in Ibadan, Oyo
Black heritage portrays the rich cultural, historical, and social contributions of Black individuals and communities throughout history. It encompasses the traditions, values, and ac...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic
Paul (male nude)
Located in Wilton Manors, FL
Patrick Terenchin (b.1970).
Paul, 2024
Gesso and charcola on paper, 16 x 20 inches.
Measuring 17 x 21 inches in black frame behind glass.
Signed and dated lower left.
Category
2010s Abstract Charcoal Figurative Paintings
Materials
Gesso, Charcoal
Dialogue (Ancestral Conversation) -21st Century, Figurative, Mixed Media, Colour
Located in Ibadan, Oyo
Shipping Procedure
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity (Issued by the Gal...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic, Oil
Just The Way You Are 2 - 21st Century, Figurative, Mixed Media, Women, Africa
Located in Ibadan, Oyo
Shipping Procedure
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity (Issued by the Gal...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Oil, Acrylic
Mid Century French Sketch of a Fashionable Chic Posed Lady
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper, double sided
Size: 12.5 (height) x 9.75 (width)
Stamped Verso
Condition: Good...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White)
Located in Hudson, NY
Mixed media still life of black and white bottles inspired by Giorgio Morandi still life paintings
Morandi Bottle 41 (Geometric, Abstract Still Life of Bottles in Black and White) b...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Canvas, Acrylic, Graphite, Charcoal
150 Years From Now 2 - 21st Century, Contemporary, Figurative Portrait, Modern
Located in Ibadan, Oyo
Let love lead. Let's be genuinely happy for each other. No malice, no backbiting. No jealousy. No comparison. Life is not a competition. At the end of the day, we will all transit to...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Acrylic
Large Horse Oil Painting. Contemporary Equestrian Oil Painting 220 x 180 cm
Located in ALP, ES
This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Oil Crayon, Raw Linen, Oil, Spray Paint, Acrylic, Pencil
Identity 1 - 21st Century, Contemporary, Portrait, Mixed Media, African Woman
Located in Ibadan, Oyo
Shipping Procedure
FREE Shipping Worldwide
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Signed on the front side and accompanie...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic
Nude Study
Located in Los Angeles, CA
Original charcoal drawing by Russian-French artist, from the Art Deco period.
22 x 10 Inches without the frame.
George Artemoff
1892 - 1965
George Artemoff was born in the Don Va...
Category
1920s Art Deco Charcoal Figurative Paintings
Materials
Charcoal, Archival Paper
Mid Century French Pencil Study Portrait Chic Mother and her Children Sketch
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper, double sided
Size: 8 (height) x 7 (width)
Stamped Verso
Condition: Good
Prov...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Face, Mixed Media on Paper by Modern Artist Jogen Chowdhury "In Stock"
Located in Kolkata, West Bengal
Jogen Chowdhury - Face
Coloured Dry Pastel Charcoal , Wash on Paper
11.6 x 8.2 inches ( Unframed )
2021
Signed in Bengali
( All in door delivered ; framed and ready to hang )
Style ...
Category
2010s Modern Charcoal Figurative Paintings
Materials
Charcoal, Pastel, Mixed Media
1900s French Atelier Life Drawing Academic Sculpture of Male Nude Figure
Located in Cirencester, Gloucestershire
Life study drawing
original atelier drawing
by the French artist, Jeanne Nachat (1898-1984)
Nachat attended the prestigious Académie des Beaux-Arts in Pa...
Category
Early 20th Century Academic Charcoal Figurative Paintings
Materials
Charcoal, Pencil
"House Studies Series V", Layered Paper and Drawing Collage, Architectural
By Seth Clark
Located in Philadelphia, PA
This layered paper and drawing collage titled "House Studies Series V" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a ...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Wood, Paper, Charcoal, Pastel, Mixed Media, Acrylic, Graphite
Believe 1
Located in Ibadan, Oyo
"Believe" is an original painting created by Eyitayo Alagbe. Eyitayo created "Beleive" with Mixed Media on a Primed canvas of 36W by 36H Inches
Believe is a masterpiece that deserves to be celebrated. It is a powerful artwork that embodies the spirit of hope and faith that we so desperately need in these trying times.
At its core, Believe is a symbol of optimism and perseverance. The artwork features a stunningly intricate image of a young boy, set against a backdrop of calming blue tones, the boy stands tall and proud, representing the resilience and strength that we all possess within us.
The beauty of this artwork lies not only in its design but in its message. Believe is a reminder that we should never give up on our dreams, no matter how impossible they may seem. It encourages us to trust ourselves and to have faith in the path that we have chosen.
It is not just an artist's interpretation of life, it is a positive force that inspires us to look at the world with a new perspective. Believe conveys that life has an amazing power to heal our system and rejuvenate our spirits.
In today's world, where negativity and despair seem to be taking over, Believe is a beacon of hope. Its message is simple yet profound: we are capable of overcoming any obstacle if we believe in ourselves and never give up.
The fact that Believe has managed to touch so many lives is a testament to its worth. It is not just a piece of art, but a timeless masterpiece that has the potential to inspire people for generations to come.
In describing the painting "Believe", In Eyitayo Alagbe's words: "And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who don't believe in magic will never find it. Believe in your heart that you're meant to live a life full of passion, purpose, magic, and miracles".
Your belief and working towards what you believe in can make so much difference between the life you are living and the life you desire.
In conclusion, Believe is a true masterpiece that is both beautiful and meaningful. It's not for mere decoration, it's a source of inspiration for life. Its message is a reminder to us all that we have the strength within...
Category
21st Century and Contemporary Expressionist Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Acrylic
Alter Ego
Located in Ibadan, Oyo
"Alter Ego" by Franklin Ndibam is a captivating artwork that explores the intricacies of human connection and the symbiotic dance between individuals. ...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Acrylic
1800's French Neo Classical Old Master Chalk Drawing Roman Figures Court Scene
Located in Cirencester, Gloucestershire
The Roman Court
French School, circa 1780-1820 period
pencil/charcoal/white chalk drawing on artist paper
stamped with a name (either a collector or the artist)
size: 18 x 24 inches
...
Category
18th Century Old Masters Charcoal Figurative Paintings
Materials
Chalk, Charcoal, Pencil
Mid Century French Pencil Sketch Study of Fashionable Figures
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper, double sided
Size: 13 (height) x 10 (width)
Stamped Verso
Condition: Good
Pr...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Black and White Nude Woman in Acrylic, Gouache, and Charcoal on Paper
Located in Soquel, CA
Black and White Nude Woman in Acrylic, Gouache, and Charcoal on Paper
Black and white painting of a woman by acclaimed bluegrass musician Katherine ...
Category
1970s Contemporary Charcoal Figurative Paintings
Materials
Paper, Charcoal, Acrylic, Gouache
Mid Century French Pencil Study Portrait of a Gazing Woman with Red Lipstick
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper, double sided
Size: 9 (height) x 6 (width)
Stamped Verso
Condition: Good
Prov...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Mid Century French Pencil Sketch Portrait of a Elegant Lady in Pearls
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Signed by Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper, double sided
Size: 10.75 (height) x 8.5 (width)
Stamped Verso
Cond...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Oil Painting 'Serenade in Blue' Female Violinist in Ballgown
Located in Toronto, ON
Working from a live model Anna Razumovskaya perfectly captures a violinist in a candid moment, the bow teasing out the last note on the strings. Whil...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Oil
Figurative Nude Study - Watercolor and Charcoal on Paper
Located in Soquel, CA
Figurative Nude Study - Watercolor and Charcoal on Paper
Watercolor and charcoal painting of a nude reclining woman by acclaimed bluegrass musician and San Francisco artist Katherin...
Category
1970s Abstract Expressionist Charcoal Figurative Paintings
Materials
Paper, Charcoal, Watercolor
Model with Mandolin in Ink and Charcoal on Paper
Located in Soquel, CA
Model with Mandolin in Ink and Charcoal on Paper
Black and white painting of a woman by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). A woman is sitting in a chair, with a mandolin in her lap. She is shown in profile, looking to the viewer's right. Next to the chair is an end table with a vase of flowers.
Unsigned, but was acquired with a collection of the artist's work.
Paper size: 22.5"H x 28.38"W
Katherine Kallick...
Category
1970s Contemporary Charcoal Figurative Paintings
Materials
Paper, Charcoal, Ink
Vintage Mid Century French Sketch of a Elegant Lady in a Luxurious Fur Stole
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper, double sided
Size: 12 (height) x 9.5 (width)
Stamped Verso
Condition: Good
Pr...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Large Horse Oil Painting on Unprimed Belgium Linen Canvas 220 x 180 cm
Located in ALP, ES
This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil painting on the finest quality unprimed Belgium linen canvas.
Title, year, medium and size:
Crodino Aperitivo, 2023, oil, acrylic, oil stick, charcoal, pencil and spray paint on linen canvas, 220 x 180 cm (After John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728)
**FREE SHIPPING** Due to its large size, this painting will be shipped rolled to minimize shipping costs. The painting is shipped rolled up without stretcher bars. This method is especially safe for large works. Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival.
The painting is by Dutch contemporary artist and art teacher Rubins J...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Canvas, Linen, Charcoal, Oil, Spray Paint, Acrylic, Color Pencil
Mid Century French Pencil Portrait of a Posed Gentleman
Located in Cirencester, Gloucestershire
Mid Century French Portrait
Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper, double sided
Size: 9 (height) x 7 (width)
Stamped Verso
Condition: Good
Prov...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Self Love 3 - 21st Century, Contemporary, Portrait, Mixed Media, African Woman
Located in Ibadan, Oyo
Shipping Procedure
FREE Shipping Worldwide
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Signed on the front side and accompanie...
Category
21st Century and Contemporary Expressionist Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic
Oil Painting On Canvas, Mixed Media, Contemporary Art. “Blue dream”
Located in Bogotá, Bogotá
Constructive figurative oil painting on canvas in mixed technique with blue and violet tones. It is part of a series where I explore the relationships between animals and humans. It ...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Cotton Canvas, Oil, Acrylic, Charcoal, Pen
"Mass Study II", Layered paper collage and drawing, dimensional, architectural
By Seth Clark
Located in Philadelphia, PA
This layered paper and drawing collage titled "Mass Study II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Using found ...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Paper, Charcoal, Pastel, Acrylic, Wood Panel, Graphite
Feeling Sassy by Judith Williams black and white nude on paper
Located in Atlanta, GA
"The unusual shapes coming together in their raw simplistic form, how they interact with each other, the shapes creating their own language. I let them stand alone in their purest fo...
Category
2010s Contemporary Charcoal Figurative Paintings
Materials
Paper, Charcoal, Mixed Media
Knowing The Difference - Surrealist Figurative Original Art
Located in Los Angeles, CA
Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...
Category
21st Century and Contemporary Pop Art Charcoal Figurative Paintings
Materials
Charcoal, Ink, Mixed Media, Acrylic, Wood Panel
150 Years From Now 1 - 21st Century, Contemporary, Figurative Portrait, Colours
Located in Ibadan, Oyo
Let love lead. Let's be genuinely happy for each other. No malice, no backbiting. No jealousy. No comparison. Life is not a competition. At the end of the day, we will all transit to...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Acrylic
Unbroken -21st Century, Contemporary, Figurative Portrait, Africa, Women, Hair
Located in Ibadan, Oyo
Shipping Procedure
Ships in a well-protected tube.
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity.
About Artist
Adebayo Taiwo, ...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Acrylic, Charcoal, Mixed Media
ABSTRACT Figurative Human Women Brown Earth Contemporary Arnau Casas Spanish Art
Located in Barcelona, Barcelona
At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience.
Arnau Casas...
Category
2010s Abstract Charcoal Figurative Paintings
Materials
Charcoal, Cotton Canvas, Acrylic
Mid Century French Portrait Seated Male Nude in a Meditative Pose
Located in Cirencester, Gloucestershire
Title: Seated Male Nude in a Meditative Pose
Artist: Josine Vignon (French 1922-2022)
Medium: signed black pen/charcoal on artists paper stuck on board, glass covered
Size: 9.5 (h...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Ballpoint Pen, Charcoal
Mid Century French Portrait of a Woman with Draped Veil Drawing
Located in Cirencester, Gloucestershire
Title: Mid Century French Portrait
Artist: Josine Vignon (French 1922-2022)
Medium: Pencil/ charcoal on artists paper
Size: 25 (height) x 19 (width)
Stamped: Verso
Condition: Go...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Pencil
Mid Century French Charcoal Portrait of a Woman in Profile
Located in Cirencester, Gloucestershire
Title: Charcoal Portrait of a Woman in Profile
Artist: Josine Vignon (French 1922-2022)
Medium: signed black pen/charcoal on artists paper stuck on board, glass covered
Size: 11 (...
Category
Mid-20th Century Post-Impressionist Charcoal Figurative Paintings
Materials
Charcoal, Ballpoint Pen
Through the Mirror - Original Mixed Media Surrealist Art
Located in Los Angeles, CA
Robert Lebsack creates artworks using mixed media with ink, acrylic and charcoal on archival copies of newspaper, textbooks, or sheet music. His street art tends to focus on social a...
Category
21st Century and Contemporary Pop Art Charcoal Figurative Paintings
Materials
Charcoal, Ink, Mixed Media, Acrylic, Wood Panel, Archival Paper
Rose
Located in Ibadan, Oyo
Shipping Procedure
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity (Issued by the Gal...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Paintings
Materials
Canvas, Charcoal, Mixed Media, Acrylic
Charcoal figurative paintings for sale on 1stDibs.
Find a wide variety of authentic Charcoal figurative paintings available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add figurative paintings created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Howard Tangye, Subrata Biswas, Robert Lebsack, and Fillipus Sheehama. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Charcoal figurative paintings, so small editions measuring 0.1 inches across are also available