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Period: 1910s
Blumen in Vase
Located in New York, NY
Color woodcut on Japan paper. Signed, numbered 1/30 and inscribed by the artist.
Category
Impressionist 1910s Abstract Prints
Materials
Color, Woodcut
Profond Aujourd'hui by Blaise Cendrars
By Angel Zarraga
Located in New York, NY
Bound volume with complete text and 5 color illustrations (2 hors-texte, 2 en-texte and one on the front cover).
One of 250 numbered copies on Arches, from a total numbered edition ...
Category
Cubist 1910s Abstract Prints
Materials
Color
Junger Fürst und Tänzerinnen
By Emil Nolde
Located in New York, NY
A superb impression of this extremely scarce etching and aquatint. First state (of 2), before the darkened background. Edition of approximately only 11. Signed in pencil.
This etch...
Category
Expressionist 1910s Abstract Prints
Materials
Etching, Aquatint
Der Mord II (Liebespaar II)
By Otto Mueller
Located in New York, NY
A superb, richly-inked impression of this very scarce, important German Expressionist lithograph on smooth, cream wove paper. Edition of approximately only 20. Signed in pencil. Publ...
Category
Expressionist 1910s Abstract Prints
Materials
Lithograph
Une Mère et Deux Enfants
Located in New York, NY
A very good, dark and evenly-printed impression of this scarce lithograph on cream laid paper. From the edition of approximately 50.
Category
Impressionist 1910s Abstract Prints
Materials
Laid Paper, Lithograph
Invocation
By Max Weber
Located in New York, NY
M a x W e b e r – – 1 8 8 1 – 1 9 6 1
Invocation- – 1919-20, Color Woodcut.
Rubenstein 27. Proofs only. Signed in pencil.
Image size 3 3/4 x 2 1/8 inches (124 x 54 mm); sheet size ...
Category
Cubist 1910s Abstract Prints
Materials
Woodcut
La Fumée du Bateau
Located in New York, NY
A very good impression of this color drypoint and aquatint. Third state (of 3). Edition of 150. Signed and inscribed "No. 25" in pencil, lower right.
Category
Impressionist 1910s Abstract Prints
Materials
Color, Drypoint, Aquatint
Woolworth Building, No. 2
By John Marin
Located in New York, NY
A superb, richly-inked impression of this extremely scarce etching and drypoint. Second state (of 2). Edition of approximately only 10. Signed in pencil by Marin. Published by Alfred...
Category
Modern 1910s Abstract Prints
Materials
Drypoint, Etching
Liegende
By Erich Heckel
Located in New York, NY
A very good, richly-inked impression of this color woodcut. Second state (of 2). Signed and dated in pencil. Published by R. Piper & Co., Marées-Gesellschaft, Munich. From "Der Dritt...
Category
Expressionist 1910s Abstract Prints
Materials
Color, Woodcut
Der Sohn
Located in New York, NY
A superb, richly-inked impression of this scarce etching printed in reddish brown on heavy, cream wove paper. Signed, dated and inscribed "kupferstich" in pencil.
Category
Expressionist 1910s Abstract Prints
Materials
Color, Etching
Still Life on a Table (Paris 1910)
Located in London, GB
GEORGES BRAQUE 1882-1963
Argenteuil-sur-Seine, 1882-1963 Paris (French)
Title: Still Life on a Table (Paris 1910) Nature morte sur une table (Paris 1910), 1910-11
Technique: Ori...
Category
Cubist 1910s Abstract Prints
Materials
Etching
The Broad Curtain
Located in New York, NY
A superb, richly-inked impression of this very scarce lithotint on Japan paper. Edition of approximately 55. Signed with the artist's cypher in pencil, lower right.
Category
American Impressionist 1910s Abstract Prints
Materials
Lithograph
The Small Mechanical Workshop
Located in London, GB
JACQUES VILLON 1875-1963
(Gaston Duchamp) Damville 1875-1963 Paris (French)
Title: The Small Mechanical Workshop Le petit atelier de mécanique, 1914
...
Category
Cubist 1910s Abstract Prints
Materials
Etching
Alea Iacta Est - Etching by Benito (Edmond Garcia) - 1914
Located in Roma, IT
Alea Iacta Est is an original etching realized in1914 by Benito (Edmond Garcia, 1891-1961).
Good condition. Edition 29/50
The artwork is depicted through strong strokes in a well-b...
Category
Modern 1910s Abstract Prints
Materials
Etching
Paul Klee, Garten Der Leidenschaft (Garden of Passion)
By Paul Klee
Located in New York, NY
Kornfeld 56. 50 published with the book Expressionismus Die Kunstwende, 1918, in addition to 54 earlier impressions. Signed and titled in pencil in bottom margin under image.
Category
Modern 1910s Abstract Prints
Materials
Etching
Klänge
Located in Wilton, CT
Klänge (Sounds) is one of the first examples of an artist’s book and contains both poems and woodcuts by Kandinksy. Of the 25 hors-texte illustrations, 12 are in color and 13 are in...
Category
Post-Impressionist 1910s Abstract Prints
Materials
Lithograph
'Improvisation 7' second ed. woodcut from 'Klänge' by Wassily Kandinsky
Located in Milwaukee, WI
'Improvisation 7' second ed. woodcut from 'Klänge' is a woodcut print created by Wassily Kandinsky. The present woodcut print comes from the second edition of 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. The title of the album and of this print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. Originally carved and printed in 1911, this second edition print was done ca. 1938. It is a woodcut in black ink on woven paper. Signed with encircled 'K' in the block, lower right (from the book, signed in ink, ed. 117/300)
Image Size: 7 1/2" x 5 inches
Frame Size: 22 1/4" x 18 3/4"
Ref. Roethel 124
Artist Bio:
The Museum of Modern Art described 'Klänge (Sounds)' as follows:
Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book.
Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...
Category
Blue Rider 1910s Abstract Prints
Materials
Woodcut, Laid Paper
'Improvisation 7' original first ed. woodcut from 'Klänge' by Wassily Kandinsky
Located in Milwaukee, WI
The present woodcut print comes from 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. This first edition was released in an edition of 300, each book signed and numbered by the artist. The title of the album and this particular print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond.
7.5 x 5 inches, image
22 x 19.5 inches, frame
Woodcut in black ink on laid paper (watermark Van Gelder Zonen)
Signed with encircled 'K' in the block, lower right
Framed to conservation standards using 100 percent acid free archival materials including silk-lined matting with 1/4 inch bevel, museum glass, and a gold-gilded moulding
Ref. Roethel 124
The Museum of Modern Art described 'Klänge (Sounds)' as follows:
Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book.
Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...
Category
Blue Rider 1910s Abstract Prints
Materials
Woodcut
Edith Schiele mit Hund Lord - Original Lithograph After Egon Schiele
Located in Roma, IT
This lithograph from the portfolio "Egon Schiele" is a reproduction of "Edith Schiele mit Hund Lord", an original artwork realized by Egon Schiele in 1917. The portfolio, that includ...
Category
Modern 1910s Abstract Prints
Materials
Lithograph
La Cavallerizza
Located in Roma, IT
"La Cavallerizza" is an original xylograph realized by Arturo Martini in 1914. Title and signature printed on the lower margin. Very good condition.
Passepartout included : 55 x 44....
Category
Modern 1910s Abstract Prints
Materials
Woodcut
Portrait of Woman
Located in Roma, IT
This very rare xylograph is in excellent conditions. Title and signature printed on the lower margin. The artist used the name of his mother "Martini de la Valle".
Passepartout included : 55 x 45 cm
Image Dimensions : 30 x 24.5 cm
Arturo Martini (1889-1947) was an Italian sculptor. He studied ceramics in Faenza and sculpture in Treviso. His copious artistic production is characterized by immediate plasticity, halcyon inventiveness, and thorough mastery of all technical processes: stone, bronze, terracotta...
Category
Modern 1910s Abstract Prints
Materials
Woodcut
Le Blessé dans la Tranchée (variante 1) - Original Etching and Drypoint
Located in Roma, IT
Hand signed. Edition of 75 prints.Original Prints.
From the suite: “Huit Illustrations de Guerre”.
Image Dimensions : 16.5 x 11 cm
This artwork is shipped from Italy. Under existing...
Category
Modern 1910s Abstract Prints
Materials
Drypoint
Etching 1916 Number II
Located in New York, NY
Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat.
A fine fresh impression of this great rarity, printed in a dark brown ink.
Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14.
Provenance: Kornfeld Auction, Bern, June 2007.
The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...
Category
Abstract 1910s Abstract Prints
Materials
Drypoint
Temples of New York
Located in Storrs, CT
Temples of New York. 1919. Drypoint. Leicester 44, Guichard 26, Black 55. 7 3/4 x 6. Edition 50. New York set. Trinity Church facade from the back, which faces Wall Street. Illustrat...
Category
Futurist 1910s Abstract Prints
Materials
Drypoint
Le Petit Équilibriste
Located in London, GB
JACQUES VILLON 1875-1963
(Gaston Duchamp) Damville 1875-1963 Paris (French)
Title: Le Petit Équilibriste, 1914
Technique: Original Hand Signed and Numbered Etching with full m...
Category
Cubist 1910s Abstract Prints
Russian Ballet.
Located in New York, NY
BOMBERG, David. Russian Ballet. With 6 original color lithographs by David Bomberg. London; Hendersons. [The Bomb Shop] 1919. 8 3/8 x 10 1⁄2 Inches, 8 ...
Category
Abstract 1910s Abstract Prints
Materials
Lithograph
Scene for a Fairy Tale
Located in New York, NY
WADSWORTH, Edward. Scene for a Fairy Tale, ca 1918. Woodcut printed in black on cream wove paper, Signed in pencil (which is rare for a Wadsworth rarely signed his woodcuts). Ref: Colnaghi 126. [Exhibited as Untitled Abstract]
Edward Wadsworth was an English artist, most famous for his close association with Vorticism. He painted, often in tempera, coastal views, abstracts, portraits and still-life. He was also an engraver on wood and copper. In the First World War he was involved in transferring dazzle camouflage...
Category
Abstract 1910s Abstract Prints
Materials
Woodcut
Felson,
Located in New York, NY
Black and White Woodcut. Published in 1909 in an edition of 100 to be used as a card member for the group of artists "Neu Kunstler-Vereingun Munchen". The impression is complete in ...
Category
Blue Rider 1910s Abstract Prints
Materials
Woodcut
Allerheiligen- All Saints Day.
Located in New York, NY
KANDINSKY, Wassily. Allerheiligen- All Saints Day. Original three-color woodcut (red, yellow ochre, blue – with olive green). 1911. Signed with the monogram...
Category
Blue Rider 1910s Abstract Prints
Materials
Woodcut
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