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Artist: Birgit Blyth
Grid. No 6 (Contemporary Framed Gestural Lattice Motif Painting in Neutral tone)
By Birgit Blyth
Located in Hudson, NY
Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...
Category

Early 2000s Abstract Birgit Blyth Art

Materials

Photographic Paper, Monoprint

In Memory Of #10 (Abstract Monoprint)
By Birgit Blyth
Located in Hudson, NY
Unique chromoskedasic monoprint on photographic paper 22 x 18 inches framed This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer Birgi...
Category

2010s Contemporary Birgit Blyth Art

Materials

Photographic Paper, Monoprint

No. 5, Cubes (Abstract Cameraless Photograph in Black and Neutral, Framed)
By Birgit Blyth
Located in Hudson, NY
Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...
Category

Early 2000s Abstract Birgit Blyth Art

Materials

Photographic Paper, Digital

Grid. No 5 (Contemporary Framed Abstract Grid in Black & Coffee)
By Birgit Blyth
Located in Hudson, NY
unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...
Category

2010s Abstract Birgit Blyth Art

Materials

Photographic Paper, Monoprint

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink)
By Birgit Blyth
Located in Hudson, NY
Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...
Category

2010s Abstract Birgit Blyth Art

Materials

Photographic Paper, Monoprint

Grid. No 11 (Contemporary Framed Abstract Grid in Black & Coffee)
By Birgit Blyth
Located in Hudson, NY
unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...
Category

2010s Abstract Birgit Blyth Art

Materials

Photographic Paper, Monoprint

Birch No. 3 (Abstract Chromoskedasic Monoprint)
By Birgit Blyth
Located in Hudson, NY
Unique chromoskedasic monoprint mounted on aluminum 40 x 25 inches Signed on reverse This contemporary, abstract style chromoskedasic monoprint was created by experimental photograp...
Category

Early 2000s Contemporary Birgit Blyth Art

Materials

Photographic Paper

Birch No. 2 (Abstract chromoskedasic monoprint)
By Birgit Blyth
Located in Hudson, NY
Unique chromoskedasic monoprint mounted on aluminum 40 x 25 inches Signed on reverse This contemporary, abstract style chromoskedasic monoprint was created by experimental photograp...
Category

Early 2000s Contemporary Birgit Blyth Art

Materials

Photographic Paper

Swept Away 3 (Gestural, Abstract Black and Gray Monoprint on Photographic Paper)
By Birgit Blyth
Located in Hudson, NY
Swept Away 3 (Gestural, Abstract Black and Gray Monoprint on Photographic Paper) Unique chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood, 8 ply mat, n...
Category

2010s Contemporary Birgit Blyth Art

Materials

Archival Paper, Archival Pigment

No. 2, Cubes (Abstract Cameraless Photograph with checknboard motif, Framed)
By Birgit Blyth
Located in Hudson, NY
Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...
Category

Early 2000s Contemporary Birgit Blyth Art

Materials

Photographic Paper, Digital

Grid No. 202 (Modern, Abstract Gestural Photo in Light Coral, Brown, & Mocha)
By Birgit Blyth
Located in Hudson, NY
20 x 16 inches Unique chromoskedasic monoprint on black and white photo paper with gloss finish This contemporary, abstract style chromoskedasic monoprint was created by experimenta...
Category

2010s Abstract Birgit Blyth Art

Materials

Photographic Paper, Monoprint

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In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD14558 (She Disappeared into Complete Silence) 40" x 30" / 102cm x 76cm edition of 8 + 2AP 60" x 45" / 152cm x 114cm edition of 8 + 2AP limited edition photograph is printed under artist supervision and accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label is then placed centered on verso if the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes and Succulents (2018) with a debut at Musee Jeu de Paume in Paris in 2019. Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum exhibition in Germany and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, the Los Angeles County Museum of Art, The Hammer Museum, the Perez Art Museum in Miami, the Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris, The Whitechapel Gallery and Royal Academy of Arts in London, Musée de l’Elysée in Switzerland, Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Australian Centre for Photography and Taipei Fine Arts Museum in Taiwan. Mona Kuhn currently lives and works in Los Angeles. __________________ Solo Exhibitions 2024 Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY 2023 Mona Kuhn: Kings Road, Galerie XII...
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Grid No. 14: Contemporary Camera-less Photo in iridescent black and white Grid)
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unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed Print comes with 4 ply white mat board measuring 20 x 16 inches This contemporary, abstract style chromos...
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No. 4, Cubes (Abstract Cameraless Photograph in Earth Toned Palette, Framed)
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Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by Danish photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine...
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Photographic Paper, Digital

Grid Triptych (Abstract Digital Prints)
By Birgit Blyth
Located in Hudson, NY
Digital print on black/white photo paper 43 x 29 inches each in black metal frames Edition of 5 These energetic prints are digital copies of original handmade monoprints by photogra...
Category

2010s Contemporary Birgit Blyth Art

Materials

Photographic Paper, Digital

In Memory Of #24
By Birgit Blyth
Located in Hudson, NY
Chromoskedasic monoprint 14 x 11 inches 20 x 16 inches matted This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer Birgit Blyth. Witho...
Category

2010s Contemporary Birgit Blyth Art

Materials

Photographic Paper, Monoprint

In Memory Of #24
H 14 in W 11 in D 0.07 in
In Memory Of #3 (Modern, Abstract Chromoskedasic Photo in Light Brown & Beige)
By Birgit Blyth
Located in Hudson, NY
15 x 12 inches in black metal frame with non-glare glass Unique chromoskedasic monoprint on black and white photo paper, gloss finish This contemporary, abstract style chromoskedasi...
Category

2010s Abstract Birgit Blyth Art

Materials

Photographic Paper, Monoprint

Grid No. 4: Modern Grid, Unique Camera-less Photo in Black & Coffee Hues
By Birgit Blyth
Located in Hudson, NY
unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...
Category

2010s Abstract Birgit Blyth Art

Materials

Photographic Paper, Monoprint

Untitled No. 8: Modern, Abstract Expressionist Style Chromoskedasic Framed Photo
By Birgit Blyth
Located in Hudson, NY
unique chromoskedasic monoprint on B&W photo paper 45 x 59 inches in dark brown wood frame with non-glare glass This contemporary, abstract expressionist style chromoskedasic monopr...
Category

2010s Abstract Expressionist Birgit Blyth Art

Materials

Photographic Paper, Monoprint

Untitled XXII
By Birgit Blyth
Located in Hudson, NY
Unique cyanotype on BFK Rives Rag paper 22 x 15 inches unframed 26 x 19 inches floated in simple white frame, AR non glare glass This contemporary unique blue cyanotype photograph was completed by Birgit Blyth in 2015. Cyanotypes are the beautiful result of a photographic printing process that produces a blueprint. The artist created the image by laying blank CD cases...
Category

21st Century and Contemporary Abstract Birgit Blyth Art

Materials

Rag Paper

Untitled XXII
H 26 in W 19 in D 1 in
Untitled XXI
By Birgit Blyth
Located in Hudson, NY
unique cyanotype, 22 x 15 inches on BFK Rives Rag paper, 26 x 19 inches floated in frame of white wood moulding, AR non glare glass Cyanotype is a photographic printing process t...
Category

21st Century and Contemporary Abstract Birgit Blyth Art

Materials

Rag Paper

Untitled XXI
Untitled XXI
H 26 in W 19 in D 1 in

Birgit Blyth art for sale on 1stDibs.

Find a wide variety of authentic Birgit Blyth art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of purple and other colors. You can also browse by medium to find art by Birgit Blyth in paper, photographic paper, monoprint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the abstract style. Not every interior allows for large Birgit Blyth art, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Tapas Ghosal, Brian Bartlett, and Paul Reeves. Birgit Blyth art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $650 and tops out at $4,200, while the average work can sell for $875.

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