Candice Eisenfeld Art

Artist Comments
"This painting was inspired by my travels through the U.S.," shares artist Candice Eisenfeld. She paints an ethereal landscape with a glowing field enclosed by an abyss of deep cool hues. "The blue abstract areas are finished with a smooth, glossy shine while the landscape area is not glossy."

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines...

Artist Comments
"Part of the meditation process is to allow your mind to clear, follow a journey, and allow thoughts to pass through," says artist Candice Eisenfeld. "The vertical, thin section in the middle is an abstracted version of the landscape, it is varnished while the other parts have no gloss. This process was done to illustrate how our perceptions of the world and experiences can change, and how we can recognize these lenses to achieve clarity. The left side depicts peaceful, floating, abstracted thoughts."

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...

Artist Comments
Artist Candice Eisenfeld draws inspiration from the silhouetted trees of the rainforests of Northern Georgia. "One early morning as the fog was clearing, a hawk guided me through the mountains," shares Candice. "The hawk led me through ethereal, meditative places with overwhelming beauty." She took photographs of her journey and painted her experiences of the adventure. "The bottom image depicts the rough, beginning of the journey and the scene portrays the ending. The rough, orange texture denotes the bark of the trees."

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...

Artist Comments
In this painting, artist Candice Eisenfeld portrays two separate visions of a verdant forest. She delves below the surface of perceived reality and what lies beneath that perception. Although produced on a single wooden panel, the ethereal landscape is joined with a segment of green, aqueous color fields which act as a chaotic emotional commentary to the scene. "The crisp, hard edges separating the landscape from the color fields command a sense of order in an otherwise fluid jungle of green washes."

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines...

Artist Comments
Artist Candice Eisenfeld presents a painting within a painting emanating warmth and light from the middle. "These paintings are meant to explore levels of meaning as they connect our personal experiences to a world severely distanced from ourselves," states Candice. Her interest lies in understanding what is at the core of human nature—desire, curiosity, love, and hope. "It is narrating a personal archeology of the id while simultaneously relating to other people what is timelessly universal."

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines...

Artist Comments
"Considered symbols of luck, Koi fish are known for their tenacity to swim rushing streams and waterfalls until they reach their goal," says artist Candice Eisenfeld. "They are determined and they never give up. Symbolic in Buddhism, they represent courage and strength."

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines...

Artist Comments
A paper crane flies among a flock of birds against a dusky warm gradient. "The title of this work, 'This Is Not a Flock of Birds,' is a nod to Belgian surrealist painter René Magritte," shares artist Candice Eisenfeld. She takes pleasure in letting her viewers create their own meanings inspired by her work.

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...

Artist Comments
In this dreamy forest scene, artist Candice Eisenfeld used a palette knife and thick, semi-dried acrylic as the top layer to achieve the essence of tree bark textures. Background layers of tree forms are embedded in thin, white veils of paint and varnish to achieve an early morning, atmospheric effect.

About the Artist
As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest Airlines...

Artist Comments
Artist Candice Eisenfeld shares the myth of The Dancing Birds and the Flood, "A young shepherd in China interpreted the dances of birds in the sky. He warned ...

Artist Comments
The landscape scene in the center and the abstract border appear starkly different, however they both are a reaction to the lights and shadows of the deep for...

Artist Comments
A stand of trees on a hill overlooking a pond during a sunny day with blue skies. The scene is framed with a deep red abstraction characterized by a very thic...

Artist Comments
In the early morning there is silence and stillness in the air. A small hummingbird hovers in place, enjoying the sunlight. Candice says that this piece inten...

Artist Comments
Candice was deeply inspired after a visit to Yellowstone National Park. The central landscape image was created using a photographic transfer method while the landscapes on either side were created with paint applications. "The abstracted compositional areas serve as windows or doors to memories, to secrets, to hidden worlds," Candice says.

About the Artist

Words that describe this painting: forest, pine trees, hudson river school, lock and key...

Artist Comments
Symbols of home and family juxtaposed with adventure, discovery and flight are re-occurring themes in Candice's work. A hummingbird boldly flies away from its...

Artist Comments
"Totem" is unique to Candice's current body of work in that it is a study of bird flight rather than narrative-based. The bird...

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A sophisticated, dreamlike view of two distant landscapes, framed and bordered in abstraction. Candice says she developed a uniq...

Artist Comments
A sophisticated, dreamlike view of divergent paths one can take. The middle path appearing as a painting within a painting...

Artist Comments
"The morning air is chilly just before dawn," Candice says of the setting for this dreamlike scene. "The trees are silhouettes and in heaven. This is a dream inside of another dream, in which there is a flock of birds. The birds morph from one variety to the next over a hazy landscape." To create the ethereal effect of the sky and heavens, Candice applied washes of acrylic paint to resemble encaustic. She contrasted this with the dark silhouetted landscape...