Hendrik Glintenkamp Art

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism. 30 x 40 inches. Oil on canvas, c. 1960s, Signed lower right. As we list the painting now, the work is currently being cleaned, restored and a hand carved frame is being built. Additional photos will be uploaded as soon as possible. Our gallery, Helicline Fine Art, just launched our new digital exhibition: American Art: The WPA and Beyond. Three dozen paintings, works on paper and sculptures which are available here on 1stDibs. In person viewings can be arranged by appointment at our midtown Manhattan gallery. Provenance: "Winter" was originally purchased by Stanley Byer. Mr. Byer owned homes in Key West, New York City, and Washington, D.C. He purchased the painting from Dunning Auction in 1984 in Elgin, Illinois. Mr. Byer was related to Abraham Weiss from Florida. Saul Babbin, now deceased was a cousin of Mr. Weiss. I purchased the painting from Joy Babbin, Mr. Babbin's wife, now living in from New Mexico. Dale Nichols (1905 – 1995) Artist, printmaker, illustrator, watercolorist, designer, writer and lecturer, Nichols did paintings that reflected his rural background of Nebraska where he was born in David City, a small town. Although he did much sketching outdoors, most of his paintings were completed in his studio and often included "numerology, magic squares...

Light and briefly executed genre scene depicts cozy domestic atmosphere with few people singing and playing guitars surrounded by listeners. All inhabitants of the moment are greatly...

An original woodblock print dated 1965, titled "Our Town" but signed illegibly.

Rudolph Ruzicka, 'Fountain of Sea Horses, Rome', wood engraving, c. 1915. Signed, dated, and titled in pencil. Initialed in the block, lower left. A fine, richly-inked impression, on...

Mother Mary, 2017 John Hartley discovered his life's passion while growing up in Piqua, Ohio. Encouraged to develop his talents in an academic environme...

Trees at Bloom, 1939, oil on canvas, 32 x 24 inches, signed lower right About the Painting Trees at Bloom was painted when Clarence Holbrook Carter lived in Pittsburgh and served as an instructor in the Department of Painting and Design at the Carnegie Institute of Technology (now Carnegie-Mellon University), a position he held from 1938 through 1944. It depicts a thick forest at the base of distance hills just outside the city. During his tenure in Pittsburgh, Carter was deeply influenced by not only the industrial might of the steel mills and iron forges of the city, but also the beauty of the surrounding landscape. As Frank Anderson Trapp noted in his book on the artist, for Carter “the terrain itself had its own special vitality, with its craggy, wooded hills threaded with ravine and watercourses . . . . the signs of industrial blight that were unalleviated in some parts of the country were there relieved by the geological variety of the parent landscape, and by the irrepressible presence of its natural growth, which softened the whole.” Trapp continues, “in his scenes of rural situations, Carter had a special gift for rendering those elements convincingly.” With the profusion of flowering trees which diffuse the light and the red cardinals darting from one branch to another, Trees at Bloom portrays the “irrepressible presence of nature” that Trapp describes. About the Artist Together with Charles Burchfield, Clarence Holbrook Carter was Ohio’s premiere American Scene painter and later an innovative magic realist. The son of a no-nonsense public-school administrator, Carter was born in 1904 outside of Portsmouth, Ohio, a small town in the heart of the Ohio River...

'Aloha,' 2017 John Hartley discovered his life's passion while growing up in Piqua, Ohio. Encouraged to develop his talents in an academic environment, ...

NORMA BASSETT HALL (1889 - 1957) SHIP ROCK, c. 1940 Color woodcut signed and numbered in pencil, edition 40 on stiff fibrous paper. 10 x 14 inches, Sheet size 11 1/8 x 15 inches...

Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...

An original oil on canvas by listed New York female artist Enid Smiley.

Nancy Lamb (American, born 1956), sculptor and painter. Formally trained at Texas Christian University and the Fort Worth Museum of Science and History, whe...