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Fashion For Sale
Period: 1930s
Period: 1910s
Vintage Black Rayon & Silk Pastel Floral Embroidered Kimono Robe
Located in West Palm Beach, FL
Vintage black rayon pastel floral embroidered kimono robe from the 1930s-40s. Wrap front robe lined in black tissue rayon, with kimono style sleeves that have rolled padded hems. The...
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1930s Japanese Fashion

1930S Bias Cut Silk Charmeuse Couture Detailed Slip
Located in New York, NY
1930S Bias Cut Silk Charmeuse Couture Detailed Slip
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1930s Fashion

1930s vintage French peach silk & lace Hollywood movie star antique tea gown
Located in Antwerpen, Vlaams Gewest
STUNNING! Vintage French peach silk satin and lace 1930s antique Hollywood movie star dress. The doll is French 36/38 and we have not pinned the dress...
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1930s French Fashion

1930S Orange Silk Dye Slip Dress With Embroidered Bust
Located in New York, NY
1930S Orange Silk Dye Slip Dress With Embroidered Bust
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1930s Fashion

Josef Mid Blue Beaded Bag with Lucite and Rhinestones Clasp circa 1930s
Located in London, GB
Lovely Josef mid blue beaded bag with an unusual silver plated, clear lucite and rhinestones clasp. Measuring width 17.5 cm / 6.8 inches at the base, height 11.5 cm / 4.5 inches, and...
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1930s North American Fashion

French Straw Garden Bonnet Hat, 1930's
Located in Atlanta, GA
1930's charming straw bonnet with raffia embroidered floral motif made in France for the prominent 5th Avenue New York department store, Franklin Simon an...
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1930s French Fashion

1930S Seafoam Green Bias Cut Silk Slip With Small Elephant Embroidery
Located in New York, NY
1930S Seafoam Green Bias Cut Silk Slip With Small Elephant Embroidery
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1930s Fashion

A Ceremonial Kaftan Robe in Lampas - Morocco Circa 1920
Located in Toulon, FR
Circa 1910-1930 Morocco Beautiful Moroccan ceremonial kaftan for men in silk and cotton lampas dating from the first third of the twentieth century. Cream satin brocaded background with large flower medallions decorated with a crown in reference to the king of Morocco, Lyon production dedicated to the Moroccan market...
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1910s Moroccan Fashion

Vintage 1930's Fashion Originators Guild Floral Print Silk Chiffon Gown & Jacket
Located in Beverly Hills, CA
A gorgeous and highly collectable Fashion Originators Guild silk chiffon gown ensemble dating back to the mid 1930's. The Guild was organized in 1932 to protect its members from 'pir...
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1930s American Fashion

1930S Cranberry Red Rare Rayon Blend Knit Maxi Dress With Sleeves
Located in New York, NY
1930S Cranberry Red Rare Rayon Blend Knit Maxi Dress With Sleeves
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1930s Fashion

1930S Cotton Embroidered Geometric Eyelet Dress With Organdy Ruffles
Located in New York, NY
1930S Cotton Embroidered Geometric Eyelet Dress With Organdy Ruffles
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1930s Fashion

1930S Red Sheer Silk Chiffon Bias-Cut Gown With Deco Clasps On Hips
Located in New York, NY
1930S Red Sheer Silk Chiffon Bias-Cut Gown With Deco Clasps On Hips
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1930s Fashion

1930s Black Saucer Hat with Decorated Hat Band
Located in San Francisco, CA
1930s black saucer hat made of a coated and woven straw. The wide-brim is wide, structured, and stiff. The shallow crown is hand sculptured and adorned with...
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1930s Fashion

1930s Tan Peach Stretch Lace Dress With Bows and Matching Jacket
Located in Portland, OR
This is a 1930's vintage stretch lace dress in a peach / tan color with a matching open front jacket. The dress has 3 bows down the front of the drop waist bodice and a bias asymmetrical hemline skirt. The cardigan style jacket has long sleeves and could be worn with a belt if desired. This dress can fit a range of sizes from small to large. These dresses normally would have been worn in the 30's with a simple solid colored, fitted full slip...
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1930s American Fashion

A carved amber Bakelite frame, and silk velvet clutch/handbag, 1930s.
Located in Greyabbey, County Down
An intricately carved Bakelite frame from the 1930s, with stylised flower and branch motifs, is attached to a black silk velvet clutch , which is piped in black silk, to create this ...
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1930s German Fashion

Vintage 1930s Black Lace Dress
Located in London, GB
A chic 1930s black lace gown. The dress has a round neck at the front, with lace panels and a lace skirt. It has ribbon edging around the hem.
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1930s Unknown Fashion

Art Deco Bakelite Shelf
Located in New York, NY
Art Deco Bakelite Shelf, perfect for your display of bakelite barware and objects! Glass shelves with caramel Bakelite clad metal rod supports. 193...
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1930s American Fashion

Wonderful Deco French Boudoir Box with Chenille Embroidery
Located in New York, NY
Wonderful Deco French Boudoir Box with hand stitched chenille embroidery. A pastoral scene with a couple lounging in the grass is beautifully rendered in ...
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1910s French Fashion

Emerald Green Crochet Fringe Shawl, 1930s
Located in Boca Raton, FL
An exquisite vivid emerald green handmade shawl with long fringe trim. Feels like silk. Handmade Triangle shape. Measurements. Width: 60" inches excluding fringe. Fring...
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1930s Fashion

Rare Art Deco Flying Sun Hats Swimsuit
Located in New York, NY
Art Deco Swimsuit with flying sun hats, sombreros or saucers?! in very Art Deco yellow-chartreuse on a brown knit ground. Charming Art Deco motifs wi...
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1930s American Fashion

Extraordinary Elsa Schiaparelli Haute Couture Evening Jacket
Located in New York, NY
"In difficult times, fashion is always outrageous" Elsa Schiaparelli,1930's. "Life has changed so much, A Schiaparelli was never made for the streets." Karl Lagerfeld, 1970's. 2 quotes,2 designers, 4 decades apart. 4 decades later. Although these quotes are highly debatable, especially in the context of today's high-low designer collabs and pop up retailing, iconic fashion endures. Whether now relegated to a museum exhibition, a collector's acid free box or a celebrity one nighter, these fashion artifacts from the french Haute Couture of the 1930's echo a time, pace and culture unrecognizable to most people today. Schiaparelli changed the definition of what it meant to be a designer at an important time in the evolution of the Haute Couture. Rather than simply making beautifully elegant garments (which she also did), she focused on the concepts behind the pieces. For her fashion was a fluid medium and she effortlessly blended fashion, politics and the fine arts. She was one of the most innovative and rebellious designers of the period working against what she considered the stale fashion currents of the day. She was elegant yet untrained. As a protege of Poiret, she gained entry into the world of Parisian fashion. While her rival Chanel was essentially uneducated and a “primitive” in the artistic circles in which she socialized, Schiaparelli’s impeccable social credentials as the daughter of an old and distinguished Roman family gave her a relatively easy entree into Paris society. She was a subversive, a punk, a desecrator, a collaborator, an innovator as well as the ultimate insider whose plans on design domination and creating "la zone rose" for the modern world were cut short by the advent of WWII. She was at the height of her influence and power showing 4 iconic collections in the last years of the decade. Fascinating to consider what the House of Schiaparelli could have brought forth in the following decades had the world not been swept away in turmoil at that moment. In the context of her short prewar career, few remaining masterworks have survived. The rare "moment" she created in the 30's lives on within each art piece, safelocked away within each stitch and sequin. Each design retains her spirit and legacy as a free thinking, modernist rebel who used the avantegarde as her platform in the most creative period of fashion design in the 20th Century. -------------------------------------------------------------------------------------- Rare and Important Elsa Schiaparelli Haute Couture...
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1930s French Fashion

Fashion: Shop Vintage Clothing, Haute Couture and More

Fashion is littered with stories we can’t help but consume with voracity. Behind the world’s revered luxury houses and designers, there are often accounts of modest beginnings that gave way to the resonant work we’ve cherished all of our lives.

Gabrielle “Coco” Chanel learned to sew under the tutelage of nuns in an orphanage. Later, as an impoverished teenager at a boarding school in central France, clad in the drab clothes of the underclass compared to those of her classmates, she furthered her needlework skills. By the early 1900s, she was helming a hat shop with help from her sister and her aunt.

Chanel made spare, unadorned hats at first, and the now-momentous “little black dress,” published in the form of a sketch in Vogue in 1926, symbolized her intention to design for all social classes. Working with simple lines and ordinary fabrics, Chanel created garments that she hoped would encourage women to leave extravagant clothes behind. The young milliner would soon become pivotal to the evolution of both covetable casual wear and handmade high-fashion apparel, building a brand that has influenced countless designers all over the world.

“Fashion is not something that exists in dresses only,” Chanel said. “Fashion is in the sky, in the street; fashion has to do with ideas, the way we live, what is happening.”

Around the same time, a young former hotel bellboy named Guccio Gucci began to sell imported leather luggage from a small retail space in his native Florence, and it wouldn’t be long before he was overseeing a number of artisans who were making leather goods and other accessories. With the help of his sons, he opened a second shop in Rome and later launched his handbags, wallets and more.

There are people like Chanel and Gucci, sometimes of meager means, working in near obscurity to create lasting and innovative garments and accessories that today fill the interiors of our favorite boutiques and, ultimately, the closets of our home.

There are family-owned luxury-goods companies, such as Hermès in Paris, which began as a saddle manufacturer in the 1800s, serving the era’s carriage trade before it would expand to include venerable handbags as well as its numerous silk scarves, each emblazoned with a richly decorative design.

For many of us, the narratives behind the ornate monograms that adorn these iconic works are just as important as the items themselves.

Haute couture from the House of Chanel — practical, form-fitting evening dresses and menswear made of fine tweeds — has a long lineage, but now it’s earned a legitimate place in museums as often as it has in the homes of modern marquee influencers. Vintage Yves Saint Laurent leather clutches and handbags couldn’t have aged better over time, either. The French luxury fashion label’s long history of vibrant, gender-blurring designs, including the revolutionary Mondrian minidress in 1965, owe to the creative inclinations of a young Yves, who made paper dolls as a child and designed dresses for the women in his family by the time he was a teenager.

The appeal of vintage and designer clothing — whether it’s nostalgia for ’80s fashion treasures like oversize blazers or the bright and elaborate patterns that characterize sundresses of the 1960s — endures, and our appetite for irreplaceable garments as well as their riveting origin stories won’t recede anytime soon. An authentic handbag or purse from Hermès isn’t merely durable and alluring. The Birkin, for example, is hand-sewn according to Hermès’s centuries-old saddle-stitching technique, comes in a variety of exotic leathers and is also a savvy investment.

“The Birkin’s value has consistently risen and never fluctuated downward,” says Reece Morgan, head of handbags and accessories for Xupes, citing the fact that “production has been highly limited to maintain its unattainable aura.” In fact, he adds, Hermès has been “scaling back production each year.”

Today, we’re captivated by the work of prodigious Illinois-born talent Virgil Abloh, who not only triumphed in the fashion world with his Milan-based streetwear label Off-White, but was also a visual artist, a furniture designer and more. In 2018, Abloh, who learned about fashion from his seamstress mother, became one of the first Black designers to head a French luxury fashion house, having secured an artistic director role at Louis Vuitton.

“His clothing turns wearers into accomplices of his grand artistic scheme,” Michael Darling, the chief curator at Chicago’s Museum of Contemporary Art, wrote of Abloh’s work.

On 1stDibs, you can revel in the stories behind the fashion we love and browse everything from classic, one-of-a-kind gowns crafted by Parisian couturiers to stylish, modern streetwear designed by forward-looking brands. Shop 19th-century Louis Vuitton trunks or kaleidoscopic and colorful 1960s skirts by Emilio Pucci or edgy ensembles by visionary designers like Azzedine Alaïa. Your fashion journey begins right here.

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