LOUIS VUITTON Leopard Alma Hand Bag by Azzedine Alaïa
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LOUIS VUITTON Leopard Alma Hand Bag by Azzedine Alaïa
About the Item
- Designer:
- Brand:
- Dimensions:Height: 9.5 in (24.13 cm)Width: 12 in (30.48 cm)Depth: 6.5 in (16.51 cm)
- Place of Origin:
- Period:
- Condition:
- Seller Location:Milan, IT
- Reference Number:1stDibs: LU66633112033
Azzedine Alaïa
Master Couturier, King of Cling: legendary fashion designer Azzedine Alaïa (1935–2017) is known by many names, each referring to his unparalleled ability to mold fabric onto the female form in unexpected and radical ways. The Tunisian-born designer spent his entire life in relentless pursuit of a wholly distinctive and most-flattering fit.
“For me, fashion is the body,” said Alaïa. “I make clothes; women make fashion.”
Alaïa is credited with inventing the supermodel through his exclusive fashion shows, the body-con dress — which, quite literally, hugs the body and emphasizes and embraces every curve — and pioneering what industry professionals have taken to calling “slow fashion.” The designer openly rejected empty, of-the-moment fads as well as the structure of biannual seasons and instead took his time, unhurried by press and releasing collections at his own pace. Most importantly, Alaïa was a visionary when it came to traditional notions of femininity and sexuality. At a time when loose, soft silhouettes were the norm, Alaïa’s sexy, waist-cinching hourglass and body-con outfits were shocking.
Alaïa’s “body-conscious clothes,” wrote fashion critic Suzy Menkes, “seemed a deliberate challenge — throwing down a sexist gauntlet in a feminist world.”
While powerful women such as Madonna, Michelle Obama, Naomi Campbell and Christy Turlington wear Alaïa’s creations today, his origins were remarkably humble.
Born to a farming family, Alaïa always had a creative streak. As a young boy, he would flip through women’s fashion magazines and quickly became interested in the design of women's clothing. He went on to study sculpture at the School of Fine Arts in Tunis and later worked as a tailor for a dressmaker before he found work creating garments based on Parisian haute couture designs. The combination of his classical training in sculpture and practical experience as a tailor convinced Alaïa that fashion was his calling. In 1957, he moved to Paris and worked for Christian Dior for less than a week before being fired. From there, Alaïa secured a job with Guy Laroche and opened his own maison in the 1970s.
At his core, Alaïa was a couturier who cut and sewed his samples himself. He also experimented with zips, seams, unexpected materials, textures, animal prints and floral patterns like an artist. Today, Alaïa’s clothes look untouched by the passage of time and the various trends that have materialized since their debut; they are as fresh, stylish and stunning as ever. His garments are pop-culture icons in their own right: Cher Horowitz, played by Alicia Silverstone in 1995’s Clueless, exasperated with a perpetrator holding her at gunpoint, declares, “But this is an Alaïa!”
Vintage Alaïa evening dresses, skirts and other attire continue to influence contemporary designers such as Nicolas Ghesquière and Hervé Léger. Not only are his clothes timeless in their glamour, but they also represent the groundbreaking vision of an artist, one who was known to proclaim, “I am not a designer. I am a couturier.”
Find a collection of Azzedine Alaïa day dresses, suits, jackets and more on 1stDibs.
Louis Vuitton
The story behind iconic luxury brand Louis Vuitton — best known for its esteemed handbags, crossbody bags, leather goods, ready-to-wear clothing and more — is one of craft and innovation in the worlds of fashion, jewelry and furniture.
The company’s modest origins can be traced back to when its founder, Louis Vuitton (1821–92), wishing to free himself from the conventional lifestyle in his provincial French city of Anchay as well as a difficult stepmother, left in the early 1830s to make a new life in Paris. The young Vuitton was 13 at the time and would need to travel on foot to get to the capital, which was hundreds of miles away. With stops along the way to make money so that he could forge ahead, the journey took a couple of years, but reward was close at hand.
When he arrived in Paris, Vuitton made a living with his hands. He toiled as a box maker and packer for more than a decade and built relationships with royals and members of the upper class while working for the empress of France, Eugenie de Montijo. In 1854, Vuitton launched his namesake company. The craftsman opened a humble workshop on rue Neuve des Capucines and advertised his services with a small poster that read: “Securely packs the most fragile objects. Specializing in packing fashions.”
Long before his brand would become known globally for its exemplary top-handle bags and stylish totes, Vuitton produced stackable and rectangular trunks. The most common trunks of the era were round, which weren’t ideal for toting and storing. In 1858, Vuitton debuted his lightweight, handcrafted canvas trunks, which were sturdy, rugged and equipped with convenient compartments. Travel’s popularity broadened in the late 19th century, and Vuitton’s trunks could easily be packed into train cars and ships — upright trunks meant hanging wardrobe storage that would allow his clients to transport their sophisticated garments without worry. Demand increased and the company grew. When Louis Vuitton died in 1892, control of the luxury house was passed onto his only son, Georges Vuitton.
In 1914, a Louis Vuitton store opened at 70 Champs-Élysées. The largest travel-goods store in the world at the time, it became the company’s flagship.
The Louis Vuitton brand embodies all the attributes of luxury, from the craftsmanship, exclusivity and relevance to heritage. It’s only appropriate that it boasts one of the most recognizable insignias — the imaginative interlocking of letters and fleurettes — in the fashion world. The famous LV monogram was first used in 1896 as part of an initiative by Georges to prevent counterfeiting of his coveted new line of travel trunks. It’s one of the earliest examples of fashion branding.
The LV monogram would soon appear on everything from bags and various fashion accessories to alligator-skin champagne cases, from stylish apparel and earrings to teddy bears and airplane models.
On 1stDibs, the unmistakable insignia can be found on both modern and vintage Louis Vuitton shoulder bags, suitcases, original 19th-century trunks, jackets and more.
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