Korean Silla Dynasty Footed Jar, circa 6th Century, Korea

A fine Tang dynasty (618 to 906 AD) brown glazed jar with applied lug handles, circa late 9th or early 10th century, China. The jar of somewhat st...

An evocative large pottery pouring vessel, kendi, pre-Khmer, 6th-8th century, Cambodia. The large kendi of typical form, with a bulbous body set on a...

A sublime Korean white glazed porcelain globular jar, Joseon Dynasty, 18th century, Korea. The squat jar is heavily potted, with a globular body, very short neck, and wide mouth r...

A large and attractive pre-Khmer red pottery kendi, pouring vessel, 6th - 8th century, Cambodia. The large vessel crafted of a red pottery, with a wid...

A classic Chinese Han Dynasty "cocoon jar" of high fired burnished gray pottery, Western Han Dynasty (206 BC - 9 AD), China. The jar of typical form, w...

A simple and elegant Chinese high fired white glazed jar with four lug handles, Sui Dynasty (581 to 618), probably Heibei Province. The voluptuou...

It's a wonderful moon jar. It is a rare size that is suitable for the alcove of a Japanese tea room. It is shaped at once without connecting the uppe...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This is a white porcelain jar from the mid-Joseon period, also known as a "Talhunari" or "moon jar". During the Joseon Dynasty, which was strongly influenced by Confucianism, the purity of white porcelain was particularly prized in its artistic expression due to its Confucian sensitivity. The defining characteristic of white porcelain during this period was its pure white color, but there were many subtle variations in the white hues, with some being classified as milky white, snowy white, ashen white, and bluish white. The term "Talhunari" means "moon jar" in Korean, and it refers to the large, round shape of the jar, resembling a full moon. It was named by Kim Whanki, a representative abstract painter of Korea. The soft, curving lines and sturdy body that seems to embrace the full moon give the jar both power and tranquility. This type of jar was produced in large quantities during the 17th century. The white of the moon jar is not the pure white of early Joseon porcelain...

This product is a white porcelain bottle from the Joseon Dynasty. People in those days used bottles like this to make soap from waste oil. With use, the porcelain frayed and curle...

A stoneware jar of bulbous form with a long neck supported by open-work foot dated from Silla, Three Kingdoms period (57 BCE-668 AD). The grey color ves...

Chinese pottery granary jar, with cylindrical shape, decorated with bands of incised lines, and supported by three legs. Age: China, Han Dynasty, 206 B.C. - A.D. 220 Size: heigh...