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Monumental Pair of Chinese Sancai Glazed Pottery Figures of Guan Yin and Lion

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Exceptional Chinese Carved Coral Figural Group of a Guanyin Kwan Yin Phoenix
Located in New York, NY
An exceptional Chinese carved coral figural group of a Guanyin, Kwan Yin with a Phoenix. Very finely carved. In a custom made glass...
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Early 20th Century Chinese Sculptures and Carvings

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Coral

Monumental Chinese Famille Rose Porcelain "Peacock" Palace Vase
Located in New York, NY
A monumental Chinese famille rose porcelain "Peacock" palace vase, Republic period. Magnificent quality and palace sized Chinese hu-form vase with side h...
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Late 20th Century Chinese Qing Ceramics

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Porcelain

A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases
Located in New York, NY
A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases A Masterful Display of 19th Century Chinese Artistry: The mid-19th century Qing Dynasty marked a period of artistic innovation and imperial grandeur, as exemplified by this rare and monumental pair of Rouleau vases. These exceptional porcelain works, notable for their commanding size and vibrant palette, are a testament to the unparalleled craftsmanship that flourished during this era. Embellished with a dynamic tableau of dragons rendered in bold hues of red, green, blue, brown, and yellow, these vases embody both artistic brilliance and the deep cultural symbolism woven into Chinese decorative arts. Artistic Excellence and Symbolism: At the heart of these magnificent vases lies a visual narrative that channels the power and mystique of the dragon, a central motif in Chinese culture symbolizing imperial authority, strength, and cosmic energy. The intricate depiction of dragons in motion, intertwined amidst stylized ocean waves, conveys a sense of fluidity and dynamic movement. Each color used—the crimson reds, verdant greens, striking blues, earthy browns, and golden yellows—has been meticulously applied, reflecting a mastery of the high-fired, polychrome enameling techniques perfected during the Qing Dynasty. The Rouleau form, with its cylindrical body, short neck, and slightly flared mouth, was a favored shape for large-scale vases in the 18th and 19th centuries. The form’s structured elegance allowed for expansive decorative panels, serving as an ideal canvas for intricate, multi-layered designs. This pair demonstrates how artisans skillfully balanced the flowing movement of the dragons with the rhythmic motifs of waves, resulting in a harmonious composition that engages the viewer from every angle. Craftsmanship and Technique: These vases represent the pinnacle of porcelain artistry achieved under the Qing Dynasty, showcasing techniques that reflect centuries of refined craftsmanship. The precision in the application of overglaze enamels and the expert manipulation of kiln temperatures to achieve vibrant and consistent coloration are indicative of the expertise within the imperial kilns. The dragons' scales, rendered with remarkable detail, create a textured effect that contrasts beautifully with the smooth, undulating waves, enhancing the three-dimensional quality of the design. The depth of color and the crisp delineation of each element point to a rigorous and time-intensive process. These qualities signify the involvement of highly skilled artisans who adhered to the imperial standards set by the royal court, ensuring that each piece was a fitting representation of the empire’s wealth and cultural prowess. Historical and Cultural Significance: Vases of this caliber were not merely decorative; they were imbued with profound symbolic meaning and often commissioned for imperial use or gifted as prestigious diplomatic offerings. The dragon motif, deeply embedded in Chinese folklore and philosophy, was associated with the emperor himself—known as the "Son of Heaven"—and symbolized his divine right to rule. These vases also reflect the Qing Dynasty's flourishing export trade and the global fascination with Chinese porcelain during the 19th century. European collectors and royal patrons prized such pieces for their artistry and the exoticism they represented, contributing to a legacy that elevated Chinese porcelain to a revered status in the annals of decorative art history. Provenance and Collectability: The extraordinary scale, exceptional craftsmanship, and rarity of this pair establish them as museum-quality works. Such vases would have held a place of honor in a palace or wealthy estate, reflecting not only the owner’s status but also an appreciation for the profound cultural and artistic traditions of China. Their provenance—potentially tied to an imperial commission or significant historical collection—underscores their importance as objects of study and admiration. Provenance: Private American Collection, acquired in London, circa 1905. Thence by descent to the current owners Solomon Treasure...
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Antique Mid-19th Century Chinese Qing Ceramics

Materials

Porcelain

Exceptional Chinese Carved Coral Figural Group of a Boat with Eight Immortals
Located in New York, NY
An exceptional Chinese carved coral figural group or statue of a boat with eight immortals. The boat in a form of a carved dragon wi...
Category

Early 20th Century Chinese Sculptures and Carvings

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Coral

Exceptional Large Chinese Carved Coral Figural Group Statue of Female Immortals
Located in New York, NY
An exceptional and large Chinese carved coral figural group / statue of female Immortals. Very finely carved, very large and heav...
Category

Early 20th Century Chinese Sculptures and Carvings

Materials

Coral

Magnificent, Large Japanese Carved Coral Figural Group, Seven Figures with Fish
Located in New York, NY
Magnificent and Large Japanese Carved Coral Masterpiece – Seven Figures Amid a Reef with Fish and Storks A breathtaking celebration of artistry and natural beauty, this exceptional ...
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Vintage 1960s Japanese Sculptures and Carvings

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Coral

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Pair of Chinese Sancai Glazed Figures of Seated Ducks
Located in West Palm Beach, FL
Pair of Chinese Sancai Glazed Seated Ducks—20th Century Dimensions (Each Duck): 9” W x 6” H x 5” D This stunning pair of Chinese sancai-glazed ceramic ducks, made in the 20th century, showcases vibrant green, yellow, blue, and aubergine hues in the traditional sancai (three-color) glazing technique. Inspired by Tang dynasty ceramics, these vintage Chinese duck...
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Pair of Chinese Glazed Ceramic Celestial Guanyin Deities
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Remarkable pair of Chinese glazed ceramic celestial Buddhist Guanyin deities. Featuring two beauties depicted standing in draped robes with casc...
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Pair of Chinese Ming Dynasty Tomb Funeral Pottery Chair Models
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A pair of Chinese stoneware horseshoe cross chairs circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offeri...
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Chinese Glazed Ceramic Pottery Guardian Ancestor Roof Tile Qing Figure on Horse
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A fantastic piece. Wonderfully glazed and colored work of a seated man with brightly colored robes riding a mythical galloping horse. We believe this is Qing Dynasty (1644-1912) ...
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Pair of Chinese Sancai Fu Lion Protectors, c. 1850
Located in Chicago, IL
Believed to be powerful protectors against malevolent spirits, fu lion dogs have stood guard at the entryways and thresholds of Chinese homes for centuries. This pair of small cerami...
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Pair Chinese White Glazed Guanyin, Qing Dynasty, 18th Century, China
Located in Austin, TX
A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...
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