Cloissoné Ceramics

An antique Japanese Meiji period monochrome sake bottle from the early 20th century with concentric lines. Created in Japan during the Meiji period, this antique sake bottle captivat...

A fantastic pair of Chinese molded and glazed biscuit porcelain vases with leaping dragon fish or makara, late Qing dynasty, circa 1900. The vases of balu...

A Japanese Cloisonne vase and cover, Meiji period finely decorated in silver and copper wire and a variety of coloured enamels with six panels, the body and cover with bands of lapp...

Drawing on the enduring phoenix tail form that dates to China’s Bronze Age, this porcelain vase from the 1920s exhibits the sinuous lines and gilded refinement that helped to define ...

The globular body finely decorated with hand applied enamels depicting nobles taking tea surrounded by attendants and small children. The slender neck rising to a bulbous mouth (seemingly ground), the underside of the base showing small firing cracks and blue under-glaze double ring Kangxi marks...

Drawing on the enduring phoenix tail form that dates to China’s Bronze Age, this porcelain vase from the 1920s exhibits the sinuous lines and gilded refinement that helped to define ...

Beautiful set of two matching Qing Dynasty porcelain vases. These vase are both in good condition and add absolute great value to your interior.   

An antique Japanese copper vase with polychrome cloisonne enamel decor. Late Meiji period, before 1912. Baluster shape, flower brunches and birds decor against turquoise background. ...

Antique Chinese Qing dynasty (1644-1911) late 19th century bottle vase. The vase with a red crackle glaze to the outisde and a cream crackle glaze to the interior. The vase of bottle...

A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period. Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor. For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...

This outstanding late 19th century Japanese Satsuma porcelain covered temple jar has a traditional form with a domed lid. The piece features exquisite hand painted decoration which includes brightly hued flowers and associated foliage along with highly detailed jewel-toned butterflies with gilt highlights, all of which are on a shaded blue ground. The jar and lid also bear large chrysanthemums executed in heavy white enamel with underlying hints of green. The collar of the jar and edge of the lid have wide gilt bands finished with fine incised linear decoration that has been accented with blue, black and white enamel. The underside of the jar is hand lettered with characters reading Dai Nippon...

20th century rare Qing dynasty crackled (GE) glazed vase with molded three dimensional dragon forms. This very fine quality vase is particularly interesting by the presence of a kiln...