Porcelain Furniture

Gorgeous Chinese antique side table in hardwood We date this piece to circa 1880 Delicate designs to rail and a great look for an Asian inspired interior    

An elaborate and finely detailed carved wood, and gold lacquered Shibayama cabinet (Chigaidansu). Having beautifully applied semi-precious stone and ...

This elegant antique cabinet has a "open light" feature on its top portion. The name came from its open design to allow the display of special things or easy access to objects and books that are frequently needed. Trimmed with a carved grapevine...

A highly important Japanese export lacquer cabinet with depiction of the Dutch East India Company tradepost Deshima and the annual Dutch delegation on its way to the Shogun in Edo Edo period, circa 1660-1680 H. 88 x W. 100.5 x D. 54 cm This cabinet includes a later European japanned stand, but also a modern powder-coated steel frame. The latter can be designed and added to your specific needs. The sides and front of the rectangular two-door cabinet are embellished in gold and silver hiramaki-e and takamaki-e on a black roiro lacquer ground with a continuous design. The two doors depict a long procession of numerous figures travelling on foot and horseback along buildings and a pagoda into a mountainous landscape. This is the annual court journey, Hofreis, of the Dutch from Nagasaki to the Shogun’s court in Edo. Three horseback riders are dressed as Dutch merchants and a fourth figure, probably het Opperhoofd, is seen inside a palanquin, norimon. Just about to cross the bridge, two men are carrying a cabinet like the present one. Many Japanese figures on either side of the procession are engaged in various activities; some play musical instruments on board of small boats, others are fishing; figures inside buildings are depicted playing go, and farmers are tending to their rice paddocks. The upper part of the right door shows a large mansion, probably the local daimyo’s castle, with men kneeling before a man in the central courtyard. The court journey fits in with the foreign policy of the shogunate which accorded a role to the VOC alongside China, Korea, and the Ryukyu Islands who also had to pay tribute. However, the VOC employees were traders, having low status in Japan’s social hierarchy, and they were received with less deference than were the state embassies from Korea and the Ryukyu Islands. Nevertheless, the contacts with the Dutch were a welcome source of information to the Shogun about Europe and European science and technology. The left side of the cabinet depicts, in mirror image, a rare view of the artificial fan-shaped Deshima Island, the trading post for the Dutch in Japan. The island, where the Dutch flag flies, is surrounded by small Japanese boats and an anchored three-masted fluyt (cargo ship), flying Dutch flags, with on the stern the VOC monogram. On the bottom right a busy street of Nagasaki is shown, bordered by shops and leading up to the stone bridge. On the island the trees are beautifully painted, two cows can be seen, and the flagpole, all in very fine detail. Dutchmen and enslaved Malay are visible outside the buildings and two Japanese figures, probably guards, sit in a small hut in the centre. A maximum of fifteen to twenty Dutchmen lived on the island at any time and soldiers or women were not allowed. Restrictions on Deshima were tight, and the merchants were only allowed to leave the island by special permission. The Opperhoofd had to be replaced every year, and each new Opperhoofd had to make a court journey to pay tribute, present gifts, and to obtain permission to Margaret Barclay eep on trading. In the distance, many birds fly above the hills and a four-story pagoda can be seen. The right side of the cabinet is painted with other horse riders and their retinue journeying through mountains. The pair of doors to the front open to reveal ten rectangular drawers. The drawers are decorated with scenes of birds in flight and landscapes with trees and plants. The reverse of the left door with two thatched buildings, one with a ladder, underneath a camelia tree with large blooms; the right door with a three-story pagoda nestled among trees and both doors with a flying phoenix, ho-oo bird. The cabinet, with elaborately engraved gilt copper mounts, hinges, lock plates and brass handles, is raised on an 18th-century English japanned wood stand. A pair of large cabinets...

The wonderful pair of square corner cabinets, carved with lipped moulding on the front posts, two doors decorated in sections with carved embossed cartouches within the carved lipped...

Red lacquer and gilt decoration with florals, birds and butterflies. Faux bamboo legs and cross stretcher. Removable tray top with felt interior. This tastefully designed tray table ...

An antique Chinese Qing Dynasty period dark red lacquer wooden low coffee table from the 19th century, with rattan top, low-relief carved meander motifs and spandrels. Created in China during the Qing Dynasty in the 19th century, this low coffee table features a rectangular top with woven rattan inset, sitting above two recessed panels adorned with a careful arrangement of meander motifs carved in low-relief. Raised on four straight feet with carved scrolling spandrels on the front and strengthened with side stretchers, the table boasts an elegant dark reddish brown lacquered finish. With its small proportions and skillfully carved décor, this antique 19th century Qing Dynasty period Chinese low coffee...

A vintage Country style Thai green painted faux bamboo coffee table from the mid 20th century with woven rattan top and straight legs. Created in...

The case decorated overall in crackle-glaze white lacquer and fitted with a patinated metal carrying handle over three tiers of small drawers. The first two tiers are comprised of a ...

This unique writing desk has two drawers each side and one bigger drawer at center of the front and both sides and back are nicely finished. This desk was made at about 1950's from s...

This is a good papier mâché, rectangular shaped black lacquered lidded box, hand enamelled and gilded, made in Japan during the 19th century, early Meiji period. This rectangular shaped papier mâché box has a well fitting hinged lid, with the box base and lid slightly domed. The box was probably originally made as a pocket box but could easily sit on a desk or dressing table as required. This is a very decorative box with finely hand painted scenes of three people, one holding a parasol, in a garden setting, with a pagoda type building, large gate...

A wooden table created in France circa 1900. Long and expansive, this forthrightly constructed table offers a rustic charm and a wealth of surface area. Through time, the wood has dr...