Hand-Crafted Lacquer

Japanese Samurai Abumi Stirrups lacquer Edo late 18th century, early 19th century. Measures: 12 inch length, 10 inch height, 5.5 inch width. AVANTIQUES is dedicated to providing an...

English black lacquered and gilt stenciled figural pagoda hinged tea box with exterior gilt stenciled dragon motif, original interior pewter hand chased figural container with bone k...

A highly unusual Japanese crackle glazed koro (incense burner or censer), lacquered and inlaid with mother-of-pearl embellishment, signed Gyokusen, Ed...

This unique Kanshitsu Bachi bowl is a remarkable piece of Japanese lacquer artistry from the Showa period (20th century). Traditionally, lacquer craftsmen applied excess lacquer from...

The vermillion lacquered cylindrical body decorated overall with repeating bands of curvilinear geometric motifs, the cover lifting to reveal both of its original trays intended to h...

Burmese (Myanmar) lacquer ware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typically, bamboo and wood are used as a frame or base in making lacquer work. This table tray stand called a “Dang lan” and is used to hold dishes...

Welcome to our antique lacquerware collection. We are excited to present this stunning Kanshitsu Oke mixing bowl, which dates back to the Showa period of the 20th century. Kanshitsu ...

Antique Chinese Wooden Wedding Basket (c. 1860 - 1880) with red and black lacquer finish. So-called Peking opera basket. Top in gold leaf design depicts a Chinese sage on horseback w...

A captivating lacquer suzuri’bako (writing box) of rounded rectangular form depicting a pair of shishi (temple lions) and the lucky god Hotei 布袋 on a rôiro...

An uniquely double-gourd-shaped lacquer suzuri’bako (writing box) with a design of gourd leaves, by Hara Yôyûsai (1769-1845). Covered with amber coloured l...

Superb rectangular ‘Rinpa School’-style black lacquer suzuri’bako (writing box) with a slightly arched well-fitted overhanging cover with rounded corners. The lid with a design of a gosho’guruma (ox-drawn carriage for Heian-era nobles) featuring golden hiramaki-e (low-relief lacquer design) and takamaki-e (high-relief lacquer design), inlays of lead and shiny mother-of-pearl (raden). The design continues along the sides. The reverse of the lid decorated with two large curving pine trees (matsu) executed in the same way, but also with intricate dots of tiny pieces of inlaid blue mother-of-pearl along the golden trunk. The interior shaped to hold various scholar’s accessories, including a partially gold lacquered inkstone (suzuri) and a bronze waterdropper (suiteki) shaped like a mythical minogame. The interior inscribed ‘Hokkyô Kôrin zô’ (Made by Hokkyô Kôrin). Referring to the design being in style of the master Ogata Kôrin, but the actual lacquer artist is unknown. It is a homage to Kôrin by an artist that followed the school of Rinpa. Including black lacquer wooden tomobako (tomobako). The Rinpa School was a key part of the Edo period revival of indigenous Japanese artistic interests described by the term yamato-e. Paintings, textiles, ceramics, and lacquerwares were decorated by Rinpa artists with vibrant colours applied in a highly decorative and patterned manner. Favoured themes, which often contained evocative references to nature and the seasons, were drawn from Japanese literature, notably The Tale of Genji, The Tales of Ise...