Carved More Asian Art, Objects and Furniture

Antique Teak wood Door Frame imported from India with absolutely beautiful carvings. We have just received (3) Antique Door Frames (all slightly dif...

Free shipping within the continental United States. Qing dynasty. A pair of Chinese mid 1900 century semi precious stone lacquered wall panels. Jade and amethyst hardstone carved pa...

A 19th century Mughal dowry chest with carved patterns from India. This chest wooden chest with a slanted top strengthened by metal hardware reinforcements. The front displays lightly carved geometrical friezes. A large carved geometrical medallion adorns the triangular lid. The chest rests on four conical legs. This chest opens thanks to an door on the centre of its top. This unusual item was used as a dowry chest in India. This 19th century, Indian Mughal wood dowry chest...

Japanese early Meiji period Noh theater mask made of carved wood with gofun layers. The piece was made in Japan in circa 1880 and is signed on the back. In great antique condition wi...

Thai Dancer in a classic pose, balancing on a wooden base. Graceful and expertly executed. The losses of paint in some places lend to the beauty of the piece.  

Very Unusual Horn Sectional Hand Carved Chinese Walking Stick or Dress Cane of outstanding quality, last half of the Nineteenth Century. The ...

A charming carved giltwood Chinese export mirror frame with a watch-stand Canton, Qing Dynasty, early 19th century H. 65 x W. 34.5 cm At the top of the frame, two angels are suppo...

This exceptional piece is one of the few impressively carved granary doors which have survived to our days. Created in the village of Wakching, in the Indian state of Nagaland, it ev...

Chinese Ming Dynasty Style side table with humpback stretcher. Chinese Ming Dynasty style side table from the mid 19th century with hump...

A truly magnificent and special work - this beautiful and exceptionally long string of Japanese handcrafted natural wood (perhaps rosewood) Buddhist Juzu mala beads with four large square-like beads called shitenshu beads said to represent the Four Heavenly Kings: Jikko-Ten, Zocho-ten, Hiromoku-ten, and Tamon-ten (Since there are four square beads, the denomination is probably Tendai or Nichiren sect). These rosary-type prayer bead necklaces were used by Buddhist monks in temple prayers / rituals and worn by Samurai as amulets of protection. We have not come across another set of Juzu beads...

This exceptional and rare antique "Honor Reward" sign board which issued by Qing Dynasty - Dao Guang government at year 1839. This Sign board has been kept in very good care and in i...

Once an original part of a Mid-19th Century Buddha wood sculpture from Thailand, this reclaimed hand fragment is lacquered in black and gold, showing the...

A signed Okimono from the Japanese Meiji period (1868-1912). Very rare, unusual and large sculptural assembling of a dysplaying piece of okimono. Created in Japan during the imperial period of the Meiji (1868-1912). This extraordinary piece okimono sculpture depict a group of four intricately and realistically rendered carousing males skeletons representations (Gaikotsu) standing in several position. One skeleton is crouched down playing with mouses in the floor. The second is seated resting in the other's back, peacefully smoking opium. The others two are fully standing in interacting position. The entire composition is arranged freely displayed on the wood base including a woven basket, apparently with food and four playfull mouses. There are an extra five mouses in different positions, freely playing around, all of them with the eyes accented with carved black ebony. The composition is displayed on a four-legged free form carved wood platform with an inlaid red plaque engraved with the artist's signature. The level of detail and the quality of the carving is truly exceptional. Has an exact measurements of 216.15 mm by 139.7 mm by 359.41 mm (8.51 x 5.5 x 14.15 Inches). After an extensive collection of data, comparables and references to this piece, we have only been able to find only three okimono sculptures like this, with similar themes and the same quality of work. References Note: A similar carving of four skeletons playing an animated game of dominos, signed Shutaro in an inlaid rectangular red plaque, was sold in London by Christie’s South Kensington in October 14 2014, Lot 120 Sale 5546. References Note: A similar carving with four skeletons in an otherwise typical victorian scene of a photographer and three sitters signed Shutaro in an inlaid rectangular red plaque, was sold in Edinburgh at Lyon & Turnbull in November 7, 2018. References Note: A similar carving with five skeletons seated, playing cards and drinking, was sold in London by John Nicholson Fine Art on September 26, 2018. Meiji period, is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keio era and was succeeded by the Taisho era, upon the accession of Emperor Taisho. Okimono, is a Japanese term meaning for display an ornament; art object; or decorative object, usually displayed in a tokonoma or butsudan "Buddhist altar". It is an ornament or figure, especially one placed in a guest room. An okimono may be a small Japanese carving...

An extremely well detailed wood carving of Ebisu, as a fisherman. Beautiful and well detailed sculpture, created in Japan during the Meiji dynastic period (1868-1912) back in the 1890's. This piece represent the god of good fortune Ebisu. Was exceptionally carved and executed from one solid single piece of rose wood, showing a gorgeous face expression, with intricate details in the hands and feets, he's carrying as usual a rod and a fish. Ebisu (yebisu), ???, god of fortune, the ocean and fisherman. In the japanese mythology is one of the seven gods of luck, sichi-fuku-jin, the patron of the fisherman and tradesmen. he is depicted as a bearded, smiling fisherman with formal long court ropes, often carrying a rod in one hand and a tai, symbolic fish of the good luck, in the other. The height is 14.25 inches (36.20 cm) and the base measurements is 6.5 by 6.45 inches (16.5 x 16.38 cm). Meiji period, is an era of Japanese history that extended from October 23, 1868 to July 30, 1912.The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign...

Beautiful Chinese fan of Canton of the 19th century in Bone, Paper and Silk. Dimensions: H: 49cm, W: 28cm, D: 2cm.  

Folding creen with 2 panels in carved, inlaid and lacquered wood. The upper and lower parts are carved with birds and foliage / leaves. The central panels are inlaid on the front...

From our recent Japanese Acquisitions Travels. A remarkable artistic Noh Play survivor. One of a kind Japanese Complete "Noh Play" Production as written in 22 Woodblock books from the Utai Bon Houshou school, complete with original signed wooden storage box tomobako and dated Kaei 6 (1853). This antique Japanese book...

A highly decorative early 19th century Vietnamese carved wooden and polychrome painted Buddha with traces of original gilding, creating a beautiful p...

A beautiful late 19th century paint bowl with a lid that was once used for storing the famous Tibetan barley flour (Tsampa). These bowls were used by the Buddhist mountain people of ...

Made of Chinese northern elmwood, this smooth block of wood was once used as a rigid headrest or neck pillow. The soft curve and height of the block not only supported the head while...

Japanese boxwood netsuke depicting a skeleton. The skeleton naturalistically carved in the foetal position in preparation for transitional burial. With...

Japanese Lion Gion Festival Dance Mask, Lacquered wood, Late Edo period This lion mask can be found at the head of a float in the Gion festival. It is...

A high quality lacquer inro with a carved wooden netsuke. Both are unfortunately damaged but still very nice art pieces. The way the rooster is executed is just exquisite.

This 2 panel cabinet is beautifully painted with a pair of dragons, vases and lotus blossoms adoring both the front doors. Both sides of the cabinet are painted with the same floral ...

A beautiful late 19th century lacquer covered bowl that was once used for storing the famous Tibetan barley flour (Tsampa). This beautifully handcrafted wooden bowl has a gorgeous, l...

This is a set of 3 pcs Chinese antique open carved wooden panels which used to be the interior divider/door panels in ancient China that are put together to make into a screen. Scree...

This is a beautiful 19th century Chinese brush pot made from a hardwood root. The root brush pot has natural gnarled surface with many knots and indents, the top edge is softly rou...

Beautiful proportioned Chinese Blackwood (Hongmu) tea table. The Blackwood on this table is dark brown in color. Hongmu typically has more of a reddi...

Beautiful organic shaped Cypress root brush pot. This cypress root was carved out to hold the scholar’s calligraphy brushes. The aged natural patina enhan...

This 19th century kang table is rare because of the wood it’s carved from, Ironwood. Teilimu, Chinese Ironwood is a slow growing dense hardwood that i...

Chinese Russet Jade hardwood Imperial Ruyi Scepter Qing Dynasty 19th century, Provenance. Large Chinese Qing Dynasty jade Ruyi scepter with three ...

This Ching Dynasty carved polychrome seated Taoist altar god was once used on the family altar to honor their ancestors. Ancestor worship plays a major role in Chinese religion. This...

Chinese guardian lions, or imperial guardian lions, are a traditional Chinese architectural ornament. Typically made of stone, they are also known as stone lions or shishi (石獅; shíshī). They are known in colloquial English as lion dogs or foo dogs / fu dogs. The concept, which originated and became popular in Chinese Buddhism, features a pair of highly stylized lions—often one male with a ball and one female with a cub—which were thought to protect the building from harmful spiritual influences and harmful people that might be a threat. Used in imperial Chinese palaces and tombs, the lions subsequently spread to other parts of Asia including Japan (see komainu), Korea, Philippines, Tibet, Thailand, Myanmar, Vietnam, Sri Lanka, Nepal, Cambodia, Laos, and Malaysia. There has been extensive interaction between Chinese mythology and Confucianism, Taoism, and Buddhism. Elements of pre-Han dynasty mythology such as those in Classic of Mountains and Seas were adapted into these belief systems as they developed (in the case of Taoism), or were assimilated into Chinese culture (in the case of Buddhism). Elements from the teachings and beliefs of these systems became incorporated into Chinese mythology. For example, the Taoist belief of a spiritual Paradise became incorporated into mythology as the place where immortals and deities used to dwell. Sometimes mythological and religious ideas have become widespread across China's many regions and diverse ethnic societies. In other cases, beliefs are more limited to certain social groups, for example, the veneration of white stones by the Qiang. One mythological theme that has a long history and many variations involves a shamanic world view, for example in the cases of Mongolian shamanism among the Mongols, Hmong shamanism among the Miao people, and the shamanic beliefs of the Qing dynasty from 1643 to 1912, derived from the Manchus. Politically, mythology was often used to legitimize the dynasties of China, with the founding house of a dynasty claiming a divine descent. Mythology and philosophy. Further information: Chinese philosophy True mythology is distinguished from philosophical treatises and theories. Elaborations on the Wu Xing are not really part of mythology, although belief in five elements could appear. The Hundred Schools of Thought is a phrase suggesting the diversity of philosophical thought that developed during the Warring States of China. Then, and subsequently, philosophical movements had a complicated relationship with mythology. However, as far as they influence or are influenced by mythology, divides the philosophical camps into two rough halves, a Liberal group and a Conservative group. The liberal group being associated with the idea of individuality and change, for example as seen in the mythology of divination in China, such as the mythology of the dragon horse that delivered the eight bagua diagrams to Fu Xi, and methods of individual empowerment as seen in the Yi Jing (Book of Changes). The Liberal tendency is towards individual freedom, Daoism, and Nature. The relationship of the Conservative philosophies to mythology is seen in the legendary Nine Tripod Cauldrons, mythology about the emperors and central bureaucratic governance, Confucianism, written histories, ceremonial observances, subordination of the individual to the social groups of family and state, and a fixation on stability and enduring institutions. The distinction between the Liberal and Conservative is very general, but important in Chinese thought. Contradictions can be found in the details, however these are often traditional, such as the embrace by Confucius of the philosophical aspects of the Yi Jing, and the back-and-forth about the Mandate of Heaven wherein one dynasty ends and another begins based according to accounts (some of heavily mythological) where the Way of Heaven results in change, but then a new ethical stable dynasty becomes established. Examples of this include the stories of Yi Yin, Tang of Shang and Jie of Xia or the similar fantastic stories around Duke of Zhou and King Zhou of Shang. Mythology exists in relationship with other aspects of society and culture, such as ritual. Various rituals are explained by mythology. For example, the ritual burning of mortuary banknotes (Hell Money), lighting fireworks, and so on. A good example of the relationship of Chinese mythology and ritual is the Yubu, also known as the Steps or Paces of Yu. During the course of his activities in controlling the Great Flood, Yu was supposed to have so fatigued himself that he lost all the hair from his legs and developed a serious limp. Daoist practitioners sometimes incorporate a curiously choreographed pedal locomotion into various rituals. Mythology and practice, one explains the other: in these rituals, the sacred time of Yu merges with the sacral practice of the present. Various ideas about the nature of the earth, the universe, and their relationship to each other have historically existed as either a background or a focus of mythologies. One typical view is of a square earth separated from a round sky by sky pillars (mountains, trees, or undefined). Above the sky is the realm of Heaven, often viewed of as a vast area, with many inhabitants. Often the heavenly inhabitants are thought to be of an "as above so below" nature, their lives and social arrangements being parallel to those on earth, with a hierarchical government run by a supreme emperor, many palaces and lesser dwellings, a vast bureaucracy of many functions, clerks, guards, and servants. Below was a vast under ground land, also known as Diyu, Yellow Springs, Hell, and other terms. As time progressed, the idea of an underground land in which the souls of the departed were punished for their misdeeds during life became explicit, related to developments in Daoism and Buddhism. The underground world also came to be conceived of as inhabited by a vast bureaucracy, with kings, judges, torturers, conductors of souls, minor bureaucrats, recording secretaries, similar to the structure of society in the Middle Kingdom (earthly China). Chinese temple Dogs...

Beautifully carved Qing dynasty tea caddy from Elmwood (yumu), with floral motifs and finished with an oxblood color lacquer. The large size is very usual and was used in a large family compound. The tea caddy is designed to hold and keep warm, large tea pot filled with tea. The tea pot’s spout comes out the front opening for pouring. The horizontal bar used as the container’s handle has a pivoting lock when open, the handle bar can be removed and closing of the pivoting lock, the handle is secure for use. The wooden tea caddy...

Beautifully painted Chinese red lacquered cabinet with gilded butterflies. Hand crafted and hand painted from the Shanxi province of north China durin...

The unusual 19th century Kang Table (low table) is designed for the legs to fold into the table for storage when it’s not in use. It’s carved from Northern Elmwood (Yumu) and lacquer...

This beautifully carved 19th century altar table is traditionally constructed with mortise and tenon joinery from walnut wood (Hetao Mu). The ...

Circa 1900 Chinese box decorated with green, blue, red and yellow floral design set against a white background. The top with a carved white jade floral medallion. The apple green ena...

This unusual 19th century petite wine table is carved from Yumu (Chinese Northern Elm) and is from the Shanxi province of northern China. The table is made with traditional mortise and tenon construction. The legs are gracefully carved with a stylized curved organic line and rounded...

A stunning 19th century Chinese Rosewood and inset Marble plant stand. Wonderful carved flower design on it's skirt, and on the outside of it's leg...

Beautifully carved Qing dynasty tea caddy from Elmwood (yumu), with floral motifs and finished with an oxblood color lacquer. The handle has a finely carved bat motif, which symbolizes good fortune. The large size is very usual and was used in a large family compound. The tea caddy is designed to hold and keep warm, large tea pot filled with tea. The tea pot’s spout comes out the front opening for pouring. The horizontal bar used as the container’s handle has a pivoting lock when open, the handle bar can be removed and closing of the pivoting lock, the handle is secure for use. The wooden tea caddy...

Beautifully carved Qing dynasty tea caddy from Elmwood (yumu), with floral motifs. Beautiful original patina, the body is in a brown lacquer and the handle is finished with an red color lacquer. The large size is very usual and was used in a large family compound. The tea caddy is designed to hold and keep warm, large tea pot filled with tea. The tea pot’s spout comes out the front opening for pouring. The horizontal bar used as the container’s handle has a pivoting lock when open, the handle bar can be removed and closing of the pivoting lock, the handle is secure for use. The wooden tea caddy...

This large Chinese oxblood colored lacquered robe rack is carved from Northern Elm (yumu) and is from the Shanxi Province of China. These robe racks were des...

Beautiful organic shaped Cypress root brush pot. This cypress root was carved out to hold the scholar’s calligraphy brushes. The aged natural patina enhan...

Introduce interesting items. This was once used as a workbench in Japan. It's shaped like a penis, but one side of the tip has a mark that looks like it was hit and is slightly scr...

Beautiful organic shaped Cypress root brush pot. This cypress root was carved out to hold the scholar’s calligraphy brushes. The aged natural patina enhances the beautiful wood grain...

Beautiful organic shaped Cypress root brush pot. This cypress root was carved out to hold the scholar’s calligraphy brushes. The aged natural patina enhan...

A 19th century deeply carved rosewood mirror in a very large scale from the Canton region of China. This large vertical mirror is fully carved w...

This Chinese Antique Huge Country Wagon Wheel is made by solid elm wood in Shan Xi, China. Although it has over 150 years history but it still maintain it very good working condition. It was originally used as the wheel of country wagon for daily transportation in the countryside of Northern China. You can easily see from the pictures that It has 3/4 inches thick metal strip around the wheel and a lot of metal works all over the wheel. Very solid and supper heavy. You may use it decorate your home and garden. This is a truly antique and collectible...

19th Century Asian Architectural transom panel with pierced carved foliage.

A Small Late 19th Century Chinese Carved Hardwood Brush Pot This stylishly restrained hexagonal shaped Chinese brush pot is made from dense red hardwood and the eight flat sides are delicately hand carved with a continuous mountain landscape included in which there is a bridge, trees, tall rock faces, a lake, and a temple amongst other details. The brush pot is simply finished around its base with a stepped flat moulding. These interesting pieces were intended to be used by Chinese scholars who would store their calligraphy and art brushes...

Chinese wood puppet head, 19th century, mounted on contemporary stand. Simple puppet head of a male figure, carved out of a single piece of wood, with tapering neck, lightly carv...

3-piece set of Qing dynasty armchairs and table. These authentic antique Chinese hand carved screen back armchairs are masterpieces of Qing dynasty furniture...

An antique Chinese Qing Dynasty red and dark brown lacquer elmwood jewelry box from the 19th century with carved and gilt motifs. Created in China during the Qing Dynasty era, this j...

A rustic Indian antique wooden treasure box from the 19th century, with iron braces, carved rosettes and petite feet. Created in India duri...

19th Century (Meiji Period) Japanese bronze vase. It is realistically cast as a gnarled pine tree trunk with vines growing around it.  

A fabulous pair of Antique Chinese mottled light green jadeite carvings of cranes on hand-carved wood stands. Each of pieced construction the body of mottled light green with an inset beak and red coral crown...

Chinese Carved Hardwood and Silk Embroidered Tray, Circa 1860 This beautiful and decorative piece dates to the mid-19th century. It is a Chinese ex...