Extraordinary Natural Stone "Moonlight Bay Painting", Natural Stone

Extraordinary natural work, one of a kind. Custom framed, D8 This Chinese extraordinary natural stone "painting" of a seemingly white glacial expanse could remind us of a similar and unique visual experience in our lives. The powerful and colorful depiction is executed in natural white, dark green- almost black, cream and yellow (limonite mineral) colors. This is called a dream stone Shih-hua. They are cut from historic Dali marble...

Extraordinary natural work, one of a kind. Custom framed, This Chinese extraordinary natural stone "painting" of a portal view of detailed sea of red and blue waves could remind u...

1262 Japanese gilt wood panel deer at the base of mount Fuji.

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...