Framed Chinese Calligraphy Scroll, circa 1920s

Nagasaki School (EARLY 19TH CENTURY) Opperhoofd Hendrik Doeff with Javanese servant Kakemono, watercolor on paper, mounted on silk and textile covered paper scroll, not signed....

Anonymous Japanese painter (MEIJI PERIOD, LATE 19TH CENTURY) Portrait of Takeaki Enomoto (1836-1908) Ink, color and go fun on silk, framed. Painting: 79.5 x 50 cm With fram...

Our pair of antique Chinese watercolor paintings on paper scrolls depicting exotic birds, butterflies and dog date from the late 1...

A pair of Chinese red and black signs from the early 20th century with hand carved and lacquered calligraphy. Created in China during the first quarter of the 20th century, each of this pair of vertical signs captures our attention with its carved calligraphy, lacquered in black and standing out beautifully on a red ground, sprinkled with golden touches. With their nice dimensions and contrasting colors, this pair of Chinese calligraphy signs...

Original 1950s Japanese people drawing with giltwood frame Frame measurements: 32x42x1cm.  

Theo Meier (1908-1982) “A Balinese woman with offerings” Signed, dated '36 and annotated Mankok (the name of the sitter) lower left Sanguine on paper, measures: 57 x 41.5 cm In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel. Provenance: Private collection, Basel (acquired directly from the artist) Private collection, London Note: Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return. In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...

A pair of boldly brushed Rice Paper Calligraphy Panels having a particularly fine Asian presentation. One panel with 10 Calligraphic characters and the other with 4 and both with red...

Five Chinese paintings of western people by an unknown artist China, circa 1760, captions later All in giltwood frames. “A woman with Portuguese hairdo, with gold, silver and gemstone necklace, a skirt under a vest, a koi on her back, called a cloak, a woman customarily inherited the family business, the male humble, to the threshold (Qianlong year, circa 1735).” Gouache on silk, measures: 32 x 25.4 cm “He is a Westerner who had a white skin. He does not have a heavy beard but plaits his hair. He wears a triangular black hat, short jacket, leather shoes and long stockings...

Chinese Pair of Calligraphy Scrolls, vertical lines of calligraphy executed in a light style, right reading: “Moon Rises and the Candle has no Effect” and the left reading: “Wind Ris...

A monumental hand painted Chinese work depicting 11 male and female multi-generational ancestral figures. The portrait with one male in black attire and 3 men in black attire with bl...