Japanese Velvet Scroll Painting of Magpies and Chrysanthemums, Meiji Period
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Japanese Velvet Scroll Painting of Magpies and Chrysanthemums, Meiji Period
About the Item
- Dimensions:Height: 30 in (76.2 cm)Width: 28 in (71.12 cm)Depth: 1.5 in (3.81 cm)
- Style:Meiji (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1850
- Condition:Wear consistent with age and use. Minor fading. Painting has been recently framed.
- Seller Location:Chicago, IL
- Reference Number:Seller: HIK0031stDibs: LU820030430402
About the Seller
4.9
PAGODA RED is a renowned resource for designers as well as collectors of contemporary and ancient Chinese, Korean and Japanese art. They offer a curated edit of fine and provincial furniture, ceramics, scholars' objects, and paintings and textiles, each piece historically and geographically authentic.
Diamond Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1997
1stDibs seller since 2006
1,422 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- Japanese Meiji Riverside Scroll Painting, c. 1900Located in Chicago, ILAlthough western painting was initially embraced during Japan’s Meiji period (1868-1912), artists brought on a revival of traditional painting styles as they sought to create a modern Japanese style with roots in the past. This exquisite hanging scroll demonstrates the preference for soft layering of gray tones with judicious use of color. The landscape is rendered in soft ink washes that subtly distinguish between water, mountain, and sky. The scroll painting...Category
Early 20th Century Japanese Meiji Paintings and Screens
MaterialsPaper
- Japanese Meiji Hanging Scroll of Ayu Fish, c. 1850Located in Chicago, ILAlthough Western painting was initially embraced during Japan’s Meiji period (1868–1912), artists brought on a revival of traditional painting styles as they sought to create a moder...Category
Antique Mid-19th Century Japanese Meiji Paintings and Screens
MaterialsPaper, Silk
- "Literary Gathering" Chinese Scroll Painting, c. 1923Located in Chicago, ILExquisitely painted with delicate line work and a subdued color palette, this Chinese scroll painting is an Late 20th-century reproduction of a...Category
Late 20th Century Chinese Paintings and Screens
MaterialsSilk, Paper
- Taoist Ceremonial Scroll Painting, circa 1870Located in Chicago, ILThis colorful painted scroll is a Taoist ceremonial painting attributed to the Yao or Mien minority culture of southern China, northern Vietnam and other neighboring regions. The sma...Category
Antique Late 19th Century Chinese Qing Paintings
MaterialsPaper
- Chinese Hanging Scroll of Prunus Branches, circa 1850Located in Chicago, ILChinese scholars used natural imagery and scenery to aid in contemplation within the walls of their studios. The complex beauty inherent to landscapes and natural forms inspired clea...Category
Antique Mid-19th Century Chinese Qing Paintings and Screens
MaterialsPaper
- Monumental Chinese Ancestor Portrait Scroll, c. 1850Located in Chicago, ILBelieving that the departed continue to hold influence over the lives of the living, many Chinese households honor their ancestors in private family rituals, invoking their spirits f...Category
Antique Mid-19th Century Chinese Qing Paintings and Screens
MaterialsFabric
You May Also Like
- Antique hanging scroll of Japanese cat/Late Edo-Meiji period/Cat paintingLocated in Sammu-shi, ChibaThis is a picture of a cat drawn by a person named "Toshizumi Nitta" from the end of the Edo period to the beginning of the Meiji period. She is a very simple and cute cat. He is a vassal of the Tokugawa Shogunate, born in Ota City, Gunma Prefecture (southern part of Gunma Prefecture). He was related to the Tokugawa family and lived in a large mansion in the Ota clan in Gunma prefecture. However, the Nitta family's territory was very small, and they were by no means a wealthy vassal. He seems to have lived quite poorly. So he painted cats and sold them to people. The Nitta family continued to draw pictures of this cat for four generations. "Nitta toshizumi" is equivalent to the fourth generation. During the Edo period, sericulture was thriving in the Kanto region. Cats were said to be the gods of silkworms, as they drive away mice, the natural enemies of silkworms. It was the Nitta family who drew such a cat on paper, pasted it in the silkworm chamber, and sold it as a mouse repellent. There were also other monks who painted pictures of cats, but the Nitta family in particular was related to the Tokugawa family, so people believed that paintings of cats had special powers. , a lot of paintings...Category
Antique Late 19th Century Japanese Edo Paintings
MaterialsPaper
- Rare Triptych Scroll Paintings by Watanabe Seitei Meiji PeriodLocated in Atlanta, GAA set of three paintings of ink and watercolor on silk mounted within brocade borders as scrolls by Watanabe Seitei (1851-1918). This is a very rare an...Category
Antique Early 1900s Japanese Japonisme Paintings and Screens
MaterialsBrocade, Silk, Wood
- Japanese Silk Scroll Painting of Moneys Edo Period Mori TetsuzanLocated in Atlanta, GAA Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...Category
Antique 19th Century Japanese Japonisme Paintings and Screens
MaterialsSilk, Paper
- Meiji Period Japanese Four Panel Screen Bijin At LeisureLocated in Hudson, NYJapanese four panel screen: Bijin At Leisure. Ladies in a tea house with a small dog. Seal reads "Ensan dai" (drawn by Ensan). Meiji Period (1868 - 1912) pa...Category
Antique Late 19th Century Japanese Meiji Paintings and Screens
MaterialsSilk, Wood
- Japanese Silver Screen Pair, Meiji Period, Herons & Plovers, Shijo SchoolLocated in Kyoto, JPHeron & Plovers Ink and silver leaf on paper Maekawa Bunrei (1837-1917) A pair of low six-panel Japanese screens by Maekawa Bunrei, a later master of the Kyoto based Shijo school of painting. On the right screen a solitary white heron stands motionless in a stream. On the left screen plovers play along a shoreline. The elegant forms are executed employing fluid, minimalistic ink brushstrokes. The soft brushstrokes and the sharp light of the silver leaf lend the scenes a sense of translucence. The sophisticated composition superbly exploits the long, horizontal pictorial surface of the pair of folding screens...Category
Antique Early 1900s Japanese Meiji Paintings and Screens
MaterialsSilver Leaf
- Meiji Period Japanese Screen Pair, One Hundred Birds by Hasegawa GyokujunLocated in Kyoto, JPOne hundred birds Hasegawa Gyokujun (1863-1921) Meiji period, circa 1900. Ink, color and gofun on silk. Dimensions of each screen: H. 170 cm x W. 190 cm (67’’ x 75”) Despite the title, well over 100 birds are represented in this pair of two-fold Japanese screens (the title functions figuratively to convey the idea of a large number). The monumental work is rendered with a comprehensive and highly complex composition which is exquisitely executed and meticulously colored. More a celebration of naturalism than the traditional “One Hundred Birds” paintings which originated in China. This was a subject matter known for its auspicious meaning as much as its actual depiction of nature. These paintings generally had a phoenix (occasionally peacocks) placed in the center, and the other birds paying homage to it. In this quintessentially Japanese scene painted by Gyokujun, a couple of long-tailed birds modeled after paradise flycatchers are included; these are traditional auspicious motifs in Oriental bird and flower painting and denote themes such as celebration and enduring generations. In addition there is the playful inclusion of single exotic parrot. Even so, the vast majority of the birds and flowers are native to Japan. Reading the scene from right to left, from spring through to autumn, the overwhelming sense is one of movement and haste. It is almost as if the birds are in a race, with the fleetest leading the way forward. Although these native birds were commonly drawn amongst artists of the Shijo school, rarely were they painted with such drama and dynamism. It is not strictly a depiction of sketched birds whose manner was faithfully handed down through the traditions of the Shijo school. Rather we see Gyokujun seeking and achieving new expressions in the heart of the turbulent Meiji period. Hasegawa Gyokujun (1863-1921) was born in Kyoto. He was the eldest son of Hasegawa Gyokuho, a Shijo school painter who studied under Matsumura Keibun. Gyokujun studied painting under his father and became a prominent member of the Kyoto painti ng world from a young age. In 1891 he established the ‘Young Painters Social Club’ along with Takeuchi Seiho, Miyake Gogyo and Taniguchi Kokyo. Also in 1891 he was selected as a judge of the Great Private Paintings Exhibition along with Takeuchi Seiho, Yamamoto Shunkyo...Category
Antique Early 1900s Japanese Meiji Paintings and Screens
MaterialsSilk, Wood
Recently Viewed
View AllMore Ways To Browse
White Chinese Screen
Japanese Painted Silk Scroll
Asian Paintings On Silk Scrolls
Chinese Bamboo Screen
Chrysanthemum Screen
Japanese Scrolls
Antique Diving
Japanese Screen Chrysanthemums
Antique Chinese Screens Screen Paintings Scrolls
Japanese 19th Century Meiji Period Silk Painting
Chinese Black Silk Screen
Magpie Antique
Trellis Screen
Spotted Bamboo
Asian Framed Silk
Hand Carved Screen
Antique Japanese Frame
Hand Painted Japanese Screen