Kawase Hasui Japanese Woodblock Print "Cloudy Day in Mizuki, Ibaraki Prefecture"

A wonderfully composed and colored, limited edition woodblock print by famed Japanese artist Junichiro Sekino. This print, which is titled "Profile/ Portrait of Young Girl in Kimono", is signed and sealed/ stamped in red at the lower right. It was created in 1957 and comes from a limited edition of 100 prints (the exact number of this particular print is likely listed in pencil below the matt but we have not removed the print from the frame to confirm the exact number). An exquisite and rare/hard-to-find work. The detail in the girl's kimono is quite beautiful. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th-century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of Fine Art, Boston, the British Museum, and the Portland Art Museum among many other Fine museums throughout the world. A version of this image can be found in the Harvard Art...

A truly wonderful and extremely rare limited edition woodblock print by famed Japanese artist Junichiro Sekino This print of a pensive young girl dressed in a poncho and hat (likely in Mexico or Central/ South America) is hand pencil signed, sealed/ stamped in red, and numbered (appears to be 12/98 or 19/98) by Sekino. The image features a uniquely sparse composition and rich vibrant colors - very representative of the country this was likely initially conceived in. An exquisite and very rare/hard-to-find work. We have not seen this particular image ever come to the marketplace. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th-century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of fine Art, Boston, the British Museum, and the Portland Art Museum among many other fine museums throughout the world. Would be a fantastic addition to any modern Japanese print...

This exceptional, limited edition woodblock print of a once well-known Sumo wrestler is pencil signed, sealed in red, titled (Kitanoumi in Dohyo-iri), dated (1978) and numbered (62/128) by Japanese master printmaker Junichiro Sekino. A rare and relatively hard-to-find print. Junichiro Sekino was largely considered, along with Kiyoshi Saito, to be one of Japan's paramount 20th-century master print artists. Both were prominent leaders of the Sosaku Hanga movement. Sekino's works can be found in many museums including: The Museum of Modern Art, N. Y., the Art Institute Chicago, the Museum of Fine Art, Boston, the British Museum, and the Portland Art Museum among many other fine museums throughout the world. This listing is for print only (no frame). Would be a fantastic addition to any modern Japanese print...

A beautiful, large woodblock print by American master printmaker Clifton Karhu who lived in Japan for over 50 years. Karhu's work gained great e...

Tomio Kinoshita (1923 - 2014) Masks (No. 4), 1981 Woodblock print Image Size: 22 high by 31 inches wide (56 by 79 cm) Paper Size: 22.75 high by 31.5 inches wide (57.8 by 80 cm) ...

Faces (4 Faces), 1969 Tomio Kinoshita (1923-2014), Japan Woodblock print Paper, pigment, sumi ink Image: 27 high by 18.25 inches wide (68.5 by 46.4 cm) Paper size: 28 high by 19...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

Tomio Kinoshita (1923 – 2014) Big Boys, 1960 Woodblock print Image size: 32.75 high by 22 inches wide (83 by 56 cm) Paper size: 35.5 high by 23.75 inches wide (90 by 60.3 cm) Signed: in pencil lower right, Tomio Kinoshita Titled: in pencil at lower left Edition: 30/50 Condition: Very good The woodblock for this large print was carved in 1958, just three years after Kinoshita’s began creating woodblocks. This print was signed and dated in 1960, but not numbered; prints were also pulled from this block in the 1970s, so it must have been one of more popular images. One of his students has written, “As time progressed further, the postwar era saw improvements in nutrition, and children became taller and heavier than in the past, but their lack of physical exercise and severely inferior physical abilities became a social problem; this is ironically depicted in Big Boys.” In 1963, Kinoshita told him that he had just finished pulling a print of this image in response to a request from Unichi Hiratsuka...