Antique Chinese Qing Dynasty Carved Rose Quartz Hotei Buddha Statue & Stand 1910

A fine set of four antique Chinese Qing dynasty carved rosewood dragon chairs, circa 1880. Each chair is finely carved crest with two facing drag...

A large & important pair of rare antique 19th century Indian Polychromed & hand carved stone Dvarpala (temple door guard) statues, circa 1850. Each statue is hand carved as a male Hindu four armed temple guard, the guards holding a mace (Gada) and one hand on a dagger (Katar), another hand holding a lotus flower to represent spiritual enlightenment. Each guard stands crossed legged on a plinth decorated with an elephant, both statues retaining old and yet brightly colored polychromed decoration, the statues are approximately 3/4 lifesize. They are a true pair facing each other and would have flanked either side of the temple door entrance, they are large and very heavy, each figure weighs about 300lbs. A rare & important pair of carved 19th century stone temple guards...

Monumental pair of antique Chinese late Qing to early Republican period Famille Rose Porcelain vases. The vases of baluster form with appli...

A very fine antique Qing dynasty Chinese export reverse painting on glass, circa 1860. The painting depicts two children from the Imperial court, wearing very finely embroidered robe...

A good antique Chinese flambe-glazed Qing dynasty Hu shaped porcelain vase, circa 1850. The Hu shaped vase having a reddy aubergine colored flambe-glazed body, the rim and foot havin...

A good, large, antique Chinese Qing dynasty bronze and cloisonne censer, circa 1900. The lidded censer having a Chinese lion (Shi) to the lid, the...

A Qing dynasty, hand carved, lustrous, solid natural nephrite green jade Buddha. Carved seated on a rock against flame-shaped mandorla, the broad-faced figure rendered with a serene expression by downcast eyes beneath high arched brows above pursed lips, flanked by long pendulous ear lobes and beneath a pronounced hairline framing the forehead and hair gathered into a bun. Buddha holds a vase in the left hand while his right hand rests on the right knee. A long robe drapes gracefully pooling around the legs exposing the right foot. The prominent "y" shape formed by the strong nose and high brows is typical of 18th century Qian Long...

Chinese Qing Dynasty Bronze Statue of Seated Happy Maitreya Buddha. A Chinese bronze statue from the late 18th century Qing Dynasty period is ca...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

This magnificent Chinese antique wood carved Happy Buddha statuary has very detailed hand carving works on it. It is all hand made and hand...

Lovely Chinese statue. The artist really did it's best on this one. The pictures are a bit slanted, the piece itself is straight. Overall condition, no damages found. Size: 260...

A large and graceful carved nephrite jade conjoined double vase in the form of a pair of Buddha's hands fruit (finger citron), late Qing Dynasty, circa 1900, China. The large and heavy vase carved from a single piece of celadon nephrite jade, with areas of lighter brown "sugar" skin. The vase ingeniously carved as a pair of Buddha's hand fruit, also known as finger citron, rising from a gnarled, leafy branch. The smaller Buddha's hand with a pair of bats. The Buddha's hands fruit with elegant and naturalistic curved "fingers". The "fingers wonderfully shaped and reticulated. The body of the fruit with simple stippling, in imitation of the textured surface of the real fruit. The interior of each fruit well hollowed and able to hold water. Buddha's hands fruit are auspicious in Chinese culture. Their name in Chinese "Fo Shou" is a homophone for "Happiness and Longevity. They are often placed as offerings on Buddhist altars...