Large Qing Dynasty Chinese Soapstone Statue Nicely Carved Flower Bird Vase

Lovely Chinese Statue. The artist really did it's best on this one. Additional information: Material: Soapstone Type: Statues Region of Origin: China Period: ca 1900 Qing (1661 - 1...

Lovely Chinese Statue. The artist really did it's best on this one. Additional information: Material: Soapstone Type: Statues Region of Origin: China Period: ca 1900 Qing (1661 - 1...

By far the most beautifull glass snuff bottle I have ever seen. The pictures can not show how nice it is, 19th century. Provenance: Collection Morpurgo Amsterdam From the Louise and Christopher Randall Collection which was auctioned 31st October 1995. Lot 1821. A semi-transparent swirling yellow-green and brown glass bottle...

Huge and beautifully carved statue of a Laughing Buddha. Nice artifact as home decoration. Condition Damage to 1 of the hands, part eye seems restuck (nicely done) and 1 frit/chi...

A nice strainer. Qing Dynasty - Qing Period. Central scene of flowers. Additional information: Material: Porcelain & Pottery Color: Blue & White Region of Origin: China Emperor: Qia...

A nice strainer. Qing Dynasty - Qing Period. Central scene of flowers. Additional information: Material: Porcelain & Pottery Region of Origin: China Period: 18th century Qing (1661 ...

A large and graceful carved nephrite jade conjoined double vase in the form of a pair of Buddha's hands fruit (finger citron), late Qing Dynasty, circa 1900, China. The large and heavy vase carved from a single piece of celadon nephrite jade, with areas of lighter brown "sugar" skin. The vase ingeniously carved as a pair of Buddha's hand fruit, also known as finger citron, rising from a gnarled, leafy branch. The smaller Buddha's hand with a pair of bats. The Buddha's hands fruit with elegant and naturalistic curved "fingers". The "fingers wonderfully shaped and reticulated. The body of the fruit with simple stippling, in imitation of the textured surface of the real fruit. The interior of each fruit well hollowed and able to hold water. Buddha's hands fruit are auspicious in Chinese culture. Their name in Chinese "Fo Shou" is a homophone for "Happiness and Longevity. They are often placed as offerings on Buddhist altars...

A good antique Chinese Qing dynasty carved rose quartz buddha/hotei figure on a carved rosewood stand, circa 1910. The figure modeled as a buddhistic recumbent figure, the figure is ...

An exceptionally hand-carved antique Chinese soapstone spill vase - spill holder (see below), profusely decorated and intricately detailed naturalistic sc...

A well carved Chinese soapstone brush pot of jar shape believed to date from the latter Qing dynasty and probably around 1900. The brush washer is carved from a jade colored soapston...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

A finely carved Chinese zitan wood figure of an unidentified bodhisattva, possibly Guanyin, late Qing Dynasty, circa 1900, China. The androgynous figure has a plump, almost matronly face, with downcast eyes and a gentle smile. The hair in long tresses, gathered and tied in a high chignon. The enlightened being is portrayed seated in dhyanasana, bare feet resting on crossed legs, both soles pointing up. Thick robes billow and drape around the full figured body. The hands display...