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Antique Lopburi Votive Tablet, 13th century Thailand

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Antique Thai Buddhist Temple Gable Panel
Located in Point Richmond, CA
Antique Thai Buddhist Temple Gable Panel. The teak triangular shape featuring a carving of a seated Buddha on a lotus plinth, depicted with legs crossed in the virasana position wit...
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Early 20th Century Thai Other Sculptures and Carvings

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Cambodian wood votive urn
Located in Point Richmond, CA
Cambodian wood votive urn, carved of turned wood creating a stupa like form with tiered lotus bud finial and urn on pedestal base, decorated in monochro...
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Antique 19th Century Cambodian Other Sculptures and Carvings

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Antique Thai Buddhist Temple Pediment
Located in Point Richmond, CA
Antique Thai Buddhist Temple Pediment. An architectural remnant of an assembled teak triangular gable carved with elaborate and symmetrical “kanok” veget...
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Antique 19th Century Thai Folk Art Sculptures and Carvings

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Thai Buddhist Votive Plaque
Located in Point Richmond, CA
Thai Buddhist Votive Plaque, Sukhothai style, cast  in relief from a metal alloy of tin and lead with an iron like surface of a deep brown colour, depicting a relief image of a walking Buddha. His left foot planted firmly on the ground while his right heel is raised. His left hand is held upwards known as the Abhayamudra (the had gesture of reassurance and safety), his right hand hangs at his side, known as the posture of the Buddha in the Descent from the Tavatimsa Heaven. He wears a simple belted robe. Above the image is a two tiered honorific parasol and an arched ornamental doorway supported by a pair of columns with vases...
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Antique 15th Century and Earlier Thai Other Wall-mounted Sculptures

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Lead, Tin

Thai Gilt Bronze Figure of a Seated Buddha
Located in Point Richmond, CA
Thai Gilt Bronze Figure of a Seated Buddha, depicted with legs crossed in the virasana position with the right leg resting on the left leg, soles up, the hands in the earth touching ...
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Antique Late 19th Century Thai Other Sculptures and Carvings

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Bronze, Gold Leaf

Thai Sandstone Carving of the Head of A Buddha Image
Located in Point Richmond, CA
Thai Sandstone Carving of the Head of A Buddha Image, Ayutthaya, 15th Century. This sculpture has carved features with full lips outlined with an incised line known as a “trace”, the “U” of the chin broad, long aquiline nose , protruding large and arched eye lids with the eyes narrowly open revealing the pupils, over  arching brow continuing the line of the nose, short forehead,  a thin raised outline as the hairline surrounding the face, 6 rows of round boss hair curls to the domed usnisa covered in 5 rows of hair curls, large ears with attenuated earlobes reaching to the break at the neck, flat top to the usnisa and a flat area to the back of the head. The facial surface gessoed lacquered and gold leafed, the rest of the head with Varied surface mottling and lacquer remnants mostly revealing the sandstone texture of the material. Mounted with a post and drilled interior hole to a large solid teak block as a contemporary stand. Condition: A sculpture fragment from a large Buddhist Image, The head has been removed at the neck and the flat area at the top of the head would indicate that another mortared segment would have originally been attached possibly an undulant unalom finial, otherwise remarkably fine. Measuring: 23-1/8 inches high overall, the sculpture is 15 inches high x 10 inches wide x 10-1/4 inches deep. The wood base is 8-1/8 inches high x 7-7/8 inches wide x 7-5/8 inches deep. Provenance: with Kenneth Brown Jewelers...
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Antique 15th Century and Earlier Thai Other Sculptures and Carvings

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Sandstone

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The Buddha statue was made from a copper alloy in a standing position with hands in double Abhaya mudra. This mudra symbolizes the act of dispelling fear in the face of adversity. In Laos and Thailand where this mudra are used as one of the most iconic gestures, with its origin was pre-Buddhism era, when it was a symbol of good intentions and friendship when approaching strangers. In contrast to Indian iconography, it was often shown with both hands raised to the level of the shoulder in Southeast Asia. The statue was made in the classic Lopburi style, which historically was heavily influenced by Khmer art...
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