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Chinese Glass Overlay Pink Blue Snuff Bottl Qing Dynasty 18th-19th Century

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  • Antique Chinese Snuff Bottle Glass Imitating Amber Qing Dynasty 19th Century
    Located in Amsterdam, Noord Holland
    By far the most beautifull glass snuff bottle I have ever seen. The pictures can not show how nice it is, 19th century. Provenance: Collection Morpurgo Amsterdam From the Louise and Christopher Randall Collection which was auctioned 31st October 1995. Lot 1821. A semi-transparent swirling yellow-green and brown glass bottle...
    Category

    Antique 19th Century Chinese Sculptures and Carvings

    Materials

    Glass

  • Antique Chinese Glass Snuff Bottle Immitating Gemstone Qing Dynasty, 18th C
    Located in Amsterdam, Noord Holland
    By far the most beautifull glass snuff bottle have ever seen. The pictures can not show how nice it is. 1750-1850 Provenance: Collection Morpurgo Amsterdam From the Louise and Christopher Randall Collection which was auctioned 31st October 1995. Lot 1821. A semi-transparent swirling yellow-green and brown glass bottle...
    Category

    Antique 18th Century Chinese Bottles

    Materials

    Glass

  • Large Qing Dynasty Chinese Soapstone Statue Nicely Carved Flower Bird Vase
    Located in Amsterdam, Noord Holland
    Lovely Chinese statue. The artist really did it's best on this one. The pictures are a bit slanted, the piece itself is straight. Overall condition, no damages found. Size: 260...
    Category

    20th Century Chinese Sculptures and Carvings

    Materials

    Porcelain

  • 18th Century Large Serving Dish Qing Chinese Porcelain Blue Ground with Pink
    Located in Amsterdam, Noord Holland
    A rare, good conditioned, and quality painting serving platter with a blue ground and pink flowers. Very nicely decorated piece with good details. Probably late Qianlong or Jia...
    Category

    Antique 18th Century Chinese Qing Ceramics

    Materials

    Porcelain

  • Antique Chinese Kangxi / Yongzheng Qing Dynasty Porcelain Plate, 18th Century
    Located in Amsterdam, Noord Holland
    Lovely Chinese porcelain plate.Lovely Chineseporcelain plate. Additional information: Material: Porcelain Type: Plates Region of Origin: China Period: 18th century Qing (1661 - 191...
    Category

    Antique 18th Century Chinese Decorative Dishes and Vide-Poche

    Materials

    Porcelain

  • Antique Chinese 19th Century Overglaze Blue Lingzhi Porcelain Plate Qing China
    Located in Amsterdam, Noord Holland
    A lovely Qianlong rooster plate. With a very unsual scene of the Roosters hunting a grasshopper. Very nice. Condition some chips/frits to rim, chips mainly visible underside rim....
    Category

    Antique 19th Century Chinese Qing Ceramics

    Materials

    Porcelain

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    A Shadow Agate 'Horse' Snuff Bottle Chinese, Qing Dynasty 19th Century, has stopper 6.35 cm, 2 1/2 in.
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  • Pair Chinese White Glazed Guanyin, Qing Dynasty, 18th Century, China
    Located in Austin, TX
    A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...
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  • Chinese Qing Dynasty Lacquered Wood Guanyin, 18th Century, Southern China
    Located in Austin, TX
    A Chinese early Qing Dynasty carved and lacquered wood figure of Guanyin, Southern China, 17th/18th century. Guanyin, the Bodhisattva of Compassion and Mercy, is portrayed seated in dhyanasana, one hand raised in viktara mudra, the gesture of teaching and discourse. The great bodhisattva is dressed in heavy, loose robes tied at the chest, with a mantle draped over his shoulders. He looks serenely outwards from heavily lidded eyes. Guanyin's face carved beautifully with somewhat feminine features. A large five pointed crown sits upon his head. The larger leaves of the crown carved with indistinct images of the Buddha. The statue was originally fully lacquered in the deep red gilt lacquer typical of Southern Chinese Buddhist sculpture...
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  • Chinese Carved Bamboo Figure of a Sage, Qing Dynasty, 18th Century
    Located in Austin, TX
    A sweet and lovely Chinese bamboo carving of the sage Dongfang Shuo, mid-Qing dynasty, 18th century, China. Well carved form a single section o...
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  • Chinese Yellow Glazed Mythical Beast, Xiezhi, Qing Dynasty, 19th Century, China
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    A fantastic and charming Chinese yellow glazed porcelain model of a mythical unicorn, xiezhi, Qing Dynasty, 19th century, China. The xiezhi is a ...
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  • Large Chinese Carved and Lacquered Buddha, Qing Dynasty, 19th Century
    Located in Austin, TX
    A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...
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