Ceramic Decorative Bowls

Guido Gambone Vessel Glazed Stoneware Italy, 1955c Tribal diamonds and squares in brown with green outlines Glazed signature with donkey mark to underside: [Gambone Italy] Dimensions...

French hand painted ceramic pitcher and bowl by Moustiers with typical floral and birds decorations. France, circa 1970 Very good condit...

Berndt Friberg (1899-1981) for Gustavsberg Studio. Bowl on foot in glazed ceramics. Beautiful glaze in turquoise and dark shades. Dated 1966. Measures: ...

Nils Joakim Kähler (1906-1979) for Kähler, Denmark. Round ceramic bowl in a modernist style. Turquoise and cream-coloured glaze. Approximately from the 1960s. Marked. In perfect con...

Marcello Fantoni ceramic bowl, volcanic blue glaze on exterior with green glaze on interior. Signed [Fantoni Italy – Raymor Italy]. Raymor Italy 1955 Marcello Fantoni Glazed Ceramic

Vallauris, France, three ceramic bowls in brightly colored glazes in red and green on a dark base. 1960/70s. Marked. In excellent condition. Largest measurement: D 18.5 x H 6.0 c...

An impressive and large stoneware bowl designed by Gunnar Nylund for Rörstrand. Gorgeous coloring and great scale, the bowl has wonderful movement. Could be used as a fruit bowl, or ...

Britt-Louise Sundell (1928-2011) for Gusatvsberg, Sweden. Large ceramic bowl in modernist design. Circles in brown glaze on cream-colored base. 1960s/70s. Marked. Perfect conditi...

A beautiful lidded stoneware bowl. Made by Birger Åström (1931-2020) in his studio in Örnsköldsvik, Sweden, 1960s. Excellent condition. Signed 'BÅM'. T...

Brilliantly glazed in jade green, canary yellow, midnight blue and lipstick red hues, this vivid Art Deco bowl features, at its center, a scene of steel prod...

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Good condition (there is a small mark in the glaze shown in ...

A large Scandinavian Modern “Torro” ceramic dish hand decorated with a blue and black pattern. This dishes are from a collaboration series by Carl Harry Stålhane and Aune Laukkanen f...

Royal Copenhagen, faience bowl with a motif of a peacock in modernist style. 1970s. Model number: 168/2884. Marked. Perfect condition. Dimensions: D 22.5 cm x H 4.0 cm.

Lovely & High Quality Japanese Porcelain Kakiemon bowl. The deep sides supported on a short tapering foot, the interior decorated with bamboo and flowers. The everted rim with a flo...

This vibrant floral bowl is a striking example of early 20th-century English transferware at its finest. What sets the 'Nankin' pattern apart is its exuberant border of hand-tinted blooms in vivid pinks, yellows, and cornflower blues, offset by ornate scrollwork. The design is at once lively and elegant — capturing the essence of English country charm while echoing the chinoiserie influences that inspired many early transferware patterns. Crafted by Booths Ltd., a respected pottery firm based in Stoke-on-Trent, this bowl hails from a time when utility and artistry were perfectly entwined. The attention to detail — from the clarity of the transfer pattern to the hand-coloring — reflects a level of craftsmanship that’s increasingly rare. It's not just a bowl, but a slice of design history with practical beauty and enduring value. Whether used or displayed, it elevates the everyday. Imagine a garden party in bloom, captured on porcelain. This medium-sized bowl has a creamy white base encircled by a riot of florals, delicately outlined and filled with rich, jewel-toned hues. The florals are framed by an intricate teal scroll border that adds a refined finish. It has a subtle gloss, a graceful profile, and just the right amount of vintage patina to show it’s lived a life well-loved. The ‘Nankin’ pattern was produced under Booths’ "Whieldon Ware...

This Royal Doulton cup is a decorative object realized at the end of the 19th century. This beautiful porcelain pot was realized by the famous manufa...

Gerard Hofmann (1917-1965), French ceramicist, own workshop. Bowl with ox blood glaze. Handmade. Circa 1960. In perfect condition. Signed. Dimensions: L 21.0 cm x H 5.0 cm.

Beautifully designed and glazed, this striking, large bowl depicts a blue and green chameleon at its center that is climbing a highly stylized Art Deco foliate element, framed by a w...

Milk Jug and Cream Jug by Bodil Manz Own Studio Bowl in Eggshell Ceramics. Porcelain, transparent glaze with hand-painted black trim white over matte cream glaze. The cream jug, mad...

Vibrant Mid-Century Ceramic Bowl from Vallauris This colorful ceramic bowl, hailing from the renowned pottery region of Vallauris, France, is a stunning example of mid-century moder...

A very nicely decorated lot of bowls. 30-12-18-1-10. 30-12-18-1-7 Additional information: Material: Porcelain & Pottery Country of Manufacturing: China Region of Origin: China Perio...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Nice plate or low bowl designed by Anna Lisa Thomson for Upsala Ekeby, produced in Sweden. Really nice color and shape, has an organic feel. Celadon color is fantastic. Can be hung o...

A Mari Simmulsson “cross-hatched” glazed bowl in blue, black and touches of yellow, for Upsala Ekeby, Sweden, circa 1950’s. Scandinavian Modern. Measures: Diameter: 9“ Height: 4.5”.

Golden glazed ceramic cup with metallic highlights by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 2.7’ x 7.9’ inches.

Geoprimitive 112 Ceramic Bowl by Niclas Wolf Unique Piece. Dimensions: Ø 66,5 x H 24 cm. Materials: Ceramic. GEOPRIMITIVE_ is a design series that compares and connects the Precambr...

A large scale bowl by Jane and Gordon martz for Marshall studios. Largely known for execution of lamps, the ceramicist duo also did a number of bowls and vases. Offered here is a very large bowl...

Decorative bowl by Stig Lindberg, Sweden, circa 1950. Faience. Very good condition. Hand painted. An artistic jack-of-all-trades, Stig Lindberg was accomplished in industrial design...

Large freeform bowl in glazed ceramics. Beautiful glaze in azure shades. France, 1960s. Measures: 45 x 19 cm. In excellent condition. Unclearly stam...

Product Description: Berndt Friberg was one of the most influential ceramists in midcentury Sweden, his works are still popular world-wide and are known for their elegance and beati...

Stunning quality unusual hexagonal shaped antique Japanese imari bowl having an unusual hexagonal shaped imari bowl in red, blue white and gold colours, hand painted decorated panels...

An unusual decorative plate or bowl by Waylande Gregory. Striking stylized design so evocative of the 1950's. Pictured in a book "Waylande Gregory" by Thomas C.Folk.

Scandinavian modern ceramic bowl in the form of a seashell in pale neutral colors. Designed by Ewald Dahlskog for Bo Fajans, Sweden, circa 1930’s. Measures: Length: 13.5“ width: ...

Rare footed bowl designed by Gunnar Nylund for Rörstrand. Wonderful glaze with a amber body and tones of brown to blue. Unique design with footed base. Signed on underside with the "...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Allan Hytholm, Danish studio ceramist. Large uni...

Scandinavian Modern, Carl-Harry Stalhane, hand thrown and glazed unique ceramic bowl with “chevron” pattern design. Signed on bottom, “Atelje CHS Sweden” circa 1960. Measures: Dia...

Glazed ceramic bowl with pearly white interior by Gisèle Buthod Garçon. Raku fired. Artist monogram et signature under the base. Circa 1980-1990. H : 4.3’ x 7.5’ inches.

Napoleon III style porcelain bowl. A Napoleon III style gilt and painted porcelain bowl from the late 19th century or early 20th century, with beautiful and rich decoration. H: 20cm...

Lee Rosen for Design Technics gold luster glaze ceramic ashtray from the 1960s. Beautiful texture on the sides and bottom. Signed with the Design Technics mark on the bottom.

A very lovely and richly decorated Multicolored Lidded Bowl with Dish. Additional information: Material: Porcelain & Pottery Color: Imari Region of Origin: Japan Period: 18th centur...

Sculpted with a captivating organic form, this mid-century modern ceramic bowl by Marcel Giraud embodies the artistic spirit of Georges Jouve. The hand-crafted piece features a str...

Minimalist triangular ceramic 5 bowls and 3 vases in black glaze with white graphic lines to empgasis on the sculptural shapes. They are cast and hand finished. Dimensions vases; Hei...

Handcrafted Textured Ceramic Bowl — Earth Meets Fire, Beauty Meets Purpose Dimensions: Approx. 18 cm diameter x 8 cm height Origin: Lithuania Materials: Stoneware ceramic, renewable...

Hand-crafted, hand-painted French midcentury ceramic bowl. Beautifully decorated with floral designs and glazed. Signed on the bottom, Miclay.  

Glazed ceramic bowl with pearly white interior by Gisèle Buthod Garçon. Raku fired. Artist monogram and signature under the base. Circa 1980-1990. H : 8.3’ x 9.8’ inches.

Green and red glazed ceramic cup by Gisèle Buthod Garçon. Raku fired. Artist monogram under the base. Circa 1980-1990. H : 2.9’ x 8.3’ inches.

Carl-Harry Stålhane hand decorated stoneware bowl designed at Rorstrand, Sweden. The bowl depicts the faces of two women one of which is reclining. Signed and dated (1943) on the bot...

Gunnar Nylund (1904-1997) for Rörstrand, Sweden Ceramic bowl with glaze in ochre yellow shades. From the Chamotte series. Mid 1900s. Marked. Perfect condition. Dimensions: Diameter 1...

Gunnar Nylund "ASH" blue & ochre 3 wave small bowl signed Rorstrand Sweden 1950s. Beautiful stoneware bowl by Gunnar Nylund for Rörstrand in shades of blue ...

Mid-Century Modern handcrafted glazed oxblood red and shades of brown pottery earthenware round vessel or bowl. Inside marked Houston 75. One-of-a-kind pottery great for display. A-...

Berndt Friberg (1899-1981) for Gustavsberg. Selecta bowl in glazed ceramics. Beautiful glaze in turquoise shades. 1960s. Measures: 17.5 x 5 cm. In excellent condition. Stamped.

Masterfully created whimsical horse bowl in the manner of 1960s Italian ceramics like Gambone with a gold and terracotta design. Signed.

Nice design simple elegant porcelain bowl designed by Timo Sarpaneva for Rosenthal studio, circa 1970's excellent condition no chips or cracks Buyer has the option to buy 1 or 2.

Unusual pair of antique Japanese quality Imari bowls having a quality pair of unusual antique Japanese quality Imari hexagon shaped bowls with red, blue an...

Clyde Burt ceramic decorative bowl in glazed stoneware with incised, abstract details on the outer exterior. Signed to underside: [CB]. American, circa 1965.

A stunning example of the studio pottery movement, this vintage artist-signed bowl is a masterpiece of abstract design and earthy texture. Wheel-thrown and hand-glazed, the piece fea...

Article: Ceramic shell bowl Producer: Ceramano, Germany Designer: Hans Welling Decade: 1960-1965 This original stu...

This nice medium-sized bowl has underglaze and overglaze painted details and was made circa 1945 to 1950. It is decorated in an asymmetrical pattern of prunus and chrysanthemums with...

Charming and at the same time rural decorative early 19th century French terracotta was basin. Looking as it has been around for a while, maybe displayed as an object in a French mo...

An oversized Italian Capodimonte center bowl offers cherub garden scenes in relief with gilt highlights throughout, 20th century Measures - 3.75''H X 16.75''W X 16.75''D. A finely cr...