Moorcroft Arts & Crafts Miniature Red Mottled Glaze Pottery Bowl

A very fine Arts & Crafts English drip glazed art pottery dish attributed to Ruskin and dating from the early part of the 20th Century. The dish is of simple wide rounded form and of...

A large and impressive Winchcombe studio pottery bowl with slip trailed patterning and copper glazes attributed to Ray Finch and dating from the latter 20th century. The hand thrown ...

Eva Staehr-Nielsen (Danish, 1911-76) was one of the most influential and important Scandinavian ceramicists. After completing her training at Copenhagen’s Art-Craftsman School she joined Saxbo in 1932, where she worked extensively with Nathalie Krebs. It was to become one of the most important independent studios for Scandinavian ceramics with leading designers like Axel Salto, Jais Nielsen, Hugo Liisberg as well as Staehr-Nielsen all producing designs for them. Staehr-Nielsen was highly influential at Saxbo and following its closure in 1968 she moved to Royal Copenhagen however it is her work at Saxbo which remains most sought after. Her work is held in the National Museum in Stockholm, The British Museum, Victoria and Albert Museum, and the Metropolitan Museum in New York and her prices have steadily increased with demand over the past years. This stunning and beautifully crafted Danish tea...

A very fine Ruskin Arts & Crafts miniature art pottery bowl decorated with blue lustre style glazes by renowned potter William Howson Taylor (British, 1876 – 1935) dated 1913. Rusk...

A rustic stoneware bowl on a pedestal. Rich oxblood glaze with hand-drawn lines complementing its simple organic form. The base as little cutouts that lighten the overall structure. ...

The ceramic bowl is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Beautiful bowl by the very well known potter Laura Andreson. Signed in bottom.

Unusual large bowl in dark red and dark espresso brown glaze was made by Scheurich Keramic in West Germany. The bowl is marked on the bottom with the mold number and West Germany,...