Boxes

A fine antique English Battersea Bilston table snuff box. A very rare round form! With a pink ground, floral spray decoration, and gilt bronze mou...

An 18th Century Large South Staffordshire Table Snuff Box, painted with figures and animals by classical ruins on a riverscape. 8.25" wide x 5.5" depth x 3.25" high

Circa 1790 George III period tea caddy box, English. Original inlaid inner caddies & a later cut glass sugar well. Old Sheffield plate silver pull. Banded in box or holly. Classic re...

A painted turn of the 18th-19th Century Swedish Folk Art wood box, with original yellow paint on the exterior. The original ochre yellow color has be...

Small container for cigarettes or tobacco. Its made from Solid patinated brass and its screw-of lid is decorated with a small hand-painted porcelain pl...

Late 18th Century George III English Box. Veneered in beautifully highly figured burled ash with small inlaid shield shapes. Made in England circa 1790. A beautifully crafted late 1...

Antique Bombay shaped English pearlware tea caddy with a distinctive decoration in blue cobalt. The caddy is hand decorated with flower pendants draped from rings painted from a cont...

In 15th and 16th century Europe, the works of blacksmiths from southern Germany were known far and wide. Demand for products by these skilled metal workers spread as far as the Scandinavian countries. Perhaps one of the most intriguing items that was produced by these workshops was the iron money...

Small rectangular Japanese chest with gold lacquer decoration in the form of leaf tendrils. The chest is decorated with cut-out and ornamentally engraved fittings on the corners and ...

Beautiful handmade oak silver chest. It was made to hold valuables such as silver coins, jewels or maps. This was the precursor to the modern day safe. It is...

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

French handcrafted solid ebony wood box made in the 1950s. Can be used as a jewellery box or as a decorative object. Good condition.

The iron coffer, fully original in every part of it, was forged and handcrafted in German in the 1610. Complete with key. Full working iron mechanisms. It ...

A Late 18th century Georgian Period Mahogany Oblong tea caddy having very attractive inlaid decoration to front and hinged top enclosing double lidded interior with original paper foil landing. This particular caddy is relatively plain and simple in design, but is lifted significantly with the attractive inlaid decoration. It remains in relatively good condition and had clearly been well loved throughout its life. Tea was a precious commodity throughout the 18th and 19th centuries and the purpose of a tea caddy was not just to preserve the and extend the life of the precious tea leaves, but also to enable the owner to lock away those aforementioned valuable tea leaves, keeping them safe from the house staffs potential wandering hands. This 18th century tea caddy...

This exquisite four-case lacquered inro was dated to the latter part of 18th century to early 19th century (Edo period) and made by Shigehide. The opposite sides of the inro together features a lavish flower arrangement in a bamboo basket (ikebana). The detailed craftmanship was a true pleasure to behold. Mostly Takamaki-e (high relief) were used to texturize the delicate petals of the chrysanthemums, on which different shades of gold were used to create contrast. Raden (mother of pearl) shells were also used to highlight some leaves, rendering the piece an interesting balance of color and material. The interior was completed in a mottled gold finish. It was signed Shigehide on the bottom with a Kao. There is a small carved rabbit ojime bead...

With rectangular hinged top with brass strap mounting. When open the front folds down to expose hidden compartments and wells. Case mounted the same as the lid. Side carry handles. I...

A superb early 18th century kingwood oyster veneered coffre fort with fine gilt brass metal work, the fall front opens to reveal three drawers and three hidden compartments. Lovely c...

A GILT-METAL MOUNTED SNUFF BOX Circa 1750, probably Saint-Cloud Modelled as a reclining monk, one hand supporting his bald head, the other holding a rosary and with a crutch at his s...

An exceptionally rare Irish George III hand cut full lead crystal single tea caddy of rectangular outline with canted corners and outstanding quality, first quarter of the nineteenth century. The finely chased silver mounted rim and hinged cover, hand cut with three bands of lozenges on a plain ground, decorative star cut base underneath. Condition: Exceptional condition for such an early piece, with no losses or clouding inside, silver mounts are unmarked but test positive for silver. Wonderful age wear underneath on base. Lock is present but key does not turn. Back and front views are similar. Measures: Height: 5.25” (13.5cm). Width: 3.75” (9.5cm). Depth: 3” (7.5cm). Location: Dublin City, Ireland. Stunning and rare Tea Caddy...

A William and Mary Kingwood/Princes oyster strongbox or Coffre Fort, circa 1680-1700, England. Adorned with highly decorative gilt brass strapwork and decorated in knife-cut oysters ...

A small square-form table with lacquer and intricate mother-of-pearl inlay design from Ryukyu Islands kingdom circa 17-18th century. Ryukyuan kingdom was used to be an independent is...

A fine and good sized George VI silver and guilloche enamel cigar or cigarette humidor or case by Albert Carter. Superb green guilloche enamel with gold fleur de lys. The engine turn...

A very attractive, good quality, late 18th century rosewood oblong shaped tea caddy having satinwood strung mouldings and original brass hinges, with working lock and key. Constructed using attractive rosewood timber which retains a good colour and patina, the satinwood strung mouldings used on this tea caddy create a really nice contrast. Tea was a precious commodity throughout the 18th and 19th centuries and the purpose of a tea caddy was not just to preserve the and extend the life of the precious tea leaves...

1950s Italian marble box in a lovely butterscotch color that blends nicely in todays interiors. Timeless style.

Three-tones gold oval snuff box. The hinged lid is decorated with a country trophy medallion. The medallion is framed by a garland of green gold foliage and roses. The medallion is d...

Beautiful and sculptural piece. This vintage stone box attributed to the modernist Mexican artist Pepe Mendoza is unique and special. The box has inlaid stones and a cast brass May...

A fine example of an English needlework casket from the Charles II period (1660-1685), with silk work exterior panels depicting various figures and animals, a top mirrored compartmen...

PRESENTING A STUNNING little French Ring Box from the 18th Century, namely a French Louis XVI Brass and MOP Box with Miniature Portrait of Lady. Box inlaid wi...

rare piece from the carl auböck workshop.

Rare William and Mary walnut glove box on later stand - exceptional quality with aged patina - featuring elaborate walnut oyster veneered top and walnut veneered sides - the interior of the box lined with hand quilted floral silk Lampas fabric...

Antique English Regency Rosewood, Sarcophagus Shaped Tea Caddy With Two Separate Tea Compartments and Individual Handled Lids, Centred on Four Bun Feet Circa 1700's Great patina em...

Stunning brass pocketwatch shaped hinged box constructed using brass. Interior of box is lined in brass as well, and stamped "Made in Italy" on the back next to the bezel.

This is a large and extraordinary lacquered wooden box, with floral decoration and polychrome drawings that represent a man collecting red coral on the beach, on blue background. Made in precious fir wood, Swiss pine, lacquered and engraved. This blue lacquered box...

This is a large and bright red and yellow lacquered wooden box, entirely decorated with prints cut and applied with the tecnique called "arte povera" . At the centre of the lid a large country landscape with figures inspired by 18th Century Venetian views that recall the themes of Arcadia. The prints come from the manufacture of Remondini Bassano, that was the most important printers in the Europe at that time. This surprising lacquered box is an elegant piece that can be useful as a jewelry case, perfect to match in any elegant home. One of the distinctive characteristics of Venetian Baroque and Rococo furniture and decorative objects is the skilful use of lacquers. Lacquer is a natural resin that was very rare in the past, imported from the East and used to create smooth and colored surfaces on furniture, ready to be finely decorated with refined floral designs or exotic animals. Venetian artisans became masters in lacquer processing which required time and patience because it was made with many steps. The Venetian style deeply influenced furniture design throughout Europe, but none reached the Venetian level in terms of beauty. The skillful use of lacquer and carvings defined Venice's unique style during the Rococo period, its Golden Age. The piece is in excellent state of maintenance and guaranteed original in every parts. The surface was only cleaned not restored and it is original. The wooden red and yellow lacquered box...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Germany, circa 1740 Of rectangular...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Handsome saddle leather case by French fashion house, Hermes. Made in the 1950s. H metal buckles flank each side of the case. Case opens up to reveal 'HERMES - MADE IN PARIS' on leather. Inside there is a large grouping of shaving/toiletry items. Leather folding mirror with tons of patina, that stands up on its own. Stamped 'Hermes' in gold. Leather folding pouch that can hold tweezers, scissors, a comb also stamped Hermes. Ebony brush stamped Hermes - Paris. Metal box with removable lid, stamped Hermes. Bottle with twist off cap, Stamped Hermes Compartment with leather lid, holds a razor, and a small tin...

A fine and rare 17th-century William and Mary olive oyster floral marquetry lace box, circa 1685. England The cross grain olive moulded and holly banded top is centred by an oval of...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Decorated overall with figures, bu...

Antique 18th Century French magnificent three-colured 18k gold snuff box, of oval form, the hinged cover with an oval plaque, cast, chased and applied with a dog and a bird within a ...

Mid-century Bulldog & Scottish Terrier cigarette box, France, 1950's. Dogs playing cards. Wood and bakelite. Bakelite cards. Glass eyes. Capacit...

A very charming late 17th century French Coffre - Box crafted from beautifully patina'd leather. A wonderful piece to serve as a jewelry box or to adorn any table top.

This is an antique Japanese bento box from Edo era which was used for cherry blossom viewing party. It is made with bamboo and painted with ...

Majolica ostrich tureen or box circa 1950 signed Caugant.   

Classic vintage Hermès cigarette box. Cigarette box is heavy and wrapped in leather. Cornucopia (Horn of Plenty) decorative lid. Removable metal i...

French handcrafted solid ebony wood box made in the 1950s. Can be used as a jewellery box or as a decorative object. Good condition.

Mexican silver box with Mother-of-Pearl Inlay. Lid opens to a wood lined interior. Very nicely done and a really beautiful object!

Italian Mid-Century modern card box by Fornasetti in metal wood, representing a carriage with coachmen pulled by two horses. This typo of artistic boxes was created to stay over ...

This Mid-Century Modernist sterling silver and polished brass box, created by the esteemed Lalaounis in Greece circa 1950, is a remarkable exemplar of the elegance and innovation cha...

So very rare this standing sewing box. Early design by Cees Braakman all Wood in primary colors. 4 boxes. Typical Holland 1950s This piece is still all original.

A stunning 17th century Italian leather covered wood trunk covered in brass nail heads, some spelling out a word on top, and with iron strap hinges a...

1890s W & T Avery Gold Weighing Scales in Box, English. Set of gold weighing scales in original box by W & T Avery, Birmingham, England (label intact inside lid). Each pan marked: "W...

A fine antique French or German porcelain snuff box. Dating to the 18th (or possibly early 19th) century. Decorated throughout with...

An 18th century mother of pearl and tortoiseshell inlaid ottoman scribes box. The box covered in geometric tiles and floral design.

Magnificent Louis XIV period messenger box, late 17th and early 18th centuries. This pretty box is made of leather-covered wood decorated with copper nails forming diamonds on the to...

Large Solid Oak wood sewing box ,on wheels . opened with two hinged doors on the top, while the accordion style (with layered shelves that used external hinges to store more stuff in...

18th C Brass-Mounted Allegorical Motif Enamel Snuff Box, Attributed to the Fromery Workshop The Cartouche-shaped bombe box, the hinged lid applied with rais...

Antique 18th Century Exceptional French 18k gold & enamel snuff box, a circular snuffbox crafted in solid gold, adorned with blue, green, and white enamels, further enhanced by gold ...