Boxes

With Two Tea Caddies From our Tea Caddy collection, we are pleased to offer this Georgian Harewood Tea Chest. The Tea Chest of rectangular form veneered in Harewood with inlaid Boxw...

A good quality Georgian 18th century mahogany rectangular tea caddy having replacement brass axe drop handle to hinged lid enclosing cavity with attractive inlaid decoration throughout. Tea was of course a very precious commodity throughout the 18th and 19th centuries and the purpose of a tea caddy was not just to preserve the and extend the life of the precious tea leaves...

18th century Dutch silver scent box On top a Depiction of Vice Admiral Zoutman The victor of the Dogger Bank Battle Made by Dirk Hoep 178...

Depicting Various Spa Scenes From our Tea Caddy collection, we are delighted to introduce this superb Belgian Spa Tea Caddy. The Tea Caddy of square form made from Sycamore is beaut...

Very rare and hard to find in this complete condition with as many pieces (over 35), this "Gentleman's Necessaire", or campaign "Dressing Table Box" is English and circa 1795 as per the style, and confirmed by the 18th century silver marks on items enclosed. Campaign furniture, and accessories were made to tend to the day to day needs of those traveling, most often for the upper class, the military, and those in high socioeconomic standing. A very similar Campaign box belonging to the Duke of Wellington and now in the Victoria and Albert Museum, appears on page 141 (illustration #157 of "British Campaign Furniture" published in 2001 by Nicholas A. Brawer; the leading recognized historian on the subject. The furniture and accessories were designed to be easily unpacked and packed back up again, condensed and compact for minimum storage, and still fulfill luxury "needs" for the well to do. The flush inserted brass handles on this box were designed to minimize protrusions for easier transport when traveling. The necessaire contains a plethora of instruments, utensils, storage bottles, boxes, to contain pills, medicine, potions, soap, shaving needs, snuff, beverages, spirits, tea, coffee, fragrance, incense, toothpaste, ink, and anything else necessary or wanted to maintain appearance and the "Beau Brummell" type lifestyle desired by the aristocratic gentleman. These items were housed in; screw top miniature bone canisters, fine cut glass crystal vessels with silver and silver plated tops, multiple miniature vertical wooden pocket drawers, a carved wooden lidded soap dish; all "fitted" in a beautiful brass bound and hinged mahogany box. The dressing box is neatly divided into various sections to store these implements. The center front bottom drawer is independently accessed and opened by a key lock and likely utilized for personal effects, jewelry, money, and letter writing, and diary entries.; note the fitted interior, design, "cubbies", and sections (see image). NOTE: It would be advisable to NOT use the key to lock this drawer just in case it stays locked and does not reverse, thereby creating difficulty reopening the drawer. The box maintains it's original surface and there are no restorations to any of the wood or brass mounts. A non discernible script monogram on a brass plate adorns the top (see image). Worth noting is the copious provenance accompanying this piece; the original description tag from the British antiques dealer; the "condfdential" letter by purchaser to recipient "Horace" reviewing the Dressing Box attributes and description; and finally, the Customs form for entry into the United States with Santa Barbara it's ultimate destination and a valuation of 3 pounds; less than ten dollars at that time---- 1950!!!!! (see images). Dimensions: 11" wide  x 8 3/4" deep  x 5 1/2" high Contents: implements in red bag sewing hook with shell handle second smaller sewing hook with built in swivel tool to bone handle large metal tweezers rectangular bone device with center hole small hook with bone handle silver plate corkscrew...

Chippendale tea caddy, c1770, burl veneered mahogany paneled front and sides with cross banded border raised on original ball and claw cast brass...

A 17th century painted Armada chest with a finely engraved steel lock plate with Maidens, flowers, and a brass central boss. The outside is painted with a green background and floral...

An European Chinese export "Canton enamel" oval box, 18th century Qianlong, (1736-1795) An enamel box with floral decor made for the export for Euro...

Rectangular with brass strapping and side handles. Lock plate and flap. Fitted sometime in the 19th century as a tea caddy. Labeled Orange Pekoe and Black tea...

Hinged inlaid malachite and sodalite (or lapis lazuli) brass metal box with rosewood interior. An Aztec pyramid and mountains grace the lid. The metal smiths of Taxco, Mexico were kn...

Fine 17th century geometric marquetry inlaid rosewood casket with strapwork hinges, pewter string inlay around ebony and fruitwood panels, the lower portion with long drawer on side,...

Georgian Period Circa 1790 From our Tea Caddy collection, we are delighted to offer this Georgian Green Tortoiseshell Tea Caddy. The Tea...

With Tuscan Columns & Fan Inlay. From our Tea Caddy collection, we are pleased to offer this Georgian Harewood Tea Caddy. The Tea Caddy of octagonal shape with a Harewood veneer ext...

French Green Majolica Money Bank Typewriter Circa 1950.

Mid 18th century hand painted traditional Swedish chest/box circa 1750. Stunning traditional Swedish box hand painted in the original paintwork.   Decorated on all sides with swags ...

This stylish 1950s Italian decorative lidded box has an Empire-revival flair. The tall rectangular shape boasts a classic modernist design, with gilded brass metal framing over a woo...

This extremely rare tea-chest is a fine example of the mid-18th century fashion for brass-inlaid furniture and boxes, and undoubtedly originates from the circle of outstanding crafts...

Antique 18th Century French three-colour gold snuff box, of oval shape. The hinged lid is adorned with an engraved foliate motif, featuring a quiver and flaming torch. The box is bor...

This exquisite French 18th-century oak collectible box is a testament to masterful craftsmanship. Its charming, rounded form is enhanced by meticulously executed herringbone marquetr...

PRESENTING AN EXTREMELY RARE AND HIGHLY IMPORTANT Indo-Persian Campaign Vanity Box from circa 1780-1800. Box inlaid with exquisite mosaic inlay. In the Indo-Persian style of mosaic with Islamic styles. The mosaic consists of green semi precious stone, bone, brass and pewter in star shaped geometric designs. Box opens up to reveal a travel mirror...

A stunning oval white Murano glass hinged jewelry box by Giovanni Cendese, Murano, Italy with gilt central detail and hinge.                   

Large Red Majolica Money Bank Squirrel Circa 1950.

A circular wooden box with a gouged pattern lid. Very beautiful patina.

A wonderful Japanese lacquer incense box, kogo, with a design of plovers in flight, late Momoyama or early Edo Period, circa 1600, Japan. The small box, called a kogo, was used to s...

Early 18th century inlaid Italian walnut and tortoiseshell vargueno. 6 drawers with fine inlay, iron hardware.

An 18th/19th Century Chinese cinnabar circular box with multiple cartouches of Families. This is a marvelous piece with very fine details on the main top panel of the box. The top pa...

A charming satin and rosewood, ebony and teak collectors’ table-cabinet Sri Lanka, second half of the 18th century Measures: H. 86.5 x W. 62.5 x D. 34.7 cm In the top of the shaped cornice, there is a carving of a butterfly or moth. Under the cornice two panelled doors with scorched chequered motif, and under the doors one long drawer. When the doors are locked, so is the drawer. Behind the two doors, there are eight drawers, suitable to store small collectors’ items, such as a coin collection, or mineral specimens, small shells, collections of animal teeth, etc. The 17th and 18th centuries saw a wide-spread interest in exotic cultures and collecting of botanical, zoological and geological specimens...

This oval gold snuff box is inscribed with a crest of ‘a stag trippant’ within mantling of upright ostrich plumes tied with a bow, all below a ducal coronet and above a cypher of the entwined initials ‘B.A.B.’ for Anne of Buccleuch. English, circa 1670. Provenance: Anne, 1st Duchess of Buccleuch Anne Scott, 1st Duchess of Buccleuch (1651-1732) was a wealthy Scottish peeress. After her father died when she was a few months old, and her sisters by the time she was 10, she inherited the family’s titles. She was married, at 12 years old, to James, 1st Duke of Monmouth, the eldest illegitimate son of Charles II, then 14. Following the king’s death in February 1685, James spearheaded an anti-Catholic revolt to depose the new king, James II, and claim the throne from his uncle. The brief Monmouth Rebellion ended in defeat and James, by then Duke of Monmouth and Buccleuch, was executed for treason. The Duchess had six children by Monmouth, and a further three by her second husband, Charles, 3rd Baron Cornwallis, whom she married in 1688. She died in 1732 and was succeeded by her grandson, Francis, Earl of Dalkeith. The style of chasing used on this box is very reminiscent of a signed piece in the Gilbert...

The dromedary in overall good condition with scattered light black pitting overall, wear to floral relief decoration on lid where it sits, possible loss/repairs to ears. Provenance T...

This stunning 18th-century Italian box is a fine example of Baroque artistry, embodying the period's characteristic grandeur and attention to detail. Crafted from rich walnut, the bo...

A splendid 18th c. Italian architectural model featuring a gessoed and gilt hemispherical dome on a circular entablature supported by a gessoed colonnaded facade with relief carved g...

18th century Italian painted and parcel gilt reliquary box. This lovely large Italian Baroque box is made of painted and parcel gilt wood surrounded by ...

This incredible piece is made of silver embossed in the form of floral ornaments. These pieces belonged to prominent members of the nobility. In addition to their shape and possible...

Antique folk art box, a so called Forskrin which was used when travelling for storing documents and valuables around the late 1700s. Made in nor...

This is a very unique bronze heavy box with a bear sculpture on top The box is a locking one that works

Very funny little snuff box with a text about Etimologie; the true learning or real learning, on the lids outside and a hidden erotic motive on the inside of the lid.

An Indo- Portuguese brass-mounted hardwood and Indian Wood marquetry cabinet, Goa. Gorgeously made with hand-cut hardwood and the finest quality of othe...

An 18th Century South Staffordshire Snuff Box Top / Lid, decorated with a Lady and Gentleman with a flute in parkland, gilt scroll border, the unde...

An 18th Century Silver Mounted Mogul Hand-Carved and Beveled Rectangular Jade Box. The jade is the finest quality with a natural even green tone. It is beautifully hand-carved and ...

17th century Chinese porcelain blue-glazed circular pill box from the Hatcher Collection, painted in different tones of blue with a central prunus flower on a wave pattern ground tha...

Vintage balsa wood, and tin lined lidded tea box, retaining partial labels.

A French oval perfume-scents box from late 18th century. This is a fantastic and very rare late 18th century necessaire box for perfumed scents, created in the kingdom of France dur...

This is an outstanding example of a late 18th/early 19th century Spanish Colonial Reliquary or table box. The emerald green combined with th...

A Rare and Important 17th Century Miniature Japanese Lacquer Cabinet, 19 cm H, 17cm W, 16.5cm D. The exquisitely decorated cabinet depicts fine floral raised scenes to each side. l...

Hand-carved wooden box, attributed to Alexandre Noll, France, 1950s. Made from high-quality dark wood, it features sleek, organic lines. Its unique lid is a genuine polished shell, r...

An antique 18th century Bilston or Battersea enamel muffineer or sugar shaker. A very rare form! With a pierced, domed top, raised gold decoration, and cartouches of floral spr...

This charming and unusual casket injects a romantic atmosphere into any interior. It has survived in impeccable condition with acceptable wear to the painted surface which signifies its age and use. It is a conversation piece, a piece of acting history, bought by Vivien Leigh and Laurence Olivier...

Mid 18th century Scandinavian baroque oak iron bound box circa 1720. Characterful oval shaped box profusely covered with iron edging and strap work.  This piece has taken on a great...

Magnificent layers and inlays of multi-colored mother-of-pearl cover each side of this breathtaking German snuff box. Each incredibly detailed scene is framed by finely engraved yell...

Probably Sumatra, Padang, 18th century H. 8.4 x W. 22.5 x D. 15.3 cm Weight 1700 grams Due to the form of this box, together with the date, the most likely place of production of t...

wondeful wooden carl auböck box covered with peau porc.

Antique China Wood Pencil Box Chicken Cock Figth Imerial Court Scene Top, 18th C Beautifully painted. Additional information: Material: Wood Type: Box Region of Origin: China Date...

From our Tea Caddy collection, we are delighted to offer this Georgian Oval Tea Caddy. The Tea Caddy of elongated Oval form veneered in Harewood with Box...

Large Mother of Pearl Box 20th century LARGE MOTHER OF PEARL BOX WITH 2 DIFFERENT TYPES OF SHELLS. 20TH CENTURY. MEASUREMENTS: 45X26X26XM. PERFECT CONDITION.

A gorgeous vintage box in the manner of Ystad Metal. Designed by Bernhard Linder for Metallkonst. Inscribed on the top as shown. Would work well on a shelf, coffee table, or on a des...

Late 18th century Scandinavian metal bound box circa 1790. Rare baroque inspired strong box with 3 locks on the front.  Quite likely to have been a box of some importance during it'...

Leather trunk Spanish, 17th century Boiled Leather, wood and iron Measures: 22 x 53 x 32 cm. Provenance : - collection Metz-Noblat, Château de Clevant, France Rectangular trunk of the form and size of a small suitcase with wrought iron hinges and lock-plate. Wood, covered with leather, cut and embossed with every surface of the thick cow hide covered in interlace, zoomorphic features. The construction method is boiled leather, often referred to by its French translation cuir-bouilli: a process used to change flexible, vegetable-tanned leather into rigid, moulded objects. For shaping of the vegetable-tanned leather, heat and moisture were used, as indicated by the term boiled leather. No written medieval sources describing the production of decorated cuir bouilli objects survive, so knowledge of the process relies on the important studies of the Scottish leather historian John William Waterer. A large range of methods, materials and techniques could be used in various combinations. The vegetable-tanned leather, made supple with moisture and heat, was stuffed, shaped and nailed to the rigid wooden coffer support. The stuffing material was probably modeled beeswax or stearin wax. To shape the leather, to create its topography, « Cushions » were made by lacing a thread through an awl hole and attaching the flexible leather and stuffing to the rigid wooden support on the bottom. Then the decoration was done: lines were incised through the upper layer of the leather (epidermis) with different thicknesses of knives or needles. Contours were created with deep v-shaped cuts, decoration with thin incision and final details with a needle point. For the incision and pouncing stage, the leather was probably kept heated and moistened for suppleness. Once dry, the leather would be hard and rigid. the saturated leather is worked over a form, possibly even damp sand, with the pattern shaped using bone or wooden tools. Compare to metal, leather was lighter and it offered protection from cuts and punctures. Cuir bouilli objects were produced by specialist leather workers and needed skillful craftsmanship. The surface is filled with roundels shaped foliages enclosing animals, lions and peacocks. The foliate arabesques creating a vegetal connection tweet the animals create the impression of a lush verdant space . The vegetal pattern here employed in combination with geometrical pattern came from the pre-islamic artistic traditions of the Byzantine and Sasanian empires. An aspect of Islamic geometry Is the basic symmetrical repetition and mirroring of the shapes that create a sense of harmony. The decoration of this truck is inspired by the islamic « arabesque » a form of vegetal ornament composed of spirals, intertwining plants and abstract curvilinear motifs. An arabesque character is given to the birds of the decorations through extreme stylisation. This arabesque maintained the classical tradition of median symmetry, freedom in Detail and heterogeneity of ornament. The presence of the peacocks is a paradisiacal allusion: in popular Islamic literature they were among the original inhabitants of the garden of Paradise expelled with Adam and Eve. Peacock as a decorative motif may have originated in the West, despite their eastern provenance. There was an ancient belief that the flesh and feathers of peacock do not decay. This led to the peacock becoming a christian symbol for Christ’s resurrection. Renowned for their decorative wall hangings, seventeenth-century Spanish leatherworkers also produced utilitarian objects, such as this trunk. A similar trunk is on display at the Metropolitan museum of art ( 09.158.1). Related literature : Davies L. 2006. Cuir bouilli. Conservation of leather and related materials, 94-102, Oxford: elsevier Butterworth-Heinemann Grabar, Oleg. The Mediation of Ornament. Princeton: Princeton University Press, 1992 Gabriela Germana Roquez, "El mueble en el Peru en el siglo XVIII...

Chinese Wooden Jewelry Box Good Condition Thanks