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Art Nouveau Sea Battle Repoussé Box with Moonstones by Alfred Daguet

$36,000
£26,761.90
€31,329.50
CA$50,348.63
A$56,215.57
CHF 29,323.56
MX$691,254
NOK 370,099.96
SEK 348,436.08
DKK 233,718.21
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About the Item

Daguet’s beautifully patinated box is a rich textural and colorful tour de force. The top of Daguet’s box is striking for its bird’s-eye-view of a crab clutching a viper eel. Using repousse and chasing techniques, Daguet creates dimension and a sense of the ocean depths as well as movement. It’s hard to resist being drawn in for a closer look and to float among Daguet’s dazzling marine life created from copper and colored glass cabochons. The moonstones in particular bring a life to the eyes, as if an expressive pupil was painted underneath. Alfred Louis Achille DAGUET (1875 - 1942) was a metalsmith active in Paris during the first part of the 20th century. His metalwork created prior to the outbreak of World War I, noteworthy for its versatility and virtuosity, is the most sought-after among collectors today. Daguet mined many sources for inspiration be they Egyptian, Celtic, Japanese, Byzantine, Medieval or contemporary. He received formal training under the painters, Gerome and Clairin, both academicians associated with the Ecole des Beaux-Arts who had traveled to Egypt and explored themes of orientalism in their work. Daguet’s studio in Paris was located at 22 rue de Provence, just above Siegfried Bing’s influential L’Art Nouveau boutique. It is this association with Bing that is most significant to Daguet’s metier and what firmly places his work in art historical context. As a promoter and purveyor of Japanese objects, Bing capitalized on the craze for japonisme by expanding his commercial galleries from 1895-1904 to include artist workshops capable of making everything conceivable to create harmonious interior spaces. Daguet’s finely-worked repousse copper sheets clad many decorative letter and desk boxes sold at Bing’s shop in the early-1900s. These boxes which Daguet often further embellished with colored glass unquestionably reflect the tenets of the Art Nouveau aesthetic. In addition to boasting famous clientele such as Sarah Bernhardt who followed him to his studio on rue du Faubourg Saint-Jaques following Bing’s death in 1905 and the closure of his store, l’Art Nouveau, Daguet’s work achieved critical success with inclusion in group expositions at the Musee Galliera, Paris, 1905, 1926; Salons of the Societe des Artistes Francais: 1900, 1903, 1904, 1905, 1909, 1910; and the Societe Nationale des Beaux-Arts, 1901.
  • Creator:
    Alfred Daguet (Artist)
  • Dimensions:
    Height: 5.5 in (13.97 cm)Width: 15.25 in (38.74 cm)Depth: 8.25 in (20.96 cm)
  • Style:
    Art Nouveau (Of the Period)
  • Materials and Techniques:
    Copper,Glass,Paper,Steel,Patinated,Repoussé
  • Place of Origin:
  • Period:
    1900-1909
  • Date of Manufacture:
    c. 1905
  • Condition:
    Minor losses. Signed AD. Excellent original condition. Well-preserved patina.
  • Seller Location:
    Chicago, US
  • Reference Number:
    1stDibs: LU7300235089362

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