Precious Stone Jewelry Boxes
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Material: Precious Stone
18th Century Baroque Period Italian German Guild Chest Cabinet Jewelry Casket
By Ferdinando Pogliani
Located in Forney, TX
A rare and most impressive 18th century European parcel ebonized rosewood hardstone bronze pewter bone ivory marquetry tabletop cabinet casket.
Of exceptionally fine quality, lavish...
Category
Early 18th Century Baroque Antique Precious Stone Jewelry Boxes
Materials
Lapis Lazuli, Metal, Brass, Bronze, Ormolu, Pewter
Yellow Alabaster & Brass Jewelry Box - Mineral Stone Box - Italy 1970s
Located in ROUEN, Normandie
Yellow Alabaster & Brass Jewelry Box - Mineral Stone Box - Italy 1970s
Very elegant jewelry or decorative trinket box.
Entirely constructed with alabaster stone and a brass hin...
Category
Mid-20th Century Italian Mid-Century Modern Precious Stone Jewelry Boxes
Materials
Stone, Alabaster, Marble, Brass
19C Anglo Indian Bombay MOP Sadeli Mosaic Trinket Box
Located in Dallas, TX
PRESENTING a LOVELY 19C Anglo Indian Bombay MOP (Mother of Pearl) Sadeli Mosaic Trinket Box from circa 1875-85.
Gorgeously detailed and hand-crafted ‘sadeli mosaic’ inlay, from the Bombay Area, with deep greens with silver, pewter, mother of pearl, bone and ebony in geometric patterns.
The box case, is made of sandalwood but completely covered in MOP, bone, faux ivory, ebony and mosaic inlay.
Edged with faux ivory and banded with a different pattern of sadeli mosaic.
Some minor damage to the top (repair is obvious in pics) and ivorine replacements to some edging, but it still a BEAUTIFUL BOX and of real QUALITY!
The mosaic work is FABULOUS!
Box opens to reveal its original blue velvet lining.
It sits on 4 (recently added) silvered button feet.
SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins.
The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials.
Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color.
The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched.
The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design.
On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent.
The earliest Sadeli boxes...
Category
Late 19th Century Indian Anglo-Indian Antique Precious Stone Jewelry Boxes
Materials
Silver
Colorful Semi Precious Stone Rectangular Jewelry or Trinket Box with Lid
Located in Oklahoma City, OK
A beautiful colorful decorative box with lid created from Carrara marble and inlaid with a variety of semi-precious stones. The sides are inlaid with a variety of stones in abstract ...
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20th Century Indian Folk Art Precious Stone Jewelry Boxes
Materials
Stone
Colorful Semi Precious Stone Rectangular Jewelry or Trinket Box with Lid
Located in Oklahoma City, OK
A beautiful colorful decorative box with a lid created from Carrara marble and inlaid with a variety of semi-precious stones. The sides are inlaid with a variety of stones in abstrac...
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20th Century Indian Bauhaus Precious Stone Jewelry Boxes
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Stone
19C Anglo Indian Carved Teak Wood and Sadeli Mosaic Box
Located in Dallas, TX
PRESENTING A LOVELY 19th century Anglo-Indian Carved Teak Wood and Sadeli Mosaic Box, featuring a carving of a Hunt Scene.
Made circa 1870 in Bombay, India during the Rule of the Br...
Category
Late 19th Century Indian Anglo-Indian Antique Precious Stone Jewelry Boxes
Materials
Silver, Pewter
Fabulous Antique English Rose Quartz & Lapis Lazuli Box, c.1920
Located in Bath, GB
A wonderful early Art Deco box made from highly prized Rose Quartz framed by exotic blue Lapis Lazuli, a winning combination.
Excellent condition dating to c.1920. Measures: 6 1/8...
Category
1920s English Art Deco Vintage Precious Stone Jewelry Boxes
Materials
Lapis Lazuli
$1,696 Sale Price
20% Off
Portuguese silver jewerly box with semi-precious stones on the lid circa 1850.
Located in Rio De Janeiro, RJ
Incredible portuguese silver jewerly box with semi-precious stones on the lid circa 1850.
Category
1850s Portuguese Baroque Antique Precious Stone Jewelry Boxes
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Silver
Contemporary Rose Quartz Box with Sapphire Pavé Jewelled Insect
Located in Toronto, ON
This handmade pink rose quartz box is a true piece of jewellery for the home, blending elegance with luxury. The box itself is crafted from natural pin...
Category
2010s Italian Precious Stone Jewelry Boxes
Materials
Sterling Silver
Contemporary Rose Quartz Box with Sapphire Pavé Jewelled Insect
Located in Toronto, ON
This handmade pink rose quartz box is a true piece of jewellery for the home, blending elegance with luxury. The box itself is crafted from natural pin...
Category
2010s Italian Precious Stone Jewelry Boxes
Materials
Sterling Silver
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The repeating geometric patterns of Sadeli Mosaic are what give it beauty and richness.
This decorative technique is a type of micro mosaic featuring repeating geometric patterns.
Dimensions: H: 5 in : 12 in W x 12 in. D.
Circa 1950s.
Sadeli mosaic art is a highly skilled craft, it has had a long history in India and the Middle East with early examples dating back to the 16th century. In the 1800s, it became popular as a decoration on a variety of boxes, card cases, and chess boards imported from India. Since Bombay became a center of making them, they became known as Bombay boxes.
The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before Indian boxes appeared. The designs on early boxes look deceptively simple. The fact is they emerged from a culture which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity isn’t immediately apparent to the viewer.
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19th Century Anglo Indian Highly Carved Sandalwood and Sadeli Mosaic Box
Located in Dallas, TX
PRESENTING A VERY NICE 19th century Anglo Indian Highly Carved Sandalwood and Sadeli Mosaic Box.
Late 19th century, circa 1880, Anglo-Indian Box from the “Time of the Raj” made in the Region/Area of Bombay for the British market.
The box is made of sandalwood with highly carved reliefs on all sides depicting various animals (tigers etc) and foliage.
The box is edged in faux ivory/ivorine and ebony stringing and bordered with gorgeous ‘Sadeli Mosaic’ from Bombay.
Sadeli Mosaic is the name given to the type of micro-mosaic used by craftsmen in Bombay, using pewter, silver, green semi-precious stone, bone and ebony to create a geometric type pattern.
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Exceptional 19th Century Anglo Indian Sadeli Mosaic Trinket Box
Located in Dallas, TX
PRESENTING A SUPERB AND EXCEPTIONAL EXAMPLE of a mid-19th century Anglo-Indian Sadeli Mosaic Trinket Box.
This one is in BEAUTIFUL CONDITION for its age!
From circa 1850-1860 and made in the Region of Bombay, India for the British market.
The ‘sadeli mosaic’ on this box, is classically an early version, of this type of mosaic work and is ‘coarse’ to the touch. Because of this, most boxes with this type of mosaic, have not survived intact for 170 years, without major losses to the mosaic, from dusting, cleaning, etc.
This box only has only had ONE very minor loss of mosaic to the top, which has been repaired and is hardly noticeable, otherwise it is in GREAT ORIGINAL CONDITION!
The faux ivory banding is even original to the piece.
The ‘Sadeli Mosaic’ on this box is ‘striking’, with gorgeous geometric patterns of silver, pewter, bone, stained bone (green) and ebony.
The box case, itself, is made of sandalwood, but it is completely covered in sadeli mosaic and faux ivory and ebony veneer.
The lid is banded with a different sadeli mosaic pattern.
From circa 1850-60 and made in the Region of Bombay, India for the British market.
The interior is lined in its original red velvet lining.
The box sits on it’s original 4 brass bulbous feet and the red velvet is also on the base underside.
The ‘QUALITY’ of this box is evident from the EXCEPTIONAL Sadeli mosaic work, but also the lock which is an early British ‘Lever’ Lock is a sign of real quality.
This is ONE for the SERIOUS COLLECTOR!
SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins.
The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials.
Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color.
The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched.
The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design.
On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent.
The earliest Sadeli boxes...
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Silver
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H 2.96 in W 5.12 in D 8.67 in
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