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Grandfather red lacquer chinoiserie wood European Clock

$2,632.75List Price

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Antique English Chinoiserie Lacquer Grandfather Clock, Circa 1820-1840.
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Fine 19th C Lacquered Chinoiserie Grandfather Clock by Triggs and Sons London
Located in Dallas, TX
A fine 19th century Chinoiserie hand painted and decorated grandfather clock. The dial signed Triggs and Sons London. Working condition.
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Wonderful English 18th-19th Century Red Chinoiserie Grandfather Clock
Located in Ft. Lauderdale, FL
English late 18th-early 19th century red chinoiserie grandfathers clock. Brass dial inscribed Jan Chater. Working condition. Beautiful detail and paint. Wonderful condition.
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Antique European Grandfather Clock by Jérémie Girod
Located in Lisboa, Lisboa
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Chinoiserie Grandfather Clock, England, London, Mid-18th Century, Longcase Clock
By James Scholefield
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Chinoiserie grandfather clock England (London) painted oak mid-18th century Dimensions: H × W × D: 236 × 48 × 24 cm Description: Antique English longcase clock with fine lacquer d...
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Scottish Grandfather Clock
Located in New York, NY
Scottish Grandfather clock: Clock face painted with settings of the Fair Maid of Perth during the four seasons. Measures: 21" x 9" x 76" Weighs: 50 Lbs.
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Scottish Grandfather Clock
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H 76 in W 21 in D 9 in

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Midcentury Ivory Jean-Claude Mahey Dining Table France lacquered wood brass
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Located in Valladolid, ES
One of a kind and exquisite table clearly embodies the spirit of high-end French design from the 1970s and 1980s, characteristic of Jean-Claude Mahey. Its precise geometry and lacquer finish evoke an aesthetic that fuses Art Deco, reinterpreted with modern glamour. The octagonal shape of the tabletop is particularly striking. This formal choice breaks with rectangular or circular tradition, providing dynamism and sophistication. The golden brass lines, which divide the surface into triangular planes, reinforce the compositional structure and allude to a sense of almost architectural order. These golden lines function not only as decorative accents but also as visual guides that direct the eye toward the center, generating visual balance. Jean Claude Mahey often used this contrast between polished lacquer and shiny metals to highlight geometric shapes. The ivory or cream lacquer finish provides a polished surface, typical of Mahey's style, which amplifies the sense of luxury and modernity. This type of finish is often associated with Hollywood-inspired interior design and the refined opulence of the mid-20th century. The square-sectioned, also lacquered base presents itself as a solid, geometric volume, generating an elegant tension between the visual mass of the base and the lightness of the tabletop. The gilded metal profiles that frame the edges of the base reinforce the idea of ​​geometric luxury and add stylistic continuity with the design of the tabletop. The table is extendable. Its basic shape is square, but the two extensions (which fold in half) are hidden within the base and fit into rails that are concealed beneath the tabletop. Overall, this table is a paradigmatic example of Jean Claude Mahey's style: refined, geometric, glamorous, and deeply linked to an artistic vision of furniture as functional sculpture. Jean-Claude Mahey (Mayenne, France, 1944–) Jean-Claude Mahey is a French designer famous for his burlwood furniture...
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Space Age White Italy Dresser Vanity Table Lacquer Wood Fibreglass
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