George I Clocks

Vintage 1976 Herschede Hall Clock Company tall case grandfather clock, model 230 aka The Sheffield. Made of cherry featuring serpentine crown with ash burl panels and reticulated 14k gold plated sun and moon face. Plays / Chimes Whittington, Westminster and Canterbury. With all the elegance of the 18th Century England, interpreted in George I design. Exquisitely proportioned cabinet of solid and veneers Cherry, paneled in glass on all three sides. The ever popular Sheffield is in a class of its own with its versatile attractive appearance, harmonizing with almost any décor. 9 tubular bells, full lyre pendulum, triple chimes and hand painted functioning moon dial. Hand carved corner spandrels and center ornaments richly 14 K Gold plating. The Sheffield, available in both light and dark Cherry Wood and nickel plated or golden washed chime tubes. It is a beloved companion that radiates warmth and charm throughout your home. Herschede, Gold Medal Winning Clocks Since 1885, Sheffield Model No 230, Starkvile Mississippi. Purely American Made. Franklin "Frank" Herschede was born on July 30, 1857 in Cincinnati, Ohio. In 1873, at the age of 16, he began working as an apprentice watch and clock repairman for Charles Cook. In 1877, he went into business for himself and moved to Vine and 5th Street in Cincinnati. He diversified into jewelry, watches, diamonds, etc., and in 1885, the store moved to larger quarters at the corner of Arcade and Vine. In 1885, noting the success of Walter H. Durfee, Herschede began importing movements and having cases made in a nearby cabinet shop on Front Street in Cincinnati, Ohio. Frank’s clock business expanded to the point that he purchased the cabinet shop in 1900. In 1901, Frank exhibited in the South Carolina and West Indian Exposition at Charleston, South Carolina, where he received a gold medal for his hall clocks. This was the first of several medals earned by the firm. Frank's son, Walter, graduated from high school in 1902, and began work in the cabinet shop. On December 29, 1902 the Herschede Hall Clock Company was incorporated. In that same year, Herschede began to produce his own tubes and install them in his clocks. In 1903 the Herschede Hall Clock Company factory moved from Front Street to 1011-1015 Plum Street. In 1904 the Herschede Hall Clock Company won several medals in the Louisiana Purchase Exposition in St. Louis in 1904: a gold medal for the best hall clock, a gold medal for the best hall clock cases, and a silver medal for tubular chimes. In 1909, the Herschede Hall Clock Company leased the building next door at 1007-1009 Plum Street to manufacture clock movements. The first movement passed final inspection on January 10, 1911. In 1913, a third melody, “Canterbury Chimes” was added to the Whittington and Westminster chimes. The tune was composed by Charles Eisen, "a gifted American pianist," especially for Herschede. (If you have a Herschede clock with this tune and are a musician, we'd appreciate having the tune so we can add it to our clock chime tunes page in this reference library... contact us and let's talk about how to make this happen... thanks in advance. We'd also like to have a digital recording of this tune.) At the Panama-Pacific International Exposition the firm won two additional major awards: grand prize was presented to the Herschede Hall Clock Company for chime hall clocks and mantel clocks, and a gold medal was awarded for the hall clock cabinets manufactured by the company. By the early 1920's the Herschede Hall Clock Company had opened branch sales offices in New York City, then in Chicago and San Francisco. Frank Herschede died on September 15, 1922, and Walter was named president in January of 1923. In 1925, Walter began to work with Mr. Warren to develop electric movement chime clocks. By April of 1926, the Revere Clock Company came into being. By 1927 the Herschede Hall Clock Company had added a pair of smaller lines of clocks, including a “grandmother” clock (about 6’ in height) and a “petite” clock (generally under 7’ in height). These were produced in the same styles as the larger hall clocks. By 1929 the Herschede Hall Clock Company had some 300 employees, but the Great Depression caused a significant reduction in demand for hall clocks (and just about everything else except jobs)! By 1933 the Herschede Hall Clock Company changed its primary focus on the lower end, introducing an inexpensive line of electric clocks called “Crown Clocks”. On February 4, 1934, Walter's son, Richard Herschede, began working fulltime with his father. The Herschede Hall Clock Company ceased clockmaking during WWII, focusing its manufacturing expertise on observational instruments and optical components for the military. Subsequent to the war, clockmaking resumed, but never regained its pre-war momentum. Eventually, the firm branched out into, of all things, the manufacture of parking meters! In 1952 the Herschede Hall Clock Company began using imported Junghans movements in its non-tubular bell clocks...

This great early arched spring clock has a 7-inch dial with unusual flower and scroll spandrels, matted centre with mock pendulum aperture. The upper corn...

An extremely attractive early 18th century George I period table clock of small proportions by Gamaliel Voyce, c.1725. The proportions of the petite clock (measuring only 14 inches (36cm) with the handle up) are such that is difficult not to fall in love with it. The timepiece has a five knopped and finely finned pillar gut-fusee movement with verge escapement and a short knife-edge suspended pendulum. It has a pull quarter repeat on two vertically positioned bells indicating the hours on the larger bell followed by the quarter hours sounding a ting-tang strike on both bells. The profusely engraved backplate and verge cock apron depict symmetrical floral and scrolling leaf and vine patterns around a prominent signature cartouche: Gam Voyce London. The break-arch brass dial has a silvered chapter ring, a circular signature plaque to the arch, date aperture right under the middle and a false pendulum aperture under the XII. The chapter ring has Roman numerals within a minute ring and an outer Arabic five-minute track. The dial centre is finely matted and the gilt-brass corner spandrels are of the crown and sceptre design, while the arch spandrels depict putti looking outwards. The time is indicated by a fine pair of pierced blued steel hands. The ebonised fruitwood veneered oak case has an inverted bell top surmounted by a brass swinging carrying handle, well-formed and returned top moulding and door edge moulding. All sides are glazed so that the fine movement is almost entirely visible. The arched side panels are surmounted by smaller shaped windows. Both doors have fretted quadrants backed with red silk and well-formed elaborated concave mouldings. The clock is in excellent fully restored condition and keeping good time. The maker, Gamaliel Voyce, perhaps originally of French family origin, was born in England around 1673. Voyce became the patriarch of a large family of 18th-century clockmakers who eventually settled in Gloucestershire. However, Gamaliel himself worked in London and was apprenticed to Sarah Payne from 1687 to 1694.2 Sarah, widow of Nicholas Payne, was one of a small group of female horologists of the time. A record in the Clockmakers Company minutes notes: "14th day of January 1694...Gamaliel Voyce, who was the Apprentice of Sarah Payne was admitted and sworne a Free clockmaker &c vide his subscription in ffol 216 of the large Parchment Book." Witnesses that day were notables such as William Clement, Joseph Windmills, Joseph Knibb...

An impressive early 18th century dark green japanned tall case clock, the 12 inch silvered brass dial signed William King London (listed in Britten's Old Clocks as working in 1720), ...

A fine George I period walnut stick barometer in a walnut veneered case on an oak carcase. The design of the case with its stepped pedimented top and three gilt finials (replaced) is...