Louis XVI Clocks

A superb early antique French ormolu and Sèvres style porcelain clock. It is made of exquisite ormolu (finely gilded bronze) mounted with very finely painted Sèvres style porcelain, ...

A stunning and most impressive French 18th century Louis XVI period giltwood wall mounted clock signed Boguet Le Jeune. The large scale clock date...

Imposing finely chiseled gilt bronze cartel decorated with mistletoe garland, rams heads and pine cones, firepot on the pediment. Signed Raingo Frères in Paris on the enamelled di...

Louis XVI style clock of the XIXth Century Important clock of the XIXth century of Louis XVI style, in gilded bronze and porcelain. Dimensi...

Antique 19th century French Louis XVI style gilded bronze and white marble mantel clock. The circular case is decorated with a floral elements and surmounted by the figures of Venus...

A superb quality 19th century French Louis XV Style Ormolu Mounted Mahogany and King-wood Parquetry "Re´gulateur de Parquet" Grandfather longcase Clock by Haentges Freres. The drum...

A luxurious French Louis XVI style gilt bronze ormolu and alabaster (onyx-marble) three piece mantle clock and garniture set, possibly attributed to Raingo Freres. The fine quality antique originating in France in the late 19th century, exquisite Parisian work, exceptionally executed in opulent, elegant, and sophisticated King Louis XVI style, timeless neoclassical taste, comprising: classical architectural case mantel clock, having pointed bronze doré finial, flanked by scrolled foliates and lyre motifs, fancy enamel dial with Arabic numerals, inscribed F. Lapointe, Paris, eight-day time-and-strike movement signed Samuel Marti 1900 (Paris, 1870-1890), original Apollo mask sun-burst pendulum hanging below clock drum, flanked by matched pair of two arm candlestick garnitures, each with matching scrolled foliates and lyre finial, tapering column support with two candle nozzles, rising on stepped molded base, terminating in patinated brass disc feet. Markings: Pendulum stamped "R" "1721" ormolu on clock & garnitures stamped "1321"; possibly attributed to R. Freres / Raingo Freres. Dial signed by French enameller "F. Lapointe, Paris" Movement stamped by the firm of well-known French clockmaker Samuel Marti et Cie, Paris, second half of 19th century. Dimensions: (approx) As pictured: 18.5" High, 36" Wide, 5.5" Deep; 27.5 lbs total. Clock: 18.5" High, 13" Wide, 5.5" Deep; Candelabra garnitures: (each) 12" High, 8" Wide, 4.25" Deep; Condition: Presents splendidly. Great original unrestored antique condition. Currently not operating as it's lacking a suspension spring. Retaining bell, pendulum, and key. Losses to decorative elements. Wear consistent with age and use. To ensure the clock arrives as beautiful as it leaves here, and due to the rather delicate nature of antique clocks...

A Neoclssical Oak and mahogany long-case clock by B.Dernadromes, case by C.L.Clare, musical mechanism by G.Welte. The 18th Century was a time of increasing prosperity, and numerous ...

French sculptor Etienne-Maurice Falconet (1716-1791) is the inspiration for this beautiful, sumptuous mantel clock. His clock, crafted in the late 18th Century and now on display at the Louvre Museum, caused such a stir when it was exhibited over 100 years later, at the Great Exhibition in Paris in 1900 that one reviewer claimed that it "attracted so much admiration from the crowds gathered around that the pressure was sufficient at times to endanger its safety." As well as this famed 'Three Graces...

21st century Hand carved amber crystal and silver bronze clock. This clock is in hand-carved amber crystal and the dial is in black porcelain decorated in platinum. This clock has a ...

Truly unique clock set in pink marble and bronze decorative piece of art the clock is modelled in the image of an 18 century sedan chair that is covered ...

A stunning and most impressive French 19th century Louis XVI st. ormolu clock by Roque, Paris. The clock is raised by elegant circular mottled feet with fine wrap around foliate band...

Measures: H: 25 1/2 in / 64.7 cm ; W: 22 1/4 in / 56.5 cm ; D: 9 1/2 in / 24.2 cm An exceptional quality three-piece clock set designed in a grand neoclassical. The set is compri...

21st century hand carved clear crystal and golden bronze clock. This clock is finely chiseled lost wax castings and hand-grounded crystal. This clock has a mechanical 8 days wind mov...

A stunning and very high quality French 19th century Louis XVI st. ormolu and Rouge Griotte marble clock signed Raingo Frères. The clock is raised by two elegant rectangular reeded supports at the front and circular spiral fluted feet behind below striking richly chased elongated rosettes centering a fine pierced fitted intertwined laurel branch also repeated at the rounded sides. At the center is an impressive pierced fitted ormolu mount with Rinceau shaped scrolled acanthus leaves and berried laurel garlands flanked by striking fluted columns with fitted decorative ormolu chandelles and stunning lightly curved richly chased cornucopias with ribbons at each side. The enamel dial displays Roman numeral hour markings and Arabic numeral minute markings with elegant pierced foliate ormolu hands framed within an elegant mottled bezel with foliate and beaded designs. Above is the remarkable top crown a richly chased berried laurel wreath, a quiver, arrows, a bow and the eternal flame all tied with a flowing ribbon and displaying a wonderful satin and burnished finish. All original gilt throughout. Raingo Fréres, established in 1813 in Paris, specialized in the high precision clock...

Louis XVI style ormolu and rouge griotte marble clock set French, 1867 Clock: height 67cm, width 46cm, depth 28cm Candelabra: height 81cm...

A spectacular and very important French early 19th century Louis XVI st. white Carrara marble and ormolu clock by Raingo Frères. The clock is raised by elegant topie shaped feet with fine wrap around berried laurel bands below the white Carrara marble base with rounded sides decorated with richly chased pierced intertwined berried laurel and blooming flower bands, and a finely detailed central plaque depicting charming cherubs playing musical instruments. Above are two exquisite patinated bronze maidens sitting on a mottled support with lovely foliate designs each draped in wonderfully executed garments and holding a wreath and flowers with a charming winged cherub extending his arms up. At the center is the elegant enameled dial with Arabic hour numerals amidst lovely floral garlands and numbers indicating the date at the border with delicate pierced ormolu hands with a remarkable pieced foliate design at the back. Above is the lightly curved fluted top crown with a stunning array of richly chased branches and blooming flowers in a superb satin and burnished finish. All original gilt and patina throughout. Raingo Fréres, established in 1813 in Paris, specialized in the high precision clock...

A lovely early antique French ormolu clock by Louis Japy, part of the great Japy clockmaking dynasty. It is of Louis XVI design and mounte...

A Very Fine French 19th Century Louis XVI Style Plum-Mahogany and Ormolu Mounted Tall-Case Regulator attributed to Revollon. The Roman numeral dial signed: Revollon - M. Lion, with h...

A French 19th Century Dore Bronze Chinoiserie Style Figural clock with a Woman Resting on a Seat. This is a beautiful example of French dore bronze craftsmanship mixed with the Chino...

A very fine gilt-bronze wall clock and matching barometer with Sèvres Plaques. The dial of the clock signed ‘JULIEN LEROY A PARIS’, the barometer dial signed ‘PASSEMANT AU LOUVRE’. The eight day strike Wall Clock and its matching Barometer, both have a terminal in the form of a pineapple drop with acanthus leaf scroll detail. Above this is a Sèvres panel of a cherub in a garden, rising to a white enamelled dial with Arabic and Roman numerals flanked by cascading relief moulded fruit from a further Sèvres panel of a cherub in flight below a ribbon tied pediment. This companion clock and barometer are fine nineteenth century examples of a pair originally supplied to Madame du Barry in 1769 by the marchand mercier Simon-Philippe Poirier. They were then described as ‘Un Baromètre & Thermomètre, de Passement, montés très richement en bronze dorés d’or moulu et ornés de trois plaques de porcelaine de france à Enfants en miniature cy 10561I.’ It is interesting to note that the original design was made to allow either of three porcelain plaques, depicting putti with astrolabes. Eighteenth century models are now in the permanent collection of the Victoria & Albert Museum in London, the Musée du Louvre in Paris, the Metropolitan Museum of Art in New York. French, Circa 1880. Literature: De Bellaigue, G. The James A. de Rothschild Collection...

This 'Marie Anoinette' antique clock is signed on the face by an unknown maker, and originated from France and dating to approximately 1880 and done in the period Louis XVI style. Th...

Louis XVI period neoclassical ormolu and malachite mantel clock French, Late 18th Century Measures: Height 53cm, width 36cm, depth 14cm Encaps...

A French 19th Century Cornucopia Gilt-Bronze Cartel, by Susse Frères Paris An Ormolu Cartel in the shape of an escutcheon, with a circular white enamel dial, signed Susse Frères/A Paris, Arabic numerals for the hours and for the minutes. It's bordered by a frieze of pearls and surmounted by a falling laurel knot with a drapery in the lower part and flanked by cornucopias adorned with flowers and fruits. Rectangular base decorated with a garland of knotted flowers dying in a tapered, fluted barrel and damping, in the upper part, a flowery Medici vase. Louis XVI Style Circa 1870 Original gilding uncleaned The Susse company, a worldwide reknown foundry, began to cast pieces as soon as the first half of the 19th Century. Awarded medals...

A stunning and extremely high quality French 19th century Louis XVI st. Belle Époque period ormolu, patinated bronze and white Carrara marble clock by Charpentier...

Very fine quality French 19 century Louis XVI style Cherub motif Bronze and Marble Mantel Clock by Ferdinand Gervais

Lyre-shaped mantel clock on marble base with crowning head of sun god Apollo and swan heads holding a flower festoon in their beaks. The dial is decorated with round enamel numerals....

Louis XVI style ormolu mounted malachite column mantel clock. French, late 19th century. Measures: height 52cm, width 23cm, depth 20cm. With the cir...

Set of a barometer and a clock, 19th century Set of a barometer and a clock in carved wood, from the 19th century, Louis XVI style, Napoleon III period, great decoration. The mechanism of the clock is missing, but it is possible on request to put an old clock...

A French Clock Garniture in the Louis XVI Manner The clock and its accompanying candelabra constructed in gilt bronze mounted Italian Carrara marble; the timepiece with stepped elli...

A beautiful, classically designed antique French gilt bronze clock set by Japy Frères. It features oval panels to the sides showing Fortun...

A beautiful and large scaled French 19th century Louis XVI st. Brèche Violette marble, ormolu and patinated bronze clock signed Balthazard. The clock is raised by a square Brèche Vio...

An exquisite and high quality French 19th century Louis XVI st. white Carrara marble and ormolu Portique clock, signed "Tiffany'. Raised by a marble base with ormolu topie shaped supports. Above are two columns decorated by finely chased floral ormolu mounts. The columns are flanked by two fluted tapering ormolu design elements. The enamel dial has a foliate garland at the center and ormolu pendulum. At the top crown is an ormolu floral basket with two lovebirds...

The case Jean-Francois and/or Guillaume Deniere (French, 1820-1901); the mechanism (Samuel Marti et Cie (French, 1841- ), circa 1870, finely cast gilt bronze and marble mantel clock in the Louis XVI taste, surmounted by a ribbon tied quiver and torch, the case decorated with swirling florals, the enameled dial with polychrome floral swags and Arabic numerals, the base with bundled acanthus garlands. and rising on toupie feet. The dial marked "Deniere/Ft de Bronzes" and "Paris", the mechanism stamped "Jx/Deniere/A Paris/1565',"Juveneaux", and "Medaille Bronze/S Marti & Cie". Note: The Deniere (Derniere) firm was noted for their exceptional bronze casting, exhibiting at the Paris 1855 World Fair and having multiple royal commissions including the coronation coach...

Antique French Louis XVI Blue Sèvres Porcelain and Ormolu Mounted Clock, circa 1875-85.

Rare Louis XVI period portico clock in white marble and gilded and chiseled bronzes with antique-inspired decoration. This important Neo-classical clock of the late 18th century is c...

A very impressive late 19th century French gilded ormolu and cobalt blue porcelain urn clock set, the clock having seated putti holding garl...

A wonderful French Louis XV1 style striking figural ormolu-mounted white marble clock. The beautifully cast figures of Venus and Cupid are springi...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

Portico clock signed “Persevalle à Reims” This refined portico clock crafted in transitional Louis XVI – Empire style from ormolu and black marble is signed on the dial “Persevalle à Reims”. The Empire style was based on elements of the Roman Empire and its culture, which had been rediscovered starting in the eighteenth century. Bronze was the main material used in Empire style timepieces and both the patina and ormolu techniques were vastly used for ornamentation during this period. As for the source of inspiration for decorative motifs of Louis XVI style, it was coming from nature and antiquity thus many characteristic elements would reoccur in architecture, interior decoration and furniture. Many ornaments were borrowed from flora, and this love for nature appeared into decoration by the presence of a wreath of roses, baskets, palmettes, bows and ribbons. The portico clock is mainly crafted from black marble and ormolu bronze embellishments, which with their minimalistic touch compliments one another. As mentioned before, the source of inspiration for this portico clock derived from antiquity. The columns which are a key feature of portico clocks are constructed in Greco-Roman architecture. The two front black pillars are made in Tuscan style with gilded capital and base, they are also entwined with an acanthus spiral around the pillar. The back columns, in contrast to the front one, are square and has only a face adorned with a gilded bronze floral garland. The four columns are connected on top with an entablature with a cylinder-shaped dial in the middle cast from bronze. The entablature is adorned on both sides with gilded lyres and flower vases. The dial of the clock is signed ‘Persevalle à Reims’ and consists of blue Breguet-style hands that indicate hours laid out in Roman numerals and minutes in Arabic numerals on the enamel dial. The Breguet hands have a circle with a filled crescent shape on the side and have been featured its founder's watch hands for over two centuries now. This unique shape is sometimes referred to by the French word for apple, pomme. Above the dial is situated a small black marble plinth and a marble medicis vase...

A most spectacular and extremely high quality French 19th century Louis XVI st. white Carrara marble, ormolu and patinated bronze annular clock, signed MARTI, circa 1840. Raised by a...

A very impressive and fine quality late 19th Century English bracket / mantel clock. Veneered in red Tortoiseshell and having wonderful gilded ormolu mounts and mouldings. Having fla...

A very rare Louis XVI style gilt-bronze and glass, Pendule a cage, by Francois Linke, with a white marble base. Linke Index no. 076'. Linke Title: 'pendule a cage'. Signed to th...

This elegant portico clock crafted in transitional Louis XVI – Empire style from ormolu, white and black marble, is signed on the dial “Arnoux à Paris”. Decorative motifs of Louis XV...

A most elegant Danish 18th century Louis XVI period oak grandfather clock. The clock is raised by fine bun feet below a mottled finally carved foliate band. The case displays one doo...

A very good quality mid 19th Century French gilded ormolu Louis XVI style mantel clock with a matched pair of classical five brach candelabra, with putti supporting cornucopia. The c...

19th Century John Bennett , Paris alabaster with Gilt brass design detail mantel clock . The clock features an alabaster case with turned columns and gilt brass metal mounts on a det...

A stunning French 19th century Louis XVI st. ormolu clock signed by Denière. The clock is raised by elegant topie shaped feet below beautiful block rosettes. At the center is a richl...

A very good quality late 19th Century French champlevé enamel and porcelain clock garniture, set in a gilded ormolu case, the porcelain panels to the clock and urns depicting classic...

French 19th century Louis XVI style white marble and gilded ormolu clock garniture, having a two handled urn finial above a white enamel clock face, an eight day duration clock that ...

A handsome French 18th century Louis XVI period oak grandfather clock. The clock is raised by a square mottled base with an elegant carved recessed design. At the center is a finely ...

A very elegant and richly chased 19th century French Louis XVI st. ormolu clock signed F. Barbedienne. The clock is raised by five toupee shaped feet. At the frieze are two rosettes encompassing a Rinceau design below the berried laurel band. Above is the original beveled curved glass door and enameled dial. The pediment is decorated with acanthus leaves. At the top is the urn of prosperity with a finial draped by a laurel leaf garland...

This beautiful vintage French Louis XVI giltwood mantel clock is circa late 1880s. The clock is designed with detailed sculpted symbols of a flaming torch crossed with a quiver of ar...

A large and richly decorated ormolu bronze mantel clock on a white carrara marble base. The clock is embellished all around with bronze ornaments in Louis XVI style; a lidded coupe w...

A fine, early antique French clock by André Hoffmann of Paris, the movement by Vincenti et Cie, circa 1850. It is beautifully made in ormolu (fir...

A most spectacular and sensational quality French mid 19th century Louis XVI st. clock in ormolu signed ‘BEURDELEY À PARIS’. The large scaled clock is raised by bun supports decorate...

A very good quality 19th century French gilded ormolu Louis XVI style mantel clock, having wonderful scrolling foliate decoration in the Rococo style, garlands of flowers draped eith...

A striking and high quality French 18th century Louis XVI period white Carrara marble and ormolu garniture clock set signed by Jean-Simon Bourdier. The clock is raised by elegant mot...