Bronze Decorative Objects

A breathtaking antique French Belle Époque period (1871-1914) porcelain mounted mixed metal mantel clock. Born in France in the late 19th / early 20th century, fine quality Parisian work, exceptionally executed in luxuriously opulent 18th century Louis XV Rocaille taste, finished on all sides so it can be placed anywhere in the room, featuring a visually striking sculptural floral fiolate adorned gilt metal case, heavily embellished with fine porcelain flowers...

Dimensions- H: 17 3/4in W: 11 1/4in D: 8.5in This Bronze Signed After Claude Michael Clodion titled "Bacchae and Cupid" is an exceptional sculpture and was made with quality in mind....

A fine 19th century French Louis XV mahogany and gilt bronze mounted Grandfather clock. The clock has beautiful mounts and parquetry inlay. The clock rings ...

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker who specializes in maintaining museums in Poland.

Antique picture frame from the French historicism, the so-called Louis XV style. Beautiful and very heavy bronze work. Signed by the artist "E.Roo". Inside dimension: 13 x 9 cm ...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture & Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Antique pair of French Louis XV style double arm candle wall sconces. The backplate topped with a bow has ribbons & drapery. The candle holder are decorated on the underside as well...

A fine set of French Louis XV style gilt bronze sconces By Gherardo Degli Albizzi Beautifully cast in the traditional manner with all the sumptu...

Exceptional garniture in the Louis XV/XVI style with gilt bronze mounts attributed to Léon Messagé (1842-1901) and Francois Linke (1855-1946), including mantel clock and pair of cand...

Dimensions- H: 6 1/2in W: 2 1/4in D: 2in This Antique French Ormolu Bronze And Marble bust of Louise Brogniart After Jean Antoine Houdon And Signed Thiebaut Fréres is an incredible example of 19th century french decor...

A Pair of Oval Bronze Reliefs After Clodion. Each inscribed to the cast Clodion. Each plaque depicts a Bacchic scene of a maiden dancing with a young s...

A Pair of Louis XV Style Gilt-Bornze Six-Light Candelabra by Robert Frères, Cast by Susse Frères. Signed to the base ‘Robert Frères, à Paris’ and with the cachet stamp for ‘Editeur ...

This elegant bronze silver plated jardinière was created in Paris, France, circa 1870. The oblong antique planter sits on small curved feet and leaves, over a scalloped apron decorat...

By Kienzle clock works, Scwennigen-on-Nekar. Patent No. 125605. Made for the European market. A fine parquetry shaped case with floral vine marquetry sides and tall cabriole legs. Th...

An Important and Palatial French Louis XV Style 19th century Gilt-Bronze Cherub and Maiden Mantel Clock "In Search of Love", the movement by "Samuel Marti et Cie." The large and impr...

A 19th century finely chiseled pair of French Louis XV gilt bronze figural candlesticks in the manner of Juste-Aurèle Meissonier, famous 18th cnetury French designer. Height 12.40 i...

Rare Louis XV period wall clock "cartel d'applique " , finely cast and chiseled , beautiful mercury gliding , the enameled dial with roman numerals , signed GILLE LAINÉ À PARIS - Gilles Lainé ( Pierre Francois Gille ) , dit "L'AINÉ", master clock...

Louis xv style rhinoceros clock of the 19th century The rhinoceros is surmounted by a box containing the clock, the movement engraved "Martin/ AParis"...

Bronze Sculpture of the XIXth Century of Louis XV Style Beautiful bronze sculpture of the XIXth century on its base in blackened wood of ...

Antique late-19th century French pair of Louis XV style ormolu bronze four-light candelabra, beautifully modelled in the Rococo style, each foliate-sheathed spirally fluted baluster ...

A 19th century French bronze gilt boar head. The boar with inlaid Glass eyes. D'ore (Gilt) bronze chenets, cast with the figure of a boar head. Boar Bronze...

Magnificent elaborate gilt bronze picture frame with a guilloche inset matt. The frame with garlands and swags with original oval glass an metal back with easel.

Dimensions: H: 11in W: 9.5in D: 9.5in This beautiful pair of 19th century French Bronze Candelabras are made from the highest quality Dorè or Ormolu Bronze. The craftsmanship of the...

ITEM: A LOUIS XV ORMOLU CARTEL CLOCK AUTHOR: CHARLES BALTHAZAR PERIOD: APPROXIMATELY 1745 Dimensions: 40 ¼ in. (102.3 cm.) high, 23 in. (58.5 cm.) wide A mask of Apollo is on...

French decorative candle holder in the Louis XV style. Plated bronze. Good condition with nice patina Shipping 41/20/25 5.8Kg

A fabulous French antique, circa 1850, Sevres style porcelain mounted gilt metal mantel clock by Parisian sculptor and merchant Louis Hottot (1829-1905), with stamped Japy Freres sil...

This vintage Tiffany & Co. French bronze clock dates from the late 19th century (1896). It is elaborately designed in the style of Louis XV & exhibits a meticulous detailed casting w...

Pair antique French Louis XV silvered bronze candelabra, circa 1880.

Antique French Louis XV bronze d' ore desktop picture frame, circa 1880-1890. Photo size: 3.5 inches wide x 5.5 inches tall.

Dimensions- H: 3in W: 4 1/4in D: 2 7/8in This exceptional pair of French Doré bronze dogs on malachite plinths/bases are an amazing example of high quality antique smalls. Finding a pair in this good of condition is highly uncommon. Malachite Was believed to have healing factors in Europe during the Renaissance and later people saw malachite as a sign of wealth and power due to its rarity. Most pieces made with malachite whether it was a piece of furniture or a pair of bronze dogs...

Our Sevres Louis XV style vases with cobalt blue glazes feature extensive gilt designs including the Louis XV coat of arms with three fleur-de-lis in shie...

Four Beautiful and very rare candlesticks in gilded bronze from 1760s in Louis XV. Most probably made in Paris. Provenance from the Banque de France, complete with inventory number f...

A fine French 19th-20th century Louis XV style silvered centrepiece by Christofle & Cie. with an ovoid molded cut-glass centre-dish (later) on a pomegranate branch-form foot, the underside stamped: CHRISTOFLE and 1147156, Paris, circa 1900. Charles Christofle...

Pair of antique Italian Ornate bronze French Louis XV style Rococo 6 point candelabras Center top 6th candle holder has a removable finial which may be able to be used as a snuffe...

These sconces (wall lights) are wonderful examples of the 18th century Louis XV style, which was fashionably revived in the 19th century. The style was characterised by its rocaille ...

Pair of candelabras louis XV style attributed to Henry Picard skilled of bronzier who found the maison picard and also supplied the work for the fr...

Clock set three pieces louis XV style in bronze ,quality and detail are very finely executed Dimensions of the candelabras H: 11 inch W: 6.5 Clock dimension are in description.

Regal Pair of French Louis XV Bronze Dore´ Candlesticks Mounted as Lamps with Black painted Tole Bouillotte Shades. The French Louis XV Gilded Bronze Candlesticks have a Foliate Tri-...

A fine ornate antique French Louis XV style gilt bronze photo frame with back easel stand, Napoleon III era, circa 1880. Richly decorated with neoclassical style motifs such as faces...

French Serves-style porcelain & gilt bronze ormolu cassolettes urns, Circa 1880-1900 The French porcelain ormolu bronze mounted cassolettes urns have...

A very fine 19th century French Louis XV gilt bronze and patinated bronze clock by Raingo Fres Paris.

Sublime gilt bronze fireplace trim, finely chiseled and burnished with Agathe. It consists of a clock resting on four arched feet, with rococo decora...

Pair of stunning Louis XVI style 19th century bronze 24-carat gold-plated six-arm figural candelabras. Each having five arms forming a large candelabra supported by a man and the mat...

Louis XV Style Vernis martin cartel clock and thermometer, circa 1740. A very fine and palatial of French 18 century Louis XV style vernis marti...

Magnificent and large clock, very decorative, very unusual at the time. It is composed of gilded bronze with mercury and patinated bronze. It reveals a sublime war scene with the figure of two knights, one of whom is wounded and Pierre Terrail, Lord of Bayard, the fearless and blameless knight, valiantly supporting and defending his comrade in the face of enemies. Period: Restoration - Circa: 1820. Style: Troubadour, Middle Ages - Provenance: France. Dimensions: Height: 53cm x Width: 37cm x Depth: 14cm. Completely revised by a professional watchmaker - Original movement without modification, silk thread suspensions, hour and half hour strike on an old bell...

A stunning, rare fine quality French gilt bronze mounted Kingwood marquetry bibus (miniature bibliothèque). In the manner of/possibly by celebrated ébéniste Maison Paul Sormani; the ...

Antique pair of Gothic Cathedral motif brass prickets - Church/Altar candlesticks with gothic architectural design elements. Ric.0042.  

Large Antique Pair of Gothic Cathedral Motif Brass Prickets - Church/Altar candlesticks with gothic architectural design elements. Ric.0044.  

This is a stunning pair of French fireplace bronze doré chenets from the 1800’s. Each chenet has a putto standing on a large cluster of curled acanthus leaves. Beneath the leaves are thick bases with cavetto molding adorned with a series of C-scrolls. Grapevines and wheat husks emanate upwards from the leaves, giving the chenets some additional height. One of the putti is pulling a grapevine over his shoulder, while the other one has a sickle in his hand. French chenets...

This antique covered jar or pot was made by the well known Meissen factory of Germany in approximately 1750 in the period Louis XV style. This lidd...

Bronze candelabrum with double patina in the louis XV style representing two cupids holding a bronze candelabrum of nine lights. at the feet of the cupids a quiver.

This piece is attributed to Severs the French porcelain maker, and the style, and form are from the 18th century. There is a Severs mark on the verso, but we could not authenticate t...

A French Bronze Wall, Cartel Clock Late 19th Century, Solid Bronze, Figural A fine solid bronze large and impressive Wall or Cartel Clock having porcelain Cartouche Roman numera...

18th century French large Vernis Martin gilt bronze cartel clock and console The impressive and large clock case decorated overall with very fine ‘Vernis Martin’ lacquer paint wit...

An important mantle Clock 'à l'éléphant' in the Louis XV style. Constructed from gilt, hand-chased, and burnished bronze with patinated detail, the mantle clock on an asymmetric Rococo scrolling base with naturalistic features; the main body modelled as an elephant astride, mounted with a turbaned figure of a mahout (elephant keeper) in charge and his companion monkey, the elephant's back supporting a bamboo houdah enclosing the white enamelled dial marking the hours and minutes in Roman and Arabic numerals respectively, a tasselled cushion perched atop with two oriental figures holding parasols. French, circa 1840 Clocks incorporating animals reigned supreme during the Louis XV period, at a time when curiosity for new cultures was at its height. The exoticism found expression in the accounts of explorers describing rhinoceros, lions and elephants, which were enthusiastically absorbed into European decorative arts. The elephant acquired a particular aura following the diplomatic gift of the King of Siam to King Louis XIV of an elephant in 1686. Elephants had been used as motifs in horology since the Renaissance period, representing the theme of 'rulership' in the Kunstkammer, as seen in the Augsburg Automaton in the collection of the Metropolitan Museum. The Elephant Clock...

A very fine and palatial French 19th/20th century Christofle & Cie Louis XV style silvered figural centerpiece, fitted with an oval diamond-cut-glass center-dish, attributed to Bacca...

Large antique pair of Gothic Cathedral Motif brass prickets - Church/Altar candlesticks with gothic architectural design elements. Ric.0043.    

Large enamelled porcelain perfume burner decorated with vines on a background of rose petals. The set is embellished with an elegant mount in chisele...