Sculptures

Anglo-Indian Regency Carved Marble Sculpture of a Seated Long-Hair Terrier  Anglo-Indian for English Market, 19th Century  A whimsical Anglo-Indian Regency Carved Marble Sculpture o...

Lovely Set of 7 Scandinavian Wooden Woodpecker Corkscrews + 2 WIne Corks, 1960s

Dimensions: 9cm W, 4.5cm H, 2.5cm D Period: 1990’s Condition: Mint Material: Glass

Lisa Larson for Gustavsberg. Stoneware figurine "Öst" (East) from the series "All världens barn" (Children of the World). Perfect condition. Marked. Dimensions: H 12.5 cm x D 7.5 cm.

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

A lovely Bronze sculpture by the Swedish artist Bengt Amundin designed in 1957. The sculpture is called "Urfågeln" (The Primeval Bird). The sculpture is 36 cm (14.4") high including ...

Lisa Larson for Gustavsberg. Rare "Johanna" figurine in glazed ceramics. Late 20th century. Marked. In perfect condition. Dimensions: 15.5 cm x 10.0 cm.

A hard to find porcelain owl sculpture by Lillemor Mannerheim for Arabia of Finland, circa 1980s. Signed on the underside by the artist, the p...

Ceramic vase designed by Bjørn Wiinblad, with design no. V18 from 1975, produced in Denmark. This vase represents Wiinblad's distinctive style, which often included imaginative and c...

Lisa Larson for Gustavsberg. Stoneware figurine from "Children of the World" series. Boy with a bucket. In perfect condition. Marked. Dimensions: H 12.5 cm x D 9.0 cm.

This Scandinavian Modern earthenware hedgehog from the 1960s exudes charm with its glazed zigzag pattern on beige fur. The unglazed brown face adds a distinctive touch to its feature...

Tall Scandinavian Modern glass ice sculpture, of full lead crystal glass, designed by Bengt Edenfalk for Skruf. Reaches 55.5 cm tall incl. wooden base.

Rare small musk Ox figure/carving. Hand worked Norwegian Pine wood and leather. Burnished makers marks to bottom. Arne Tjomsland was Norways leading souvenir designer in the 1950s...

Gunnar Nylund "Iller" Stonewear Weasel with stand for Rörstrand Sweden 1960's A beautiful vintage weasel in stoneware by Gunnar Nylund for Ro¨rstrand, Sweden, circa 1960 in perfec...

Sculpture 'Puppy in the World' by Sonja Petterson, Sweden, 2000. Signed. Sonja Petterson was a Swedish sculptor. She studied at Konstfack—the Stockholm University of Arts, Crafts a...

A real vintage classic - the elephant by Kay Bojesen. Made in Denmark. Early example from the second half of the 20th century.

Scandinavian modern wood vintage seven ( 7 ) animal figures from teak wood, 1960s Denmark. An amazing collection of different types of animals. This lovely animals show Two birds wi...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

Kristian Solmer Vedel Family of Oak Birds, circa 2006. Measures: Large: 4.88" Deep x 4" Wide x 4" Tall Medium: 4.38" Deep x 2.75" Wide x 4.75" Tall Small: 2.63" Deep x 1.75...

Pair of Cats in Black Lacquered Wood by Laurids Lønborg, 1960's Additional Information: Material: Black lacquered wood Style: Mid century, Scandinavian Produced in Denmark Dimension...

"Pässi" sculpture by Kaija Aarikka in charcoal-painted wood, an emblematic piece of Finnish design created in 1973, vintage Aarikka edition. "In 1954, Aarikka co-founded together wi...

Danish Knud Kyhn bear family figurines for Royal Copenhagen The lively bears were created by Knud Kyhn (1880-1969) in 1957. Knud Kyhn worked for for Royal Copenhagen from 1903-1910,...

Very rare rattan bull head, wicker wall decoration dates to the 1960s-1970s The proportions are perfect, very decorative. We still have a dark lacqu...

Rare Iconic vintage largest articulated monkey designed by Kay Bojesen, Denmark, 1952. Teak and limba. Articulated joints, head, arms, legs. Can be hung by hands and feet on a shelf ...

Rare and great decorative wooden toteme sculpture in a wabi sabi and primitive style with a black stained foot. In good condition. Goes well with mid century modern furniture...

Beautiful sculpture by Karl Hultström, Sweden, early 19th century. Wear and patina consistent with age and use. Glue residue on cheek and neck, see last 3 pictures. Engraved on the b...

Swedish glass artist. Four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

Mari Simmulson for Upsala Ekeby, Sweden. Ceramic owl sculpture. From the 1960s. Model number: 6058. Marked with the manufacturer's mark. In perfect condition. Dimensions: Height 17.5...

A gorgeous set of vintage Regency brass deer. A beautiful set of one buck and one doe. Acquired from a Palm Beach estate

Swedish glass artist, four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

Dimensions: 13cm H , 12cm Diameter Condition: Mint

A fantastic pair of vintage Regency bookends. A reproduction of Auguste Robin’s “The Thinker”. A patinated bronze finish over plaster. Marked in back. Acquired from a Miami estate.

A fabulous pair of vintage Regency Foo dogs. A chic glazed ceramic in a brilliant Emerald green. Acquired from a Palm Beach estate.

Ceramic sculpture in Scandinavian Style, 1960’s Additional Information: Material: Ceramic Style: Mid century, Scandinavian Dimensions: (W x D x H): 10.5 x 17.5 x 12 cm Condition: G...

A fantastic vintage Regency pair of deer. Beautiful engraved couple with a heavy brass body. Acquired from a Palm Beach estate

Bertil Vallien for Kosta Boda Brains Head orange glass

A handsome pair of vintage Regency obelisks. A cast terracotta with a cerused finish. Happy elephants with their trunks up for good luck. Acquired from a Palm Beach estate

This Scandinavian Original vintage genuine Kay Bojesen wooden articulated Bear toy was designed and produced by Kay Bojesen, Denmark in the 1950s. This bea...

Hjorth, Bornholm, Denmark, fisherwoman figurine in glazed ceramic. Mid-20th century. Model 503. Marked. In excellent condition. Dimensions: H 18.0 cm x D 11.5 cm.

Mari Simmulson (1911-2000) for Upsala Ekeby. Ceramic figurine of a girl with two cats. Model number: 43145/748. Marked and labeled. Perfect condition. Dimensions: H 17.0 cm x D 7.5 cm.

Mid Century Danish modern stylized teak bird sculpture. Solid teak body with brass feet. 1950s. Unmarked,

Signed: On top Kosta Boda Bertil Vallien On the Bottom: Atelier 949009 / 1000 Dimensions: 17,5cm W, 4cmH, 5,5cmD With stand : 7,5cm H, 6,5cm D, 10 cm...

Dimensions: From left to right 1st photo: White : 11cm diameter , 6cm Height Blue : 10,5cm Height 7,5cm Diameter Brown: 16cm Heigth , 12cm Diameter White: 13cm Height, 10,5cm Diamete...

Mid-century Swedish Brutalist fire screen by Olle Hermansson for Husqvarna. Capture attention with this extraordinary mid-century Swedish Brutal...

Corbels are conventionally used as an architectural fixture. However, this pair of antique corbels are simply too beautiful to be mounted to a ...

Danish Knud Kyhn bear figurine for Royal Copenhagen The lively bear was created by Knud Kyhn (1880-1969) in 1957. Knud Kyhn worked for for Royal Copenhagen from 1903-1910, 1924-1932...

A vintage kinetic ball sculpture in black and silver by Laurids Lonborg, a Danish housewares and decorative objects powerhouse. Black metal bas...

Tall Scandinavian Modern glass ice sculpture, of full lead crystal glass, designed by Bengt Edenfalk for Skruf with wooden base.

Bertil Vallien for Kosta Boda - Headman Blue

Dimensions: 5cm H, 8cm Diameter Condition: Mint Origin: Sweden Manufacturer: Kosta Boda Designer: Bertil vallien Material : Glass

This Scandinavian Original vintage genuine wooden articulated toy mouse was designed in Denmark 1950s and produced by H F Denmark as it is marked on the underside. It is in wonderfu...

Bertil Vallien for Kosta Boda Sweden mini sculpture , 1990’s

Monica Backström unique glass sculpture, Kosta Boda, Sweden

Arne Bang Danish Ceramic fish in a beautiful glaze of varying greens and earth tones. Marked AB.

Clear glass with enclosed polychrome decoration of face, heart and two copper figures. Signed KOSTA BODA Glue. Ed 250, produced in a maximum of 250 copies. Dimensions: 21 cm H, 14cm...

Bertil Vallien for Kosta Boda Sweden mini sculpture , 1990’s

Kjell Engman for Kosta Boda Sweden High Heel Shoe on Pillow figurine